Review: The Book of Emma Reyes

Emma Reyes was a Colombian painter who worked with Diego Rivera and Frida Kahlo and spent most of her adult life in Paris. The Book of Emma Reyes is her childhood memoir, written between 1969 and 1997, in the form of 23 letters to a friend who suggested this method for finally putting down her horrifying and enthralling stories.

Nothing about this memoir is sentimental. Reyes's earliest memories are of extreme poverty in a slum of Bogotá, living with her older sister and a brother who was taken away without explanation. The head of this household was an abusive erratic young woman who Reyes barely realized was her mother, "a woman I remember only as an enormous tangle of black hair; it covered her completely, and when it was down I'd scream with fright and hide under the bed." She would lock the children into their windowless room for days at a time while she went away, she uprooted them repeatedly for mysterious reasons related to men she was seeing, and eventually she abandoned the sisters to a convent when they were five and six years old.

There the girls joined 150 others in working 10-hour days to earn their keep, at first doing heavy cleaning, later fine embroidery for outside customers. The adults they encountered almost all seemed to share the same approach to children: hard work, fear and violence. Reyes had no schooling until she was 10, and not much thereafter. These horrors and deprivations are told with the same open innocent perception as the many wonders she remembers as well: a spectacular neighborhood fire, a general made by her friends out of clay, a pet pig, an adored baby, a player piano. Each time Reyes found someone or something to love, she lost them through some catastrophe. She was a plain, fearful, violently expressive girl, and soon found herself in the shadow of her pretty older sister, separated and slowly alienated from her. This is a memoir of extreme hardships told in a clear restrained style, with an ending that leaves the reader wishing for more. --Sara Catterall

Shelf Talker: This memoir in 23 letters is a perceptive, straightforward account of an impoverished girl's intense sufferings and joys in 1920s and '30s Colombia.

Powered by: Xtenit