Also published on this date: Thursday, September 23, 2010: Dedicated Issue: Gallery Books

Shelf Awareness for Wednesday, September 22, 2010

Penguin: The Social Climber's Bible by Dirk Wittenborn and Jazz Johnson

Tarcher: Through the Flames by Allan Lokos

Poisoned Pen Press: Wolf and the Lamb by Fred Ramsay

Little Brown: Her by Harriet Lane

Penguin Press: Bohemians, Bootleggers, Flappers, and Swells by Graydon Carter

 

Quotation of the Day

Anti-Eat, Pray, Love

"My book is kind of the anti–Eat, Pray, Love. It's Starve, Cry and Have Sex with Possible Sociopaths."

--Rachel Shukert, speaking about her memoir, Everything Is Going to Be Great: An Underfunded and Overexposed European Grand Tour, at the New Atlantic Independent Booksellers Association Movable Feast luncheon yesterday in Atlantic City, N.J.

Grove Atlantic: An Unnecessary Woman by Rabih Alameddine

News

Image of the Day: Dr. Sujay on Broadway

 

On Monday night at the Barnes & Noble on Broadway and 82nd St. in New York City, Dr. Suzan Johnson Cook (aka Dr. Sujay and the Wall Street Pastor) spoke and signed copies of her new book, Becoming a Woman of Destiny: Turning Life's Trials into Triumphs (Tarcher/Penguin). Recently nominated by President Obama to be Ambassador-at-Large for the State Department's Office of International Religious Freedom, Dr. Sujay signed for an hour--until the store sold out of her book.

 

 

 

Shadow Mountain: Edenbrooke by Julianne Donaldson

Notes: Ingram and Macmillan's New Business Model

Macmillan plans to use Ingram Content Group's print on demand and fulfillment services for many of its "long tail"--or low-volume--titles. Macmillan, which includes Holt, Farrar, Straus & Giroux and St. Martin's Press, will continue to provide traditional distribution services from its main warehouse in Virginia.

Macmillan senior v-p and COO Peter Garabedian said that "traditional methods of solving the logistics and print business challenges cannot remain the same. Ingram's unique and fully integrated solution, offering physical fulfillment combined with a print on demand solution for titles that no longer make sense to print and hold, helps us reduce our overall inventory commitment and frees up capacity in our distribution center as well as resources to invest in the future success of our company."

Skip Prichard, president and CEO of Ingram Content Group, emphasized that the deal allows Macmillan "to use Ingram as another part of its physical distribution network. They can choose what titles to put in and take out depending on what makes sense for them."

He said that Ingram is in discussion "with numerous publishers about a range of models" that include elements of the Macmillan approach. A key part of what Ingram offers: the publisher will ship its stock of slower-moving titles to Ingram. When the stock sells down, books will be printed on demand. "If there is a spike in demand, Lightning Source could meet the need," Prichard said. "If it's a huge spike, the publisher can bring the book back into its distribution system, do an offset print run and bring those copies to its warehouse."

At a time with tremendous financial pressures because of the recession and the need to invest in digital initiatives, Ingram can offer a variety of solutions to lower inventory management and distribution costs, Prichard stressed. "Publishers will have to make some tough choices in the next five years, and publishers don't have unlimited money to make choices. They will have to look at new ways to invest." In effect, Ingram, which Prichard said has invested tens of millions of dollars in its digital and physical distribution efforts in the past few years, is offering to take over some inventory management and distribution for medium- and large-sized publishers that have never contemplated such an approach before. "They can look at Ingram as an extension of tehir own warehousing system," Prichard said. A few publishers, he continued, have gone so far as to talk of no longer having warehouses.

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The Wall Street Journal's Heard on the Street column voted for none of the above in the Burkle vs. Riggio proxy battle for control of Barnes & Noble, saying that shareholders "agonizing over how to vote... would almost certainly be better off simply selling rather than voting."

The column continued: "the reality is that neither Ron Burkle nor B&N Chairman Leonard Riggio can do much to improve B&N's prospects in the next few years. Bookselling is being remade, both by the shift of physical book sales to Amazon.com and of books in general to electronic form. As has proved true in both music and video, such a transition is bad news for bricks-and-mortar retailers. If B&N survives, it will be as a much smaller player."

