Kikuko Tsumura's delightfully quirky Lie Concierge presents quotidian snapshots of women's lives across 11 stories, replete with poignant observations and sharp insights. As in her U.S. fiction debut, There's No Such Thing as an Easy Job, women at work take the spotlight.
The titular story is a charming two-parter that irrefutably confirms that one lie begets another--in this case, a mendaciously rollicking continuation. "I wasn't 'a liar.' I was 'a person who could lie,' " Minori insists. Her first falsehood to a dishonest acquaintance leads to an elaborate performance to help her niece, Saki, which then proves so successful that Saki brings Minori a not-yet friend in need of misleading his grandmother. Minori's effective prevarication follows her into work, and in Part II, she's fielding requests from her higher-ups for believable excuses with--eventually--surprisingly honest outcomes.
For many of Tsumura's women, dealing with stress and frustrations motivates all manner of unexpected methods. In "The Third Bad Habit," Ms. Nakayama steals then smashes her mother's dishes against the wall at work whenever maternal annoyances overwhelm her. In "Where Things Pass You By," Ms. Kurata manages growing professional and personal discomforts by observing life from a subway station platform bench. And in "In-House Ghost Photos," the late Mrs. Komai helps a newer employee navigate around the hateful senior managing director, and the newbie then manages a brief reunion of sorts between Mrs. Komai and her beloved husband.
Women experience warm connections in "The Buying-Spree Chronicles," about a granddaughter who inherits her grandfather's 168 green pens and gathers an appreciative community while giving them away; in "Two Thousand Company Drinks," about Ms. Yokoi, who discovers enjoyable companionship with an older colleague whose retirement party she's asked to plan; and in "The Catch-Up Girl," in which young Sanae draws support and inspiration from an older student to better handle school's social pressures and disappointments. In "The Birthday Ritual," Saeko reclaims her natal day instead of dreading it as the anniversary of the end of the marriage she regrets.
Buoyantly translated by Yuki Tejima, who lives in Tokyo, Tsumura's narratives acknowledge and highlight women who are too often unseen until their labor is needed--at the office, at school, in their homes. Tsumura repeatedly reveals abundant inner lives as they witness, react, and digest everyday experiences, from the minor (what to eat next?) to undoubtedly more significant ones, such as pivoting careers or ending (and starting) relationships. Restless, questioning, revealing, and undeniably funny, Tsumura's stories promise to entertain and enlighten. --Terry Hong
Shelf Talker: Kikuko Tsumura's gently probing, poignantly humorous 11 stories in Lie Concierge feature working women navigating their daily lives.