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Carol Mitchell (Jaxon Photography) |
Carol Mitchell is the author of the novel What Start Bad a Mornin', 19 books for children, and A Good Haunting (Akashic Books, November 3, 2026), a short story collection infused with Caribbean and African myths and cultures. She holds an M.F.A. and is a fellow of the Virginia Center for the Creative Arts, StoryKnife, and several other arts institutions. By day, Mitchell teaches writing to support her current nightly obsession: working on her new novel.
Handsell readers your book:
Nine stories peppered with humor and scattered across world cultures exploring serious topics in unorthodox ways through characters grappling with real and conjured ghosts.
On your nightstand now:
I'm also reading Ghostroots by 'Pemi Aguda, which I connected to because of similarities to my work--writing about place and myths. I've started the award-winning Ibis by Justin Haynes, and I'm rereading All About Love by bell hooks. I just finished Dèy by Edwidge Danticat, which I enjoyed for its portrayal of family ties and the supportive community that often abounds in migrant communities, while exploring mental health and generational trauma. My novel-in-progress is postapocalyptic so I've been rereading some novels in that subgenre, including Parable of the Sower by Octavia E. Butler, The Handmaid's Tale by Margaret Atwood, and 1984 by George Orwell. I recommend reading them in that order; doing so really made me think differently about how these authors envisioned the future for women.
Favorite book when you were a child:
I grew up in Trinidad, where colonial British influences loom(ed) large. As a child I devoured everything Enid Blyton, from her fantastical fairy-and-gnome-filled series to the realistic child detective and boarding school series. I wanted to be everything like the children in her stories. That longing is a small part of why I write Caribbean children's books. I hope that some young person in another part of the world will long to experience life as a Caribbean child.
Your top five authors:
Nalo Hopkinson
Louise Erdrich
Octavia E. Butler
Marlon James
Agatha Christie
Book you've faked reading:
The book that came immediately to mind is a very famous prize-winning book by a super talented author that I know, so I won't name it. I do know for a fact that I'm not at all alone in being unable to fathom that book. One I will confess to is Omeros by Derek Walcott. It poses on my bookshelf as if it's been read, but I haven't completed it. Given that some of my own work involves reimagining myths, I will pick it up again... one day.
Book you're an evangelist for:
Book of the Little Axe by Lauren Francis-Sharma. This book is historical fiction and I've encouraged everyone I know to read it, first because it is a beautiful story and second because the history it reveals is fascinating. Much of the book takes place across the end of the 18th century and it intertwines the histories of the Caribbean and Midwest North America. It's impossible to describe this epic in a few words, but it underscores the fact that there are multiple untold stories even in well-documented periods of history.
Book you've bought for the cover:
I encountered that book at a book festival. I don't recall many details. I do know that it was published by a very small press and written by an author I hadn't heard of before. I can't even describe the cover, only the way it made me feel. The cover art was haunting, absolutely terrifying yet so compelling that I had to have it. I never read the book. I don't read horror and I truly did not buy it for the words. It sat on a table in our living room for weeks until I gave it away because everyone else in my family was freaked out by the cover image.
Book you hid from your parents:
The Other Side of Midnight by Sidney Sheldon. I was about 13 or 14 years old and visiting the home of one of my mother's friends. She picked that book off of her shelf and handed it to me to keep me busy while she and my mom talked. My mother said nothing in front of her friend but confiscated it as soon as we got into the car, which of course made me obsessed with reading it. I waited until she forgot about the incident, unearthed the book, and stayed up for two or three nights straight reading it under the covers. That book may have marked the beginning of my fascination with family sagas, but I was definitely too young for the content and decades later, I'm still slightly scarred by one of the more vivid scenes.
Five books you'll never part with:
Only five? I'm in the process of a book purge right now, and trust me, the list of books I want to keep is long! One of the books that will never land in the giveaway pile is a favorite of my children: Room on the Broom by Julia Donaldson and illustrated by Axel Scheffler is a fun and uplifting (quite literally) book. I have so many great memories of reading it with my children that I will never part with it.
Beyond that, I gravitate toward books that fully inhabit and reveal unusual aspects of the setting and the culture in which they're set. Along those lines, I hold on to and revisit The Round House by Louise Erdrich, Augustown by Kei Miller, The Mermaid of Black Conch by Monique Roffey, and The New Moon's Arms by Nalo Hopkinson.