Still, the column noted one positive for Riggio: B&N has "arguably done a good job developing its own e-reader." At the same time, it argued that the chairman probably won't cancel the dividend to make more digital investments or close stores as physical book sales decline. "Indeed, last year's purchase of the B&N college-textbook chain from Mr. Riggio increased B&N's exposure to stores."

And although Burkle hasn't offered "any bright ideas about dealing with the digital transition," he can "bring some much-needed scrutiny to the Riggio team's management."

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In the latest battle of the letters, B&N chairman Len Riggio has sent a missive to shareholders about what he called "a fight we did not ask for, and do not deserve."

He reiterated many of the arguments against Ron Burkle's slate and the anti-poison pill proposal and summed up: "As you well know, the book industry--as well as all industries that deal with printed matter--is undergoing a rapid transformation. Rather than trying to stem the inevitable march of technology, we view this development as an enormous opportunity for Barnes & Noble; first to continue to gain our share as the world's largest retail booksellers, second to use our storefronts to sell digital devices, and finally to profit greatly from our growing digital business. In fact, in the eleven months since we launched our e-Reading platform, we have already attained a 20% share of the digital marketplace for books. This compared to our 18% share of the physical book space. And we're just getting started. Speaking for myself, I've never been more excited about our prospects since the first day we opened our doors in 1965."

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Cool idea of the day: next Tuesday, September 28, Square Books, Oxford, Miss., begins a weekly book chat series at 10 a.m., at which a Square Books bookseller presents new books and news of the book world in 20 minutes or less. As the store noted, coffee's on the house, and owner Richard Howorth "might even give a book away, and he's never done that."

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Book trailer of the day: My Name Is Not Isabella by Jennifer Fosberry (Sourcebooks Jabberwocky).

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WCCO-TV in Minneapolis/St. Paul showcased "10 of the Twin Cities' Best Independent Bookstores," noting that "the reality of the marketplace means that now, more than ever, your corner independent book dealer needs your business.... So the next time you feel like scouring Amazon.com's selection of three-cent used paperbacks (which will bounce right back up in price once shipping charges are added to the equation), remember this collection of hometown gems and consider giving them a visit."

The featured bookstores:

Birchbark Books & Native Arts ("owned by Minnesota author Louise Erdrich, who has infused her bookstore with an intimate charm and a palpable sense of Native pride.")
Booksmart ("one of the store's most tangible pleasures is in scaling down that staircase into what seems like a bootlegger's den, only one stocked with comics and Michel Foucault's The History of Sexuality while the more palatable literature sees the light of day above.")
Common Good Books ("Garrison Keillor's sparkling, subterranean corner... invites bookworms to dig a little deeper as they peruse, with incongruously naturally lit tunnels lined with as many books as one could possibly want.")
Magers & Quinn ("an Uptown staple for the better part of two decades, and specializes in, well, everything.")
Micawber's Books ("A cozy little jewel with no shortage of brainy offerings, they have been offering the latest bestsellers since 1972.")
Once Upon A Crime ("Mystery junkies everywhere can rejoice in this shady Twin Cities establishment. I mean that as a compliment.")
The Red Balloon Bookshop ("Generations in, generations out. Sunrise, sunset. There's no question the store itself is filled with anything a literate child could ever want...")
Sixth Chamber Used Books ("For 15 years now, Sixth Chamber has offered some of the best selection Twin Cities used bookstores have to offer.")
True Colors Bookstore ("Feminists and members of the LGBT community should rightly feel proud and fortunate to have such a well-established gem.")
Wild Rumpus ("If there's a Reading Rainbow in real-life, I bet the Wild Rumpus exists at the end of it.")


Shelf Awareness: Aasif Mandvi

Media and Movies

Media Heat: Bobbi Brown on Today

Tomorrow morning on the Today Show: Jon Stewart, author of The Daily Show with Jon Stewart Presents Earth (The Book): A Visitor's Guide to the Human Race (Grand Central, $27.99, 9780446579223/044657922X).

