Shelf Awareness for Readers for Tuesday, January 8, 2013

Viking: Etta Mae's Worst Bad-Luck Day by Ann B Ross

From My Shelf

Bookish Footprints in the Snow

Standing alone on a bridge,
he glances over his shoulder
at footprints in the snow.

Those lines are not from the extraordinary book I'm currently reading--The Bird that Swallowed Its Cage: The Selected Writings of Curzio Malaparte, adapted and translated by Walter Murch (Counterpoint). They're from a poem I wrote a long time ago and recalled while immersed in Malaparte's words, as filtered through the perceptive lens of Murch's self-described "aerating" translations into prose and poetry.

"Lens" is an appropriate term to use here because the "footprints in the snow" image involves a seasonally appropriate literary journey back in time to a moment in 1992 when I was given a copy of Michael Ondaatje's The English Patient.

My love for that novel led me inevitably to watch Anthony Minghella's 1996 movie adaptation, which had been edited by Murch, a legendary film and sound editor whose credits include American Graffitti, The Conversation, Apocalypse Now, The Godfather and The Unbearable Lightness of Being.

In 2002, Knopf published The Conversations: Walter Murch & the Art of Editing Film, culled from a year of discussions between Ondaatje and Murch. It is a great read for film buffs, as well as one of the best works on writing and editing I've ever encountered. At one point, Murch compares the process of film adaptation to translating Malaparte, noting that "many of the decisions you make--when you go from a book to a script and then from a script to shooting and from shooting to editing--are like translating from one language to another, from the language of words to the language of images and sounds."

"The snow covering the ground nearby glowed softly in the milky daylight," Malaparte writes, through Murch's lens. Now I'm enthralled by The Bird that Swallowed Its Cage and wonder, as every reader does, where these bookish footprints will venture next? --Robert Gray, contributing editor, Shelf Awareness

Picador: The Kills by Richard House

Poisoned Pen Press: The Spirit and the Skull by J. M. Hayes

Riverhead: The Paying Guests by Sarah Waters

Book Candy

Author Snow Pics; Addictive Series; Global Literary Graffiti

What could be more appropriate in this chilly season than Flavorwire's selection of "photos of famous authors playing in the snow"?

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Ten book series "so addictive, you never want them to end" were suggested by i09.

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Noting the "the amount of bookish graffiti that peppers public walls from New York City to London to Yerevan," Flavorwire showcased a selection of "literary graffiti from all over the world."

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"Anyone can throw a bookshelf into a corner of a room and call it a day. It takes a bit more planning and effort to install a large wall unit bookcase," Dornob observed in featuring "10 gorgeous wall-mounted bookcases."

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Helen Baker's Wizard of Oz book sculpture "shows a literary journey down the Yellow Brick Road," Neatorama wrote.

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Actress Emerald Fennell, whose debut novel, Shiverton Hall, will be published later this month, picked her "top 10 villainesses" for the Guardian.

AuthorBuzz: Blood Feud by Daniel Harris

The Writer's Life

Lisa O'Donnell: The Monsters in Us

Winner of the 2000 Orange Screenwriting Prize for The Wedding Gift, Scottish author Lisa O'Donnell lives in Los Angeles with her two children. She recently took a moment away from her next novel, Closed Doors, to talk with us about her debut, The Death of Bees (Harper, January 2, 2013), reviewed below.

How did you develop Marnie and Nelly?

Marnie is older than any 15-year-old should ever be. She buries her parents in the back yard and adopts a level of responsibility that's absolutely obscene for her age. She is someone who can endure and has already braved years of living with two very neglectful parents, and so has Nelly. Now that their parents are dead, Marnie must assume a larger role in life, as provider and protector for herself and for her sister, but she becomes overwhelmed. Though she thinks of herself as a mature woman, I'd have her do something like fall over, graze her leg and suck at her knee just to remind the reader she's still a child. I built characters like Lennie and Vlado around Marnie to protect her from herself and keep her strong, but also to remind Marnie she is a 15-year-old girl, something she forgets. Nelly is the flipside of her sister. She has Asperger's, a mild form of autism. She is highly functioning, however, and when Marnie unravels, I give Nelly the reins.

Can you describe the genesis of The Death of Bees?

