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photo: Southspringbreeze |
Yiming Ma was born in Shanghai and spent a decade working in tech and finance in New York, Toronto, London, Berlin, and South Africa. He attended Stanford University for his MBA and holds an MFA from Warren Wilson College, where he was the Carol Houck Smith Scholar. His writing has appeared in the New York Times, the Guardian, LitHub, Hazlitt, and the Florida Review. His story "Swimmer of Yangtze" won the 2018 Guardian 4th Estate Short Story Prize. His debut novel is These Memories Do Not Belong to Us (Mariner Books, August 12, 2025), a hauntingly beautiful and prescient debut novel set in a future where a renamed China is the sole global superpower.
Handsell readers your book in 25 words or less:
In a world where memories are sold and surveilled, governed by a renamed China, how does one survive while keeping their mother's banned memories safe?
On your nightstand now:
Headshot by Rita Bullwinkel, The Memory Police by Yōko Ogawa, We Were the Universe by Kimberly King Parsons, A Visit from the Goon Squad by Jennifer Egan, Your House Will Pay by Steph Cha, The Orphan Master's Son by Adam Johnson, Fates and Furies by Lauren Groff, The Audacity by Ryan Chapman, What Strange Paradise by Omar El Akkad, River East, River West by Aube Rey Lescure.
A lovely mix of books by author friends I may be speaking with during my tour, and books I'm in the middle of falling in love with again.
Favorite book when you were a child:
The Wheel of Time series. I grew up in Shanghai watching Chinese martial arts dramas known as wuxia, so reading fantasy series such as the Wheel of Time was probably the closest thing after my family moved to New York and then Toronto. Naturally, I am absolutely devastated that Amazon canceled the television series after the incredible season finale. The series had just found its footing and I want to give a special shoutout to Natasha O'Keeffe, the actress who played the Forsaken Lanfear, for bringing the character to life beyond my wildest expectations.
Book you're an evangelist for:
Stories of Your Life and Others by Ted Chiang. In particular, the Nebula Award-winning novella from the collection that was adapted into the movie Arrival starring Amy Adams, but also Hell Is the Absence of God. I love how emotionally resonant Chiang's works are, even with all the science embedded within them, and in the titular novella, how everything comes full circle.
Recently, I was gratified when Debutiful's Adam Vitcavage brought up Chiang himself when reviewing my book for the second half of his Most Anticipated List: "It was reminiscent of the first time I read Ted Chiang's Story of Your Life. It made me believe that books can change my brain's chemistry."
That's also how I feel about Chiang's works every time I have the privilege to read a new story from him every one or two years.
Book you've bought for the cover:
The paperback edition of The Vegetarian by Han Kang from Portobello Books (now Granta Books). That severed wing of a white bird above the bloody veins resembling a leaf is seared in my memories. I think I must have recommended that book to over 30 people by now.
Book that changed your life:
Never Let Me Go by Kazuo Ishiguro. I still vividly remember reading this novel in a tiny upstairs dessert café in London's Chinatown, the day after I moved to the city for a new job. I couldn't leave until I finished, drinking multiple bowls of almond dessert. The restraint in Ishiguro's prose was nothing short of haunting when juxtaposed with the novel's horrific secrets and the psychological states of its characters.
Ishiguro was the author who most inspired me to take a year off between my career working in education/tech and my graduate degree at Stanford, in order to dedicate time to writing my first stories. One of those eventually became "Swimmer of Yangtze" and won the Guardian 4th Estate Short Story Prize two years afterward.
Favorite line from a book:
"1. Suppose I were to begin by saying that I had fallen in love with a color. Suppose I were to speak this as though it were a confession; suppose I shredded my napkin as we spoke. It began slowly. An appreciation, an affinity. Then, one day, it became more serious."
Those opening lines of Maggie Nelson's Bluets changed me. With each word, I felt as if I was silently falling further into her river of language, until the moment I realized that the current had captured me completely, swiftly carrying me into the depths of her obsessions.
Bluets also taught me that fragmentary structures can often capture the non-linear or recursive nature of grief and other complex emotions better than more traditional forms. This was instructive as I wrote certain Memory Epics within These Memories Do Not Belong to Us.
Book you most want to read again for the first time:
A Wild Sheep Chase. Or any early novel by Haruki Murakami. When I lived in Tokyo, I used to imagine running into him, the way I once did with the Michelin-starred chef Jiro Ono in a public bathroom in Ginza. My wife always jokes about how often Murakami describes the ears of women in his novels, but I find his early work both surreal and mesmerizing, unexpectedly offering me permission to play more with my loneliest characters. One of my favorite movies is the Korean psychological thriller Burning directed by Lee Chang-dong, which was adapted from one of Murakami's short stories.
Final dedications:
Each of the 11 banned memories in These Memories Do Not Belong to Us is written in a different style. I owe much to all the authors featured in this interview (Chiang, Ishiguro, Nelson, Kang), and many more, for helping bring this novel to life.
Special thanks also to the authors who pushed the constellation novel structure, such as A Visit from the Goon Squad by Jennifer Egan, Cloud Atlas by David Mitchell, The Power by Naomi Alderman, and more recently, How High We Go in the Dark by Sequoia Nagamatsu, who kindly wrote my book a blurb.
If you enjoyed any of those titles, I think there's a good chance you'll enjoy These Memories Do Not Belong to Us too.