Also on Today tomorrow: Bobbi Brown, author of Beauty Rules: Fabulous Looks, Beauty Essentials, and Life Lessons for Loving Your Teens and Twenties (Chronicle, $24.95, 9780811874687/0811874680). Brown will be on Today on Friday morning, too.

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Tomorrow on the Martha Stewart Show: Tori Spelling, author of Presenting… Tallulah, illustrated by Vanessa Brantley Newton (Aladdin/S&S, $16.99, 978141994046/1416994041).

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Tomorrow on NPR's Diane Rehm Show: Sian Beilock, author of Choke: What the Secrets of the Brain Reveal About Getting It Right When You Have to (Free Press, $26, 9781416596172/1416596178).

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Tomorrow on KCRW's Bookworm: Gary Shteyngart, author of Super Sad True Love Story (Random House, $26, 9781400066407/1400066409). As the show put it: "Can Lenny and Eunice find love in a futuristic America in which computer screens instantly and constantly reveal economic status and sexual 'hotness' quotients? These desperate Americans--one Russian-Jewish, the other Korean--find the smallest window of pure affection, while writer Gary Shteyngart stirs up an incredibly energetic and funny prose-field around them. Influences? Think Henry Miller or Philip Roth."

 

Jackpot: HBO Renews Boardwalk Empire

After the airing of just one episode, HBO has committed for a second season of Boardwalk Empire, "the sprawling gangster drama," the New York Times reported. The show is based on the book Boardwalk Empire: The Birth, High Times, and Corruption of Atlantic City by Nelson Johnson (Plexus).

 

Television: The Council of Dads

Fox has given a $1.5 million pilot production commitment to Rescue Me co-creator/executive producer Peter Tolan for The Council of Dads, a half-hour comedy based on Bruce Feiler's memoir The Council of Dads: My Daughters, My Illness, and the Men Who Could Be Me, Deadline.com reported.

 

Books & Authors

Awards: PEN Pinter Prize; Toronto Book Award Shortlist

Hanif Kureishi won the PEN Pinter prize, "which goes to a writer who--in the words of Harold Pinter's Nobel speech--casts an 'unflinching, unswerving' gaze upon the world," the Guardian reported. Kureishi was chosen by Pinter's widow, Lady Antonia Fraser, and a panel of judges. He will be honored October 20, when he will also present the International Writer of Courage prize--for an author who has been persecuted for speaking out about his or her beliefs--to Mexican journalist and human rights activist Lydia Cacho.

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Finalists for the 2010 Toronto Book Award, honoring books that are "evocative of Toronto," include:

Diary of Interrupted Days by Dragan Todorovic
The Carnivore by Mark Sinnett
Where We Have to Go by Lauren Kirshner
Valentine's Fall by Cary Fagan
The Prince of Neither Here Nor There by Seàn Cullen (Puffin Canada)

The winner will be announced October 14.

 

Shelf Starter: Singin' in the Rain

Singin' in the Rain: The Making of an American Masterpiece by Earl J. Hess and Pratibha A. Dabholkar (University Press of Kansas, $19.95 trade paper, 9780700617579/0700617574, September 22, 2010)

Excerpts from a book about the iconic, and most fabulous, movie musical of all time. It's a book fans will love and will want to read while watching the movie once more (at least).

 

Debbie Reynolds was perfect for the part, young, naïve and spunky; however, she was a novice dancer and became aggravated with (but later was thankful for) Gene Kelly's intensity and drive for perfection:

On another frustrating day, Reynolds hid under a piano so no one would see her and began to cry. Soon she heard a voice asking, "Why are you crying?" Without knowing who it was, Reynolds replied, "Because I'll never learn any of it. I can't do it anymore. I feel like I'm going to die, it's so hard." The voice responded reassuringly, "No, you're not going to die. That's what it is to learn how to dance." Reynolds finally looked out and saw Fred Astaire standing there. "You come watch me. You watch how hard I work. I don't cry, but I do get frustrated and upset and I'm going to let you watch."

 

Donald O'Connor's famous "Make 'Em Laugh" routine was arduous, and resulted in exhaustion, bruises, aches and pains.