I think everyone has a monster in them, something dark they don't want people to know about. The scariest people are those who deny their monsters. Lennie never denies his. He hates himself for what he did, and his conscience gives him no peace. It is Lennie's conscience that brings the girls to his kitchen table. He wants to save them, and without realizing it, he brings Marnie and Nelly's darkness into his home.

Tell us about the contrast between morality and legality in the book.

The conflict between what's morally right or wrong and what's legally right or wrong is at the heart of most writers' work. In the U.K., for example, asylum seekers are not allowed to work or even enter full-time education. These are professional and educated people, remember, not transient scroungers. They're completely dependent on a welfare state for everything, and it's not a generous government. I created Vlado to reflect that reality. It's wrong that he turns to crime to survive, but he's a broken person. He's lost everything. He simply snapped and stopped caring about life, but then he meets Marnie. She makes him care again for all the things he's lost. She forces him to grieve. He also gets caught in the end. No one gets away with anything in The Death of Bees. At the end of the day, everyone is confronted by their inner darkness.

How does your screenwriting background affect your novel writing? Can you envision Death of Bees as a film?

It took me a long time to pluck up the courage to write a novel. It seemed such a daunting task, but writing in the first person helped a lot and I attribute that to a keen sense of dialogue, which obviously stems from my experiences as a screenwriter. The characters speak to the reader, and I hope the reader can hear them and come to know them because of it. Do I see it as a film? Yes, I do. It's a black comedy, and though it's dark in content, it still permits the audience to laugh while providing the drama needed to make a film.

How did you develop the character of the girls' volatile grandfather?

I needed jeopardy, something intense that threatens to reveal what's buried at the bottom of the garden, someone to tip the world everyone is living in over the edge. Robert T. MacDonald is that someone. I enjoyed writing him. He's so unbalanced, and when he eventually possesses his granddaughters, it gives the reader insight into how strong these girls have actually become, because they're able to resist him.

Tell us about your creative process.

It takes me a long time and a lot of false starts before I write something I'm happy with. When I wrote The Death of Bees, I wrote six sentences and looked at them for an age before I wrote anything else. They were Marnie's first words.I wasn't even sure whether it was a screenplay or a novel in the beginning. Obviously I opted for novel, and once I had Marnie say something else, the rest of the book just came to me. I am very disciplined when I'm writing. If I don't want to write, that's when I really make myself. Eventually you'll get where you're going in your novel, but only if you work at it. --Jaclyn Fulwood, youth services manager, Latah County Library District; blogger at Infinite Reads

Morrow: Boomerang by Noelle August

Book Review

Fiction

Threads of the Heart

by Carole Martinez , trans. by Howard Curtis

Frasquita has been given a gift that has passed down through the women in her family for generations. The gift comes in a small box that must be kept closed for nine months before revealing its treasure; when Frasquita opens it, she finds a sewing kit with threads of the most marvelous colors. For the rest of her life, she possesses unparalleled skill with the needle, creating for herself a wedding dress that draws beauty from the world, stitching a man back to his lost shadow, even sewing together her husband's rooster after it loses a cock fight. Frasquita's gift quickly becomes a curse, however, as her friends and neighbors brand her a sorceress and her husband descends into madness. And so she flees her small town, taking her five children, her sewing kit and her hopes of sparing her daughters her own horrible fate.

Carole Martinez's Threads of the Heart, a bestseller in Europe, tells Frasquita's story from the eyes of a daughter attempting to lay her mother's memory to rest. Martinez gives readers a whimsical, heartbreaking story of love and spells and beauty in which magic and reality are woven so tightly together that the two become inextricable. The result is a novel at once mythical in its scope and haunting in its realism, sure to be remembered long past the turn of the last page. --Kerry McHugh, blogger at Entomology of a Bookworm

Discover: A haunting novel of magic and sorcery and seamstresses, from the publisher who introduced America to The Elegance of the Hedgehog.

Europa Editions, $17, paperback, 9781609450878

Bookperk: Bookperk

Me Before You

by Jojo Moyes

Jojo Moyes's Me Before You is a wistful modern retelling of Beauty and the Beast with an ethical conundrum at its core. When Louisa Clark loses her job waiting tables at a local café, she's desperate to find work and winds up taking a position as caretaker to a quadriplegic man. Given her lack of health care experience, Louisa can't understand why the family would hire her. Then she meets the patient.

