We the Animals

This debut novel's titular "animals" are three boys, nine, eight and six, fighting each other, their parents and life in general. Their Paps is Puerto Rican, big and strong and violent, a serial womanizer; Mami is white, barely five feet tall, fragile and fierce, and works the graveyard shift at the brewery. The boys are left, unsupervised, without food, waiting for Mami to come home, wondering if she will be drunk or sober. When Paps disappears for weeks, Mami is too desolate to work, so their situation becomes even worse.

Mami was 14 when Paps, 16, convinced her that what they were up to would not make her pregnant. Despite Paps's reassurances, Manny was born, followed by Joel a year later and then the narrator, Justin, the odd boy out. The disillusionment, desperation, fear and anger felt by these too-young parents is frequently mitigated by their love for each other and for their boys. When Torres writes of the occasional calming influence of their love, it is as if a cooling rain has suddenly fallen on a raging fire. The three brothers are wild animals, out-of-control marauders in hand-me-down camo clothes, playing war in the woods--who then use all their pocket money to buy milk for a stray cat.

Torres's first-rate prose will leave you gut-socked and breathless. Narrator Justin tries so hard to be macho for his Paps and his Mami, his brothers and--mostly--himself. But macho is not who he is. In "The Night I Was Made," he returns home from cruising the bus station to find his family gathered, his mother reading his journal. He is filthy, unkempt, reeking of sex and the street, wounded in too many ways and now raging at his family. His father bathes him tenderly; they pack his suitcase and take him to a hospital where his wounds, internal and external, will be cared for. Everyone is exhausted, including the reader, but the redeeming factor here is that the writing is exquisite, making the painful trip so worthwhile. --Valerie Ryan

Powered by: Xtenit