Children's Review: The Boy, the Bird, and the Coffin Maker

Allora is a town where "fish jump out of the sea and straight into your mouth." A town where "you never get cold because even in winter the sun keeps the snow away." And, best of all, Allora is a town "so far away from everything else," he will never find them again.

Sadly for the boy and "his little bird and only friend," his mum's stories about Allora are exaggerations. One year after their arrival, his mother has died, and young Tito Bonito is cold, hungry and stealing food from kindly coffin maker Alberto. Some 30 years ago, a plague struck Allora, and Alberto lost his entire family to "the sickness." Now the old man lives alone in his quiet house, building coffins during the day so the dead may rest comfortably, and working on his own coffin at night. When Tito and his bird find their way to him, Alberto's somber routine begins to change.

After setting a trap to catch the thief, Alberto is surprised to discover that the culprit is a child whose face has the likeness "of a woman he had buried five weeks before." Even though Tito flees, the old man vows to solve the mystery of who is caring for this frightened boy, and to help "as best [he] can." Alberto begins leaving food out, and Tito grows comfortable enough to come back every day. He joins the coffin maker in his workshop, learning, talking, working, "and for the first time in thirty years, the room [echoes] with two voices instead of one." But Tito is still "absolutely terrified" about something, and it takes nearly dying in a bitter storm before he fully accepts the new home Alberto so freely offers.

Just as Allora is a town of "impossibilities," where you "tilt your head toward the sky to see magic every day and deep into every night," so is the legendary Isola Mountain, in a story Alberto reads to Tito each evening. Isola is a place of enchantment, home to trees made of silver, flowers made of rubies and blades of grass made of emeralds. But perhaps most fantastical of all things in Matilda Woods's delightful novel is Tito's "bright little bird," Fia, whose eyes flicker gold when she spies gentle Alberto for the first time. When the reason for Tito's fears materializes, Fia brings all of the magic of Isola to bear in forging a solution.

Woods has penned a gentle fable, one rich in hope that promotes the strength of kindness. Her magical realism nods to the likes of Isabel Allende and Gabriel García Márquez, perfectly tailoring the genre for a middle-grade audience. Anuska Allepuz's whimsical illustrations add to the magical feel. Sweet, earnest and not to be missed. --Lynn Becker, blogger and host of Book Talk, a monthly online discussion of children's books for SCBWI

Shelf Talker: Lonely Alberto's days are transformed when a young, scared boy and his magical bird become part of his life.

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