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photo: Matt Valentine |
Carrie R. Moore is the author of the debut story collection Make Your Way Home (Tin House, July 15, 2025), 11 stories that span Florida marshes, North Carolina mountains, and Southern metropolitan cities, following Black men and women who grapple with the homes that have eluded them. Her fiction has appeared in One Story, New England Review, the Sewanee Review, Virginia Quarterly Review, and other publications. She is a recipient of the Keene Prize and the inaugural writer-in-residence at the Steinbeck Writers' Retreat, and earned her MFA at the Michener Center for Writers. Born in Georgia, she currently resides in Texas with her husband.
Handsell readers your book in 25 words or less:
Make Your Way Home is an intimate collection of Southern stories, each exploring a complicated love of place, family, and romance.
On your nightstand now:
I just finished rereading Toni Morrison's Beloved, and every read feels like the first time. The way memory functions in that novel blows me away. Next up is Dionne Brand's Nomenclature, which I've been leaving on my nightstand so I have something to anticipate. (I adored The Blue Clerk.)
I also keep a glass of water, a fountain pen, and my Midori 1-Year Diary. I get restless at night, so lately I've developed a practice of journaling for three minutes in sentence fragments. It gets my brain to slow down.
Favorite book when you were a child:
In elementary school, I had this obsession with David Shannon's A Bad Case of Stripes. The main character Camilla's skin starts changing colors. I'm a very visual person, and some of those illustrations still stay with me. Part of me wonders if I now write stories around different colors because of early exposure to this book. I'll decide a story is "red" or "green" or "yellow" and add details to bring out that sensation.
Your top five authors:
Toni Morrison. Lauren Groff. Edward P. Jones. Jhumpa Lahiri. Ntozake Shange. These writers are such masters of language and emotional resonance. A single turn of phrase just devastates you.
Book you've faked reading:
In truth... I don't think I've ever faked reading a book. I don't think I could get away with it! I also have no problem admitting when I've skimmed something. Why pretend when you can shift the topic toward a book you love?
Book you're an evangelist for:
I will recommend Anne Enright's The Wren, the Wren to anyone, anytime. I adore the mother-daughter relationship, as well as the careful, interior prose. And what a perfect structure!
Book you've bought for the cover:
Cristina Henríquez's The Great Divide. That cover is just so vibrant and intricate. What's even better is that the novel is so darn good. I adore the cast of characters and the strong setting. Plus, the concept of "separation" works on multiple levels. The inside of the book has a soul that matches its outside.
Book you hid from your parents:
I don't think I've ever had to hide a book from my parents. Mostly, they censored music and film. Books--in their eyes--had this veneer of respectability. (That didn't mean I wanted them to know the full contents of my Nora Roberts romance novels, though.)
Book that changed your life:
Zora Neale Hurston's Their Eyes Were Watching God. My 11th grade English teacher assigned it, and I've never thought about literature the same way since. Those rhythms of speech. How much desire Janie feels for her own life. It's so honest about hardship yet so authentically hopeful.
Favorite line from a book:
"But the idea that he had been there, out there in weather of whatever sort, out there in the dark offering no sign and no sound, out there for months and perhaps years of her life, seemed to give her something to measure her life by. But she did not know how to do that." --Edward P. Jones, "Bad Neighbors"
Five books you'll never part with:
Some of the books I return to the most are about writing or the lives artists have led. (Maybe this is because I find writing so difficult, and I always think I'll find some sort of peace if I just work harder and learn more.) These books are full of my underlines and notes, and they feel like an indication of what I needed at various points in my life. Giving them away would feel like giving away parts of myself!
The Blue Clerk by Dionne Brand
The Black Notebooks by Toi Derricotte (Thank you, Gabby, for giving this to me.)
The Writing Life by Annie Dillard
The Art of Fiction by John Gardner
Art on My Mind by bell hooks
Book you most want to read again for the first time:
Betty Smith's A Tree Grows in Brooklyn. It was my grandmother's favorite novel, and she kept it on her bookshelf for much of my childhood, when I was too young to read it. A film professor finally assigned it my freshman year of college, and I immediately felt seen by its portrayal of girlhood, desire, and disappointment. I also felt like I was understanding a part of my grandmother I hadn't before--as if, because we both loved this novel, we were forming yet another connection to one another. It's one of the only books that has made me simultaneously discover something about myself and another person I loved deeply.
Favorite book when you were an adolescent:
In my late middle and early high school years, I must've read Sarra Manning's Guitar Girl a dozen times. The romantic relationship between Molly and Dean felt so layered to me, and I felt haunted by how the novel portrayed the dark side of getting your dreams.