Will Traynor's fast-paced life of big business, international travel and daredevil hobbies ended when a motorcycle accident left him paralyzed below the shoulders; he's become caustic, withdrawn and nearly unbearable. When Louisa finds out he plans to commit assisted suicide in six months, her first instinct is to quit, but instead she sets out to change his mind with a hit-and-miss series of adventures that ultimately brings her out of her own shell. Before she knows it, saving Will's life is intimately connected to saving herself from heartbreak.

Given her chirpy personality, quirky sense of humor and enormous capacity for compassion, it's no surprise even moody, sarcastic Will finds Louisa irresistible. And though he never completely loses his edge, once Will lets his guard down, he's as charming and eloquent a hero as any romance reader could wish for. While the story contains several "pass the Kleenex" moments, the romance between these two irrepressible souls only intensifies the novel's core question: at what point should a disabled person's friends and family acknowledge that if he can no longer control his life, he should be allowed to end it? --Jaclyn Fulwood, youth services manager, Latah County Library District; blogger at Infinite Reads

Discover: This funny and moving love story about a sheltered young woman and a withdrawn quadriplegic man has already stolen hearts in the U.K.

Pamela Dorman/Viking, $27.95, hardcover, 9780670026609

Finding Camlann

by Sean Pidgeon , Charles Fenn

What's Camlann, you ask? It's where King Arthur fought and died, run through by his enemy Mordred's sword. That's what the legend tells us, but no one is sure where Camlann is. Debut novelist Sean Pidgeon approaches the subject from a different angle in Finding Camlann. It's part love story, part literary suspense, part archeology quest... but all Welsh.

Archeologist Donald Gladstone hopes to publish a book about the "real" Arthur, as revealed in the literary and historical record. He hears news of an exciting archeological discovery at Devil's Barrow near Stonehenge--bones of ancient fighters and a "magical chalice" that might be the Holy Grail. Could it be the burial site for Arthur and Guinevere? Add to this his discovery of an old Welsh poem about Arthur that seems to contain a geographical reference to the Barrow. Then add Julia Llewellyn, who works at the Oxford English Dictionary and is fluent in Old and Middle Welsh. Pidgeon weaves an intricate tale drawing on literature, dusty manuscripts and variant translations of ancient texts. Then there's the geography of Wales, which plays a significant role in the novel, as does the historical undercurrent of Welsh hatred for all things English. There's also a mysterious group of militant Welsh nationalists, to which Hugh may belong.

Finding Camlann shares plot elements similar to those of a Dan Brown novel, but it's more like Umberto Eco's The Name of the Rose in terms of the serious, sometimes arcane way it involves the reader in scholarly and historical matters. Although the romance part of Pidgeon's tale doesn't quite catch fire, readers interested in a thoughtful mystery with strong literary underpinnings will enjoy the bookish puzzles hidden within. --Tom Lavoie, former publisher

Discover: An enthralling literary and archeological mystery about King Arthur's legendary burial place in ancient Wales.

W.W. Norton, $26.95, hardcover, 9780393073294

The Death of Bees

by Lisa O'Donnell

It's Christmas Eve in Scotland: 15-year-old Marnie and her 12-year-old sister, Nelly, have just finished burying their parents in the back garden, and they have no one to turn to but the kindly old sex offender who lives next door. Sound familiar? Didn't think so.

Lisa O'Donnell's wildly original debut The Death of Bees examines the intricacies of betrayal and loyalty within one family. Marnie and Nelly are used to a life of abuse and neglect, though only they know the fact and manner of their parents' deaths. Marnie fears they will be separated and put into foster care if the authorities learn their parents are dead. Desperate for food and adult guidance, the girls take shelter with their elderly neighbor Lennie, a gay man who became a registered sex offender when he was caught soliciting sex from a boy he didn't realize was underage. Lonely Lennie gladly plays along, cooking them meals, accompanying aspiring violinist Nelly on the piano, even pretending to be their uncle for the benefit of school administrators.

