"In 1951, [San Francisco] was a wide-open city, and it seemed like you could do anything you wanted to here. It was like there was so much missing that if it was going to be a real city, there was so much that it had to get, that it didn't have. And, for instance, as far as bookstores go, all the bookstores closed at 5 p.m. and they weren't open on the weekends. And there was no place to sit down. And there was usually a clerk on top of you asking you what you wanted.
"And so the first thing I realized, there was no bookstore to become the locus for the literary community. It's really important if you're going to have a literary community, it has to have a locus. It just can't be out there in the air. So, from the very beginning, when we started City Lights in June 1953, the idea was to make it a locus for the new literary community that had developed out of the Berkeley Renaissance, so called, and it proved to be true. People just flocked to it because there had been no locus for the literary life."