Adventures in Space
What is it about space that so enthralls our imaginations? Is it that it's one place we, as mere non-astronaut humans, know we cannot visit? Is it because of its vastness, or its promise of secrets yet to be revealed? Or perhaps it is its consistency: look up on a clear night and the stars will always be there. Regardless, the subject of space has captured our imaginations for as long as we've been staring at night skies.
In Mary Doria Russell's debut novel, The Sparrow, when humankind hears distant noises from outer space, the Jesuit order sends a secret mission to a world known as Rakhat to make contact with aliens. The story is not a happy one, but it is a fascinating imagination of what could happen if (when?) humans encounter alien life for the first time.
Andy Weir was similarly taken with the concept of space travel, though his debut, The Martian, took a more literal approach. Weir stated in interviews that he intended his novel to be as scientifically accurate as possible; though much of the technology used by protagonist Mark Watney in his stranded-on-Mars mission is prohibitively expensive, we're told it could theoretically exist.
Nonfiction writers promise even more science, astronomy and math: Margot Lee Shetterly's Hidden Figures reveals the oft-overlooked history of a team of African American women who were mathematicians at NASA in the 1960s and whose calculations were key to the space program. Mary Roach's Packing for Mars: The Curious Science of Life in the Void explores the very strange, very necessary science behind keeping astronauts alive in environments not designed to do so. Astrophysics for People in a Hurry by Neil deGrasse Tyson promises an (hyper-condensed) answer to questions about the universe.We can't all grow up to be astronauts, after all. But we can all at least read all about them and their adventures. --Kerry McHugh, blogger at Entomology of a Bookworm
You wrote Vox in two months. Tell us about that process.
In 1818, when Mary Shelley was just 20 years old, the first edition of her novel Frankenstein; or, The Modern Prometheus was published anonymously in London. By the time Shelley's name appeared on a second edition in 1823, her work had polarized critics while achieving popular success. In a hint of things to come, Frankenstein was already being adapted into derivative works even during Shelley's lifetime, including a stage play she saw with her father, William Godwin, in 1823. In the 200 years since, Shelley's reanimated creature has become its own pop-culture monster, as much a product of film and TV depictions as the original novel.
