In The Mortons, wife-and-husband team Justine Larbalestier and Scott Westerfeld create a complex, riveting character in 20-year-old narrator Jessica Morton, who's been raised by her family to steal and murder without detection.
Each Morton child must name and care for a rabbit--and then kill it. Jessica killed hers when she was eight. ("Slay the rabbit, spare the child" goes one of the family's sayings; or, conversely, "Spare the rabbit, slay the child.") Their family motto is "fides sine cura" (loyalty without care); they demand devotion, but detachment is their aim. All the Mortons have attended Helshire, an Ivy League-style school with gothic architecture, where the Mortons and three other legacy families hone skills such as accounting (for money laundering), history, and "No Drama" (the art of blending into crowds). The Mortons are assigned roommates, "ordinaries" from the wealthiest U.S. families, the better to make themselves indispensable to families that need the occasional clean-up of messes, both financial and human in nature.
In the opening scene, Jessica is in the midst of "culling" her sophomore cousin Peter, who adores her. Other than her rabbit, this is Jessica's first kill. The authors hone Jessica's thoughts to tuning-fork perfection. She models clarity of purpose--cold, sharp, and strong of body and constitution. Whatever she sets her mind to doing, she does. Even her discovery of what Peter was secretly working on she dispenses with in a memorable spectacle. Nothing affects her.
That is, until her family assigns her to work in her uncle's New York City gallery in order to seduce artist Hiromi Kennedy. Hiromi has become the obsession of psychiatrist Dr. Lyon, who "collects art like a billionaire" and also "gets inside rich people's heads to control them." Jessica gets pulled into a dark tangle of personalities and desires more complicated than any she's known before. Her laser-focused concentration falters, clouded by possible feelings for her "prey," and she feels like she's cracking open.
Larbalestier and Westerfeld render the constellation of family members with sensational details. Grandmother, the Morton matriarch, knits like Madame Defarge as she metes out the fates of both family and threats. Beautiful Sebastian, adopted into the Morton family, charms everyone he meets, and he and Jessica share a simmering attraction. Bianca and Xavier Lindqvist, from another legacy family, also play strong supporting roles, as does Faraday Wilbert-Lee, Jessica's ordinary roommate, whom she signs on for Morton protection.
The plot unfolds at breakneck speed as the authors immerse readers in a world of "loyalty without care," so it's all the more impressive how worthy of care Jessica turns out to be. --Jennifer M. Brown
Shelf Talker: In this fascinating thriller, Jessica Morton is a prodigy in a family of assassins and money launderers--until she develops feelings for her assigned "prey."