In his beautifully rendered, wordless debut, Yuan Pan chronicles the deepening bond between father and son and the pain of its loss.
The artist uses panoramic and close-up views in sepia tones to convey the passage of time. A landscape view of clustered rooftops places readers in China. A quartet of scenes shows father and son preparing a simple meal, chopping and stirring, then sitting together at a wooden table, eating with chopsticks. The father sees his son to the bus stop, then waves goodbye, as the young man watches through the bus's rear window. Pan brilliantly telegraphs the passage of time by repeating the father's wave in all seasons, in a suite of four views that stretch across the center of a double-page spread. His art calls to mind Shaun Tan's work in The Arrival as the son, now a man, travels overseas by plane to an alien land of staircases with mysterious endpoints and serpentine highways. A quartet of images of a single tree through the four seasons creates a visual resonance with the father's farewell wave in the previous four-part suite. And then, a late-night phone call summons the son home, over the clustered rooftops, to his bedridden father.
Pan's paring back to the barest of images and his careful use of repetition create layers of complexity. The father's constant presence results in Pan's delivery of an emotional wallop when his hero must face the man's absence. Readers will eagerly anticipate the next project from this talented artist and storyteller. --Jennifer M. Brown, children's editor, Shelf Awareness