
Shelf Awareness was born out of a need to provide a range of people in the industry--booksellers, librarians, book buyers at nontraditional stores, members of the media, marketers, salespeople, publishers and others--with essential information for their businesses, including news about titles coming out now, titles getting buzz in the media, authors on major shows movie tie-ins, sleepers, news about the business, tips on how to sell, etc. We publish daily--first thing in the morning. Click here to sign up!
In Today's Issue
- Uncertain Future for That Bookstore in Blytheville
- Jersey Retailers to Amazon: Pay Your Taxes
- Jennifer M. Brown: 'Ambassador for Great Books for Young People'
- Colbert Report for Kids: Children's Book Edition
- Image of the Day: Happy 30th, Roberta Rubin!
- Penguin's Twitter Book Club Pick
- Impressive Nature Book Collection Needs a Home
- Variations on a Library Theme: Phone Booth, Park & Home
- Book Trailer of the Day: Witchful Thinking
- Media Heat: Edmund White on KCRW's Bookworm
- TV: L.A. Noir
- Movie Projects: Secret Life of Walter Mitty; The Night Circus
- Awards: PEN/Faulkner; L.A. Times Book Prizes; Bocas Caribbean
- IndieBound: Other Indie Favorites
- Book Brahmin: Sara Benincasa
- Children's Review: The False Prince
Quote of the Day
The Art of Publishing 'Good Books for Bad Children'
"I was taken out to luncheon and offered, with great ceremony, the opportunity to be an editor in the adult department. The implication, of course, was that since I had learned to publish books for children with considerable success perhaps I was now ready to move along (or up) to the adult field. I almost pushed the luncheon table into the lap of the pompous gentleman opposite me and then explained kindly that publishing children's books was what I did, that I couldn't possibly be interested in books for dead dull finished adults, and thank you very much but I had to get back to my desk to publish some more good books for bad children."



















































"I was taken out to luncheon and offered, with great ceremony, the opportunity to be an editor in the adult department. The implication, of course, was that since I had learned to publish books for children with considerable success perhaps I was now ready to move along (or up) to the adult field. I almost pushed the luncheon table into the lap of the pompous gentleman opposite me and then explained kindly that publishing children's books was what I did, that I couldn't possibly be interested in books for dead dull finished adults, and thank you very much but I had to get back to my desk to publish some more good books for bad children."

