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| photo: Sean Kara |
Emily Doyle is the author of the short story collection Please Don't Touch the Body (Bloomsbury, July 14), which was named a Most Anticipated Book of 2026 by Literary Hub, the Chicago Review of Books, and Debutiful. Her work has appeared in publications such as Ploughshares, the Kenyon Review, and the Sun, and she has received support from the Bread Loaf-Rona Jaffe Foundation, the Abraham Lincoln Polonsky Endowment, and the Bergman Estate. She lives in Los Angeles and teaches at the University of California, Riverside.
Handsell readers your book in 25 words or less:
Please Don't Touch the Body is a collection of genre-bending stories about what's simultaneously wonderful and fucked up about being a woman.
On your nightstand now:
On Morrison, Namwali Serpell's excellent book analyzing Toni Morrison's genius; Children of Time, Adrian Tchaikovsky's engrossing science fiction novel about whether humanity can overcome its tendency to destroy itself through infighting (we'll see what happens--I'm only halfway through); and The Flayed Man, the terrifying and entertaining debut vampire novel from my friend Chloe Lauter.
Favorite book when you were a child:
I must cheat and choose two books: Beverly Cleary's Beezus and Ramona, following a pair of wacky sisters' suburban misadventures, and C.S. Lewis's The Lion, the Witch and the Wardrobe, about the journey of four siblings through a magical land. I'll never forget the breathlessness with which I first read the wardrobe scene in The Lion, the Witch and the Wardrobe, when the kids transition from their war-torn world to the fantastical Narnia. As the love child of the distinct sensibilities of Cleary and Lewis, I think it makes sense that my work straddles the everyday and the wondrous.
Your top five authors:
Nothing surprising here, but: Claire Keegan, N.K. Jemisin, Madeline Miller, Toni Morrison, and E.M. Forster. Titans, all.
Book you've faked reading:
As an undergraduate English major at U.C. Berkeley, I was assigned many a novel by William Faulkner and finished not one. For the first half of every book, I would find his writing mesmerizing, and then what I saw as the deep nihilism at the heart of his stories would begin to demoralize me, and finally at around the 75% mark I couldn't bring myself to turn another page.
Book you're an evangelist for:
Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin. It's one of those books I think almost anyone would love--accessible, propulsive, heartrending, and stylistically adventurous.
Book you've bought for the cover:
As a teen, I was addicted to Barnes & Noble's collected works series, which were enormous, thin-paged tomes and, for that reason, uncomfortable to actually read. The collected works of Edgar Allan Poe stands out in my memory--black pleather with a faux-gold design of a raven. Perfect.
Book you hid from your parents:
I never had to hide any books from my parents because, for some reason, books almost entirely escaped the purview of their religiously fueled censorship. My dad even bought me a copy of Anthony Burgess's A Clockwork Orange when I was 13, the one with the cover of a face on fire. He was reluctant about that one, but after I assured him that it was free of inappropriate content (a statement we both must have known to be a lie), he bought it for me. My parents let me have my books.
Book that changed your life:
Throughout my preteen years, Wuthering Heights by Emily Brontë was for me the thing--and it didn't change me entirely for the better, by the way. For a long time I thought Catherine and Heathcliff were the height of romance. Now I understand they were the height of codependence.
Favorite line from a book:
I'm fascinated by this line from Franz Kafka's The Metamorphosis: "Was he an animal if music could captivate him so?" It's a question that turns in on itself, emphasizing the protagonist's loneliness just when he believes he is connecting with others, tempting the reader to answer no in one moment and yes in the next, and bringing to mind the inherent difficulties we humans face when we root our humanity in a disavowal of our animality.
Five books you'll never part with:
R.O. Kwon's The Incendiaries, Alice Munro's Runaway, N.K. Jemisin's The Fifth Season, E.M. Forster's Maurice, and Carmen Maria Machado's Her Body and Other Parties. All precisely but, in important ways, wonkily written--my favorite.
Book you most want to read again for the first time:
Susanna Clarke's Piranesi because it gave me the same feeling that I got when I first read Lewis's The Lion, the Witch and the Wardrobe--that goose-pimply feeling of being enchanted by another world. What a difficult and magnificent thing for a writer to do for an adult reader. Clarke cast a powerful spell when she wrote that book.
An author whose next book you're eagerly awaiting:
Nana Kwame Adjei-Brenyah. As he's proven through his painfully perceptive books, Friday Black and Chain-Gang All-Stars, Adjei-Brenyah sees systems and people with a clarity that frightens and fascinates. Everyone should be studying his work. I think he's one of the most exciting authors alive today, and I look forward to what he publishes next.