[It] was the ultimate mix of old vaudeville tricks put on film. It was such an impressive number that finding a proper ending for it became a problem. O'Connor felt it was leading "to such a crescendo that I thought I'd have to commit suicide as a finale."

 

Gene Kelly explained his most famous song and dance simply, although the technical filming was complicated.

Kelly recalled that Freed and Edens visited him in his office to ask what he had in mind for "Singin' in the Rain." "Well, I said rather vaguely, it's got to be raining, and I'm going to be singing. I'm going to have a glorious feeling, and I'm going to be happy again. What else?" "Well, that's logical," was the only thing Freed could say in response.

The authors say of this masterpiece, "As long as an American screen culture lives on, so will the beauty, charm, and magic of Singin' in the Rain." Their book is a fine way to add to fans' and first-time viewers' enjoyment. --Selected by Marilyn Dahl

 

 

 

Book Brahmin: Louise Penny

Louise Penny has worked as a journalist, and her debut mystery, Still Life, won the New Blood Dagger, Arthur Ellis, Barry and Anthony awards, as well as the Dilys Award from the Independent Mystery Booksellers Association, and was named one of Kirkus's Top Ten Mysteries of 2006. The next titles in the series, A Fatal Grace (2007) and The Cruelest Month (2008), both won Agatha Awards for Best Novel. Bury Your Dead (Minotaur, October 2010) is her sixth book featuring Chief Inspector Gamache. Penny and her husband live in Sutton, a village in Quebec's Eastern Township.

 

On your nightstand now:

Like most readers, and writers, I have a huge pile of books on which is balanced each night a plate of cookies. Many of the books are "homework"--things I'm plugging away at because I said I'd read them. Now, I'm the world's slowest reader. Didn't used to be, but as I get older I find I can manage fewer cookies and fewer pages. So to be forced to read a book I'm not enjoying is excruciating. But the books I do enjoy become bliss. Like those magical days of childhood, finding that warm spot in a chilly bed, and reading. Right now the book I'm saving to read, as a present, a prize, a consolation for when the homework is done, is Georges Simenon's Maigret Goes Home. How well he evokes France of another generation.

 

Favorite book when you were a child:

I gobbled books as a child. All I wanted to do was lie on my bed and read--to the point where, as punishment when I was bad, my mother would send me outside to play. The first book I remember reading was Charlotte's Web--I'll never forget being transported so completely.

 

Your top five authors:

Josephine Tey, for her crystalline prose--each word, each character precise. Her books are lean and lovely, and how I long to write like her. Gabriel García Márquez's One Hundred Years of Solitude was the first work of magical realism I read, followed swiftly by another favorite, Isabel Allende. They've both inspired a sense of magical realism in my own settings. A.A. Milne and his creations comforted me as a lonely child, and began a life-long love of poetry. Even now I can recite "Vespers," and "Halfway Down," and long for a friend like Pooh. And finally, Jane Austen. What can I say about her that hasn't been said a million times? Her settings, her characters, her insight. Brilliant.

 

Book you've faked reading:

All of Jane Austen.

 

Book you're an evangelist for:

Josephine Tey's The Franchise Affair. For the longest time my favorite Tey was The Daughter of Time. In fact, I suspect most Tey readers feel that was her masterpiece. I held off reading The Franchise Affair mostly because of the dreadful title. Honestly, what were they thinking? Clearly this was in the days before franchises were burgers and tires. Never get away with it now. It's a mystery, but not a murder mystery. Set in a dreary postwar English manor house called Franchise, on the outskirts of a village. A mother and middle-aged spinster daughter move in, and keep to themselves. The villagers, already hermetic and suspicious of strangers, become even more so. Then a schoolgirl suddenly shows up claiming to have been kidnapped by the women and held for several days. The women, of course, deny it. Deny ever seeing her. And yet the little girl can describe the interior of the house perfectly, even the attic where she claims to have been held. Who is telling the truth? It's a tour-de-force by one of the forgotten grande dames of mystery fiction.

 

Book you've bought for the cover:

The Corrections, Jonathan Franzen. Actually, I bought it for the title, which may be even worse. I have not yet read it, but am considering telling people I have.

