David Wojnarowicz was an incendiary painter, photographer, filmmaker and activist at the gritty heart of Manhattan's East Village art scene in the 1980s. He died in 1992, at the age of 37, due to complications of AIDS.
In an unflinching and incredibly humane portrait of his life and death, Cynthia Carr draws from extensive interviews, Wojnarowicz's writings and her own memories of him to recount the experiences, relationships and passions that informed his work. That art is strewn with the "relics and rubble" that fascinated him and marked by themes of destruction and corrupted spirituality--and, near the end of his life, a visceral condemnation of a government that ignored the AIDS crisis.
Wojnarowicz emerges from these pages as a forceful, enigmatic character, "a truth-teller who kept secrets, a loner who loved to collaborate, an artist who craved recognition but did not want to be seen." Carr's probing, masterful storytelling suggests his traumatic early life--an abusive childhood and an adolescence hustling in Times Square--was the foundation for his legendary temper, complex relationships and his artistic and existential sensibilities.
Carr, who covered art for the Village Voice for nearly 20 years, was a friend of Wojnarowicz as well as a witness to the "discovery, exploitation, and demise" of the East Village scene in which he played a pivotal role. Her clear-eyed but impassioned analysis of the double-pronged assault of gentrification and AIDS that destroyed "New York's last bohemia" elevates Fire in the Belly from biography to requiem. --Hannah Calkins, blogger at Unpunished Vice