Unfortunately, their fragile idyll cannot last. Since neither girl expects anyone to miss their lowlife parents, they're surprised when their estranged grandfather comes to town to make amends--and dismayed when he turns out to be the polar opposite of fatherly Lennie. Part coming-of-age tale, part seedy urban drama, and part testament to the sibling bond, this darkly introspective and clever novel juxtaposes sisters who shield themselves from a harsh life in very different ways. O'Donnell's debut is a gritty but redemptive take on family and the price of secrets. --Jaclyn Fulwood, youth services manager, Latah County Library District; blogger at Infinite Reads

Discover: A startlingly original debut about two young girls who must conceal the deaths of their lowlife parents in order to remain together.

Harper, $25.99, hardcover, 9780062209849

Kind of Kin

by Rilla Askew

Rilla Askew (The Mercy Seat) steps out of her usual historical fiction with Kind of Kin, a novel that touches on both the timeless theme of family bonds and the timely theme of illegal immigration.

Bob Brown's arrest shocks the citizens of tiny Cedar, Okla. In an exercise in radical Christian discipleship, Bob sheltered a handful of frightened illegal Mexican immigrants in his barn, only to find himself betrayed to the law by someone close to him. In his absence, his daughter, Sweet, takes over the care of her orphaned nephew, Dustin--one more worry for a woman already dealing with a tight household budget, her husband's constant trips for his job and a son even she admits is turning into a bully. When Dustin runs away, Sweet finds herself in the middle of a media circus, just as Dustin's older sister comes seeking shelter for her husband, who's returned to the U.S. after being deported to Mexico.

Askew's vividly authentic portrayal of small-town, working-class Oklahomans encompasses their gossipmongering and fear of the unknown without mockery, along with rendering their core values, tenacious spirit and bone-deep sense of hospitality without becoming trite or twee. In Kind of Kin, she has crafted an uncannily real cast of characters whose attempts to go about their daily lives intersect with religious and political issues and the choice between the right way and the easy way. Her sensitive and humanizing treatment of this hot-button issue is sure to provoke thought and discussion no matter the reader's political leanings. --Jaclyn Fulwood, youth services manager, Latah County Library District; blogger at Infinite Reads

Discover: Askew (Harpsong) presents an authentic and endearing portrait of modern-day Oklahoma in her thought-provoking examination of the effects of illegal immigration laws on ordinary citizens.

Ecco, $25.99, hardcover, 9780062198792

Mystery & Thriller

Ratlines

by Stuart Neville

The title of Stuart Neville's standalone thriller Ratlines refers to the underground network that helped former Nazis and their associates escape Germany after the Second World War, one of which led to the Republic of Ireland, which remained neutral during the war. The year is 1963: President Kennedy is planning a visit to his ancestral country, and Nazi war criminals living there are being murdered. The nation's Minister for Justice orders Lieutenant Albert Ryan, an agent in the Directorate of Intelligence, to investigate the killings. Ryan doesn't like the assignment much, especially since he has to protect the next threatened target, the real-life figure Otto Skorzeny, a ruthless man and commando most famous for rescuing Mussolini in 1943 who plays an important role in the ratline network. Ryan finds that the lines between right and wrong are muddled, and the only moral compass he can follow is his own.

Set in a time when James Bond was becoming popular, Neville's lean, mean prose tells a brutal story that's the opposite of 007--glossy but no less captivating. At first, Ryan seems like a rules-following government flack, but readers discover what he's made of when the bad guys mess with people close to him. Ryan takes matters into his hands, exposing a side that's dangerous--and exciting. He encounters some really nasty characters besides Skorzeny, but going up against them only makes his formidableness grow. He may struggle with crises of conscience, but readers will probably be squarely on his side and rooting for him to return in future novels. --Elyse Dinh-McCrilllis, freelance writer/editor, blogging at Pop Culture Nerd.

Discover: A conflicted Irish government agent going up against former Nazis in 1960s Ireland.

Soho Crime, $26.95, hardcover, 9781616952044

Nonfiction

For the Love of Letters: The Joy of Slow Communication

by John O'Connell

In this day of fast correspondence via e-mails and tweets, John O'Connell takes a refreshing look at the history behind the deliberate and genteel skills of letter-writing in For the Love of Letters. Examples of letters written by noteworthy people such as Dorothy Wordsworth (sister to William) demonstrate how far the world has changed since 1806; her letter, announcing the birth of a child, runs for two pages and details "the birds singing in the orchard in full assembly" and "the rose-trees rich with roses in the garden, the sun shining on the mountain, the air still and balmy." Today, the same birth announcement would be squashed into 140 characters.