 

Book that changed your life:

Three books, really. The first was Charlotte's Web, because it cured my phobia of spiders, and I suddenly realized how powerful words were. How marvelous, that words alone could heal. I later learned they can hurt, too. Then there was Anne of Green Gables, my first series. I adored Anne, and lived and died by her adventures. And solemnly proclaimed my best friend my "kindred spirit." She hadn't read the Anne books yet and had no idea why I was looking at her with doe eyes and talking nonsense. But one of the other ways that Anne of Green Gables changed my life was when I discovered they were actually written by a Canadian. And a woman. It seemed impossible. Everything else I'd read had been written by dead, mostly English, men. The third book was Never Cry Wolf by Farley Mowat, also a Canadian. It changed my life for much the same reason as the Anne books. I remember clearly my astonishment when I found out it was possible to be a writer, Canadian and alive all at the same time. I think at that moment I realized I just might be able to do it too. Just before my first book was published I actually met Mr. Mowat on a train and had a chance to thank him. I went back to my seat and wept.

 

Favorite line from a book:

Henry David Thoreau's Walden: "I had three chairs in my house; one for solitude, two for friendship, three for society." So simple. So beautiful.

 

Book you most want to read again for the first time:

The Lord of the Rings. What fun! I almost said To Kill a Mockingbird, which is also true, but the beauty of the Rings trilogy is just that... it's three great books, and hours and hours of enjoyment and adventure. What an accomplishment.

 

 

Book Review

Children's Review: Nightshade City

Nightshade City by Hilary Wagner (Holiday House, $17.95 Hardcover, 9780823422852, August 2010)

Hilary Wagner's page-turning debut novel explores an animal kingdom deep below Trillium City, ruled by Topsiders, or humans. Far beneath the Topsiders' trees lie the Catacombs, where the rat ruler Killdeer and his High Collector and Commander of the Kill Army, Billycan, strike fear into the hearts of their citizens. They took the Catacombs by coup during the Great Flood, 11 years ago, killing High Minister Trilok and his loyalists, and conscripting the loyalists' orphaned male children into the Kill Army, and their female children into servitude in the Kill Army kitchen and barracks. Killdeer and Billycan also extract a Stipend from their citizens, many of whom are forced to steal in order to feed their families and provide their ruler with his required contribution. Wagner characterizes Killdeer as a once-fit criminal rat who's grown overlarge due to his excesses of food, females and Oshi berry wine. Billycan, on the other hand, as the sole surviving rat from Topsider lab experiments and noticeable for his white fur, possesses a "cadaverous look" no matter how much he consumes. He proudly wears a scar from what he touts as a fatal duel with one of the greatest Trilok Loyalists, Juniper Belancort.

The action begins on "Hallowtide night" when Topsiders are on the move, "roaming the streets for Pennies-or-Pranking." Young orphan rat brothers Victor and Vincent Nightshade flee the Catacombs to take their chances among the humans, and they stumble upon an undercover group of Trilok loyalists--led by none other than... Juniper Belancort, who lost his eye to Billycan but survived. Juniper has slowly been planning a new, safer civilization below the crumbling Catacombs, as well as a rescue for those who wish to leave--including his niece, Clover Belancort. He joins forces with a tribe of earthworms to cleverly tunnel into loyalist family dwellings, deliver them to safety, and fill in the tunnels upon their departure--erasing all traces of their means of escape. The plot thickens when Killdeer selects Clover as his "Chosen One" to rule at his side, and steps up the ceremony date, forcing Juniper to similarly hasten his strategic attack-and-rescue. Billycan begins to suspect there's an organized effort behind the disappearances in the Catacombs and grows impatient with Killdeer's apathetic and gluttonous ways, and the tension builds between them. As in Brian Jacques's Redwall books, these animals engage in a fight between good and evil, and enlist the help of other species (including a Topsider boy and the band of noble earthworms) in their cause. Wagner includes a few love interests, too. One bookend scene (it begins the book and a slightly expanded version ends the book) seems a bit forced, designed purely to pave the way to a sequel. But fans of Redwall will be swept up in the action and hope that there will indeed be more to come.--Jennifer M. Brown

 

 

 

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