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photo: Lara Downie |
Lizzy Barber is the author of psychological suspense and lives in London. She studied English at Corpus Christ College, Cambridge University, and has worked as an actress, in film development, and spent nearly 15 years as the head of brand and marketing for a restaurant group, working with her brother, a restaurateur. Her novel Out of her Depth was a Richard and Judy Book Club pick and has been optioned for television. Be Mine (Datura Books, May 20, 2025) is her fourth psychological thriller and a gripping ride about identity, manipulation, and the desperate desire to belong.
Handsell readers your book in 25 words or less:
New mother with a secret past. San Francisco wellness "cult" with a score to settle.
On your nightstand now:
I am right at the "crunch point" of Katherine Faulkner's latest thriller, The Break-In, which I was lucky enough to score a proof of! Katherine has such elegant prose and such an astute eye for character development; reading her books is always such a pleasure. This centers on a middle-class mother who accidentally kills a young man who breaks into her house, and presents such a compelling moral dilemma. It's out this summer, so it's one to add to your TBR!
Favorite book when you were a child:
I was that absolute cliché of an author as a child who hoovered up anything and everything that was available to me. I had very itinerant tastes and was as big a fan of Noel Streatfeild's Ballet Shoes and Enid Blyton's Malory Towers series (all quite prim British classics) as I was of Goosebumps and Point Horror. Philip Pullman's Northern Lights absolutely floored me at a young age and opened up my eyes to the worlds books can bring you to; it's something I'm really keen to develop in my children--that joy of taking your imagination on a wonderful journey.
Your top five authors:
I find Emily St. John Mandel's world-building out of this world. Abigail Dean is one of the smartest and most eloquent psychological suspense writers in the business. I always return to the Brontës (can I squeeze all three into one?) for the dark and the heart-wrenching; it always amazes me how fresh their stories still seem. Taylor Jenkins Reid turns anything she touches to gold. And then I have to pay homage to Patricia Highsmith, who is just the most excellent study of character, and was the inspiration for my second novel, Out of Her Depth.
Book you've faked reading:
Middlemarch by George Eliot. One of two or three "absolutely required" texts for my English degree. Forgive me but I couldn't get past the opening chapter, or the name Dorothea.
Book you're an evangelist for:
Jessica Knoll's Bright Young Women. One of my absolute favourites from 2024; it was such an intelligent and visceral take on the '70s serial killer narrative.
Book you've bought for the cover:
Butter by Asako Yuzuki. That creamy yellow cover. The simplicity of the perpendicular title. Add in a cow and a swipe of blood. So alluring.
Book you hid from your parents:
Forever by Judy Blume. Hi, fellow millennials!
Book that changed your life:
Without doing too much of a plug, I would have to say my debut novel, A Girl Named Anna. I mailed the opening chapters to a first novel competition on the last day of entries, then went on with the rest of my life, having absolutely no illusions of even being shortlisted. When my agent, Luigi, called to say that I'd won the competition, which included his representation and a published contract with Penguin Random House, I sank to the office floor and had to be prised off it. It completely changed the course of my life, and I wouldn't be talking to you now without it!
Favorite line from a book:
"Whatever our souls are made of, his and mine are the same" --Emily Brontë, Wuthering Heights
Cathy is such an imperfect, impudent, headstrong woman. This line guts me every time.
Five books you'll never part with:
This one is very specific and very niche, but my collection of L.J. Smith's Nightworld series. I have been holding out hope that she'll publish the final book in the series since 1998.
The battered but signed copy of Philip Pullman's Northern Lights, lying in wait to read to my son.
The Crime Writer's Handbook by Douglas Wynn, which has an excellent glossary for ways to kill off your characters.
The Royal Shakespeare Company's Shakespeare: The Complete Works. I had a bit of a past life as an actress and was also a keen Shakespeare scholar at university. This is such a wonderful edition which includes fascinating insights into how the plays would have been performed at the time. My desert island book!
Kazuo Ishiguro's Never Let Me Go. This is one of those books I will reread again and again. So weird and wonderful and tragic and beautiful.
Book you most want to read again for the first time:
Gillian Flynn's Gone Girl--that midpoint twist was genre defining and I'd love to relive it.
Your books have taken readers from Florida to Florence, Cornwall to California. Why do you like setting books in different locations, and can you give us any hints as to where you might lead us to next?
I think I'm a very visual person and I really like to become immersed in the world I'm creating, so setting is a very big part of that. I like to get really under the skin of a location--the flora and fauna, the style of houses, where they'd eat, drink, play. Even if I've fictionalized a location, I'll pick a stand-in on Google Maps to get a sense of the streets, and flood myself with shows, books, or even just YouTube videos of the area to create a full sense of place. The book I'm currently writing is set in a fictionalized suburb in '90s Pennsylvania, and I'm enjoying the challenge of bringing that to life from 2020s London!