O'Connell analyzes the epistolary techniques of other famous writers, including Jonathan Swift, Jane Austen and Anton Chekhov. Their letters cover the general news of the day, arguments, friendships, love and advice from a parent to a child--showing the slow, thoughtful process that each writer assumed in order to produce such correspondence. A passage from Catherine Field sums up the joy and meticulousness inherent in letter-writing: "A good handwritten letter is a creative act," she said, "and not just because it is a visual and tactile pleasure. It is a deliberate act of exposure, a form of vulnerability, because handwriting opens a window on the soul in a way that cyber-communication can never do." O'Connell's book finds compassion buried in the words and allows readers a warmhearted glimpse at a custom that is rapidly disappearing. --Lee E. Cart, freelance writer and book reviewer

Discover: A historical look at the noble art of letter-writing.

Atria, $20, hardcover, 9781476718804

Psychology & Self-Help

Mastermind: How to Think Like Sherlock Holmes

by Maria Konnikova

With Mastermind, Maria Konnikova (who writes the "Literally Psyched" column in Scientific American) promises to teach us how to think like Sherlock Holmes. Though the great detective might have been fiction, she argues, "his rigorous approach to thought was very real indeed."

It all starts with understanding our brains and their biases and their annoyingly practical tendency to choose the easiest path in any given situation. Once we understand those habits, we can work to change them, starting with observing the world around us more closely and purposefully, then moving on to combining that observation with imagination of what could be or could have been. From there, the art of deduction flows naturally, further proving Holmes's constant claim that "when you have eliminated the impossible, whatever is left, no matter how improbable, must be the truth."

Though it can feel repetitive at times, Mastermind ultimately succeeds in helping readers to understand better how Holmes is able to think the way he does--though putting it into practice ourselves may prove harder than it sounds. Mastermind draws on many examples from the Holmes canon, and so will be best appreciated by those already familiar with Sir Arthur Conan Doyle's stories; others may struggle fully to appreciate Konnikova's examples from the texts or be disappointed to encounter the outcome of a story before having enjoyed it themselves. --Kerry McHugh, blogger at Entomology of a Bookworm

Discover: An account of how the greatest detective in literary history thought--and how we can think like him, too.

Viking, $26.95, hardcover, 9780670026579

Was It Something I Said?: The Answer to All Your Dating Dilemmas

by Jess McCann

Reading Was It Something I Said? is like having a wise, compassionate friend on speed-dial, ready to respond to any dating dilemma with just the right advice. Prior to becoming a dating coach, Jess McCann started her own successful sales company, eventually deciding to channel her energies into helping women find love. Her first book, You Lost Him at Hello, provided a general game plan to finding love and sparked many e-mails and letters about specific situations. Though she had "provided an all-over dating strategy" for her readers, McCann later realized "what they needed were tactics," and she was happy to oblige.

McCann covers how to keep a potential date interested in the age of all-access communication, including how to respond to "sexting" and how to move from texting to dating. Each section begins with a quick overview of the topic ("hooking up" or "social networking" etiquette, for example) and then proceeds to answer questions from readers: "Should I text him first? What should I say?" McCann's answers are direct and concrete, informed by her own pre-matrimony experiences as well as those from other clients.

McCann reminds her readers that "your goal should be to keep him interested long enough to evaluate the most critical element of a happy, healthy relationship: determining whether he is not only the right person for you but a good person in general." Was It Something I Said? will help single women do just that. --Kristen Galles, blogger at Book Club Classics

Discover: Was It Something I Said? turns questions from anxious daters into a blueprint for love, as relationship expert Jess McCann expands on the advice from her first book.

Skirt!, $14.95, paperback, 9780762782093

Children's & Young Adult

Polar Bear Morning

by Lauren Thompson , illus. by Stephen Savage

After exploring a polar bear cub's first yearnings of independence in Polar Bear Night, Lauren Thompson and Stephen Savage now chronicle the cub as she makes her first friend.

