At Penguin Random House, First Half Revenues Rise 2.3%
In the first six months of the year, group revenues at Bertelsmann rose 2.3%, to €9.3 billion (about $10.8 billion), and group profit rose 45%, to €292 million ($340 million). At Penguin Random House, revenues rose 2.3%, to €2.376 billion ($2.77 billion), and EBITDA slipped 1.6%, to €251 million ($292 million).
Emphasizing that Bertelsmann had organic growth of more than 5%, chairman & CEO Thomas Rabe said that "nearly all divisions contributed to that growth, particularly Penguin Random House, BMG, Arvato, Bertelsmann Education Group, and Bertelsmann Investments."
In a letter to staff, PRH CEO Nihar Malaviya commented, saying in part, "Driven by strong new releases and the enduring strength of our backlist, we grew revenues despite continued macroeconomic uncertainty. Penguin Random House companies around the world outperformed their markets, whether those markets were growing or softer. That is a significant achievement and a credit to our local teams. Across our business, the United States and Grupo Editorial delivered strong revenue growth, the U.K. and Germany gained market share, and DK continued to grow steadily. While our profitability was slightly lower, mainly due to increased costs and currency effects, we remain on track to meet our financial goals for the year."
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| Nihar Malaviya | |
Malaviya pointed to "just a few of the thousands of remarkable titles you've put in readers' hands around the world this year.... Brian Goldstone's There Is No Place For Us was awarded the Pulitzer Prize for General Nonfiction. Andy Weir's Project Hail Mary and Emily Henry's People We Meet on Vacation reached new audiences through successful page-to-screen adaptations. Caro Claire Burke's Yesteryear was the book people couldn't stop talking about, and Angela Song's For the Fans! (KPOP Demon Hunters) captured a global pop culture phenomenon. Virginia Evans's The Correspondent became a defining literary success. We also saw standout local bestsellers around the world, including Ferdinand von Schirach's Alexander in Germany, Sudha Murty's How the Chilli Became Hot in India, Charlotte McConaghy's Wild Dark Shore in Australia, and Juan Gómez-Jurado's Mentira in Spain.
He also acknowledged the death this week of Dolly Parton, "one of our authors and one of the book world's most extraordinary champions... Dolly was a singular cultural force, humanitarian, and role model who took particular pride in being known as 'The Book Lady.' Among her many achievements, her dedication to children's literacy will remain one of her most enduring legacies. We look forward to carrying on her vision for many years to come."
In comments about the state of the business in general, he added that "a lot is changing around us. AI is impacting every industry, including ours. The media landscape is increasingly crowded and fragmented. We continue to face geopolitical, economic, and environmental challenges. While many of us may be feeling some uncertainty, I believe we are well positioned to navigate what comes next. Across the company, we are taking practical steps to respond to these changes and prepare for the future. That includes keeping our authors' interests at the center as AI evolves, using technology to help readers discover our books in new ways, and building the capabilities we will need in the months and years ahead."










The spotlight on various genres is highlighted by the store's location in a house, as well as its layout, which features areas separated and color-coded by genre. The combination fantasy and thriller room is purple, the general fiction room is a deep green, and the romance room is pink, Seeser noted, adding that the space is primarily yellow with a few reading areas and writing tables.
In May, owners Kevin and Kasey Coolidge
Kirk Fox signed copies of his mystery thriller Palmdale (Meridia Books) in Palmdale, Calif., for a sold-out crowd at Barnes & Noble. 
Big Little Truths by Liane Moriarty (Crown) is the September pick for
The Reading Bug
Book you're an evangelist for:
The heroine of No Such Thing as Monday by Siân Hughes expertly removes laundry stains at the dry cleaners where she works, but it is the memories of her blemished past she can't erase. A poignant, darkly satirical story inspired by a medieval poem called "Cleanness," Hughes's second novel is set in the heart of contemporary, working-class England and is centered on her narrator's search for the sister who ran away from home in her teens.