Author and artist once again use a spare text and graphic shapes to stellar effect, as the furry heroine leaves her sleeping mother to follow the call of the seagulls and investigate her surroundings. Steven Savage's linocut illustrations move from the icy blues of the cold polar region to the pink light of dawn in an aerial view of the seagulls circling above the cub: "The polar bear cub watches, wondering." Her curiosity leads her to "a snowy something" tumbling down a hill. The polar cub comes snout to snout with a "snow cub," its fur frosted with snowflakes. As the pair scamper and sprint, they pass other creatures from the previous book: a family of seals, a walrus. Together the cubs jump into the sea, and a stunning array of blue and teal hues shows the sun's rays penetrating the surface and the bears' synchronized trail of bubbles.

When they come up for air, the heroine's mother watches from the shore. The whale and seals, too, surround the polar bear cub and her snow cub friend, in a lovely echo of the stars that "light up everything the little bear loves" in Polar Bear Night. Thompson and Savage beautifully capture the feeling that friendship opens up a whole new world under a "wide, blue sky." --Jennifer M. Brown, children's editor, Shelf Awareness

Discover: The lovable cub featured in Polar Bear Night here meets her first friend.

Scholastic, $16.99, hardcover, 32p., ages 3-5, 9780439698856

Road Trip

by Gary Paulsen , Jim Paulsen

This collaboration by a father-and-son team starts as a rescue mission for a dog and winds up saving two teens as well.

Ben's father wakes him up on the first day of summer vacation, and by 5:17 a.m., Ben and his dad are on their way to rescue a border collie puppy. On the front seat between them sits Atticus, the border collie who's been part of the family since before 14-year-old Ben was born. There's another reason for the trip: Ben's dad quit his job as a v-p at an insurance company to "flip houses," and he breaks the news that the money's not there to send Ben to hockey camp. Ben slaved to get all A's--his part of their agreement. The air is thick between them as their pick-up truck heads toward their destination.

The Paulsens realistically convey how Ben's anger colors his actions. Ben surreptitiously invites along another passenger, Theo, whom his father calls "the hoodlum"--an 18-year-old "cool" guy Ben tutored so he could graduate. When their truck breaks down, Ben also invites along Gus, the mechanic whose bus they borrow to complete their journey. Mia, a teenage waitress they meet on the road, joins the entourage, too.

Ben and Atticus narrate in alternating chapters. Atticus's sections fill in details others miss and break the tension between father and son. Suspense mounts as Theo's past has an impact on their journey. This is a fun, breezy read for dog lovers and fans of Gary Paulsen's (Hatchet) other adventures. --Jennifer M. Brown, children's editor, Shelf Awareness

Discover: A mission to rescue a dog also saves two teens, from the author of Hatchet and his son.

Wendy Lamb/Random House, $12.99, hardcover, 128p., ages 10-up, 9780385741910

Art & Photography

Forged: Why Fakes Are the Great Art of Our Age

by Jonathon Keats

"No authentic masterpiece is as provocative as a great forgery. Forgers are the foremost artists of our age," art critic and conceptual artist Jonathon Keats writes in the fascinating Forged. "A forgery is alive with meaning."

Fakes have been around for centuries: one of the first artists to be forged was St. Luke, whose "supposed" portrait of Mary with child, the Hodegetria, was said to work miracles; even the copies of it could work miracles. It was one of Constantinople's most popular attractions until it was destroyed when the city fell to the Turks--but was it really destroyed, or could the original be one of the many "fakes" in circulation? Then there's the case of Michelangelo, who borrowed a painting by a master that he really liked--then returned a copy, keeping the original. His friend couldn't tell the difference.

Keats examines six master forgers of the 20th century. There's the German Lothar Malskat, who was asked to help restore murals damaged by war bombs. Instead, he repainted them, even creating a few new murals of his own. Eric Hebborn forged paintings and sculptures and wrote a book about it, The Art Forger's Handbook. Then there's the enigmatic Elmyr de Hory, subject of an Orson Welles's documentary, whose fake moderns were in museums around the world.

Keats concludes with a stimulating chapter about da Vinci, Warhol and "appropriation," in which legitimate artists' original creations technically come closest to forgery. Subversive indeed. --Tom Lavoie, former publisher

Discover: A stimulating, well-written, and highly readable consideration of the blasphemous proposition that many fakes are actually better than the originals.

Oxford University Press, $19.95, hardcover, 9780199928354

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