Shelf Awareness for Readers for Tuesday, May 25, 2021


Liveright Publishing Corporation: Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation by Kristin Kobes Du Mez

From My Shelf

Andrews McMeel Publishing: Unicorn Playlist, 14: Another Phoebe and Her Unicorn Adventure by Dana Simpson

Scholastic Inc.: Linked by Gordon Korman

Parenting Across the World

American expat Pamela Druckerman felt she was the only flustered parent amid a sea of serene, baguette-toting Parisian mothers. She shares all of the "wisdom of French parenting" she could glean in her entertaining and insightful Bringing Up Bébe (Penguin, $18). Though not all aspects of French parenting appealed to me, I was enamored by the idea of someday dining out on multi-course meals with my calm and serene toddler in tow, as French parents apparently do on a regular basis.

Looking for more insights into how to raise the little human who lives in my own house, I found nearly as many global parenting books as there are parenting styles. In There's No Such Thing as Bad Weather (Touchstone, $17), Swedish-born Lina Åkeson McGurk promises that the secret to raising healthy children is more time outdoors, year-round. Rina Mae Acosta and Michele Hutchinson put forth, in The Happiest Kids in the World: How Dutch Parents Help Their Kids by Doing Less (Experiment, $15.95), that what parents actually need to do is relax: less worrying and supervision, and fewer activities, yield happier kids--and happier parents. Meanwhile, in Battle Hymn of the Tiger Mother (Penguin, $17), Amy Chua set out to write a story about the benefits of raising children as Chinese parents do, in contrast to Western parents, and instead wrote about a "bitter clash of cultures" and her own journey through humility in parenting.

I almost set down My Everything: The Parent I Want to Be, the Children I Hope to Raise (Hachette Go, $28)--a bestseller in Israel--after the first few chapters; Einat Nathan's approach is very different from my own. But then I realized: I, like parents everywhere, can pick and choose what's right for me and my family, and raise a globally inspired human from the comfort of home. --Kerry McHugh, blogger at Entomology of a Bookworm


Seal Press: Please Miss: A Heartbreaking Work of Staggering Penis by Grace Lavery


Book Candy

Fancy Words for Specific Shapes

Mental Floss looked up "8 fancy words for specific shapes."

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"John Steinbeck wrote a werewolf novel, and his estate won't let the world read it," Open Culture reported.

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CrimeReads investigated "cozy mysteries featuring delicious (and doable) recipes."
 
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"Book of The Little Prince author's love letters marks end of feud between heirs," the Guardian reported.

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Bookshelf featured Tanishka Sharma's hexagonal bookshelf seat.


Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way

by Caseen Gaines

In 2016, Broadway saw an unusual revival: Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed. Back in 1921, as now, many high-profile theatrical productions featured the stories of white characters, played mainly by white actors, but both the original Shuffle Along and its revival offered something different. The musical revue, created by two comedians and a pair of accomplished musicians, was the first all-Black musical comedy to make it big on Broadway, and its success had far-reaching effects on race relations in the entertainment industry. In vivid and lively prose, author, teacher and pop culture historian Caseen Gaines digs into the history and impact of Shuffle Along and its creators in his engrossing, meticulously researched fifth book, Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way.

Gaines (We Don't Need Roads) begins with a pivotal moment from the show's 1921 opening night: "Love Will Find a Way," a duet performed by two of Shuffle Along's Black characters. In vaudeville and across the entertainment industry, Black actors were often forced to play stereotypes for laughs, feeding white audiences familiar jokes about uneducated "Negroes" who couldn't do simple math or string together a coherent sentence. While the plot of Shuffle Along (involving a crooked mayoral race) did include some of these moments, the show also gave its Black actors, musicians and dancers a chance to perform at a greater dramatic range. But the show's creators feared that white audiences would not accept a song, much less an entire show, that portrayed Black people as complex human beings capable of real thoughts and feelings.

To everyone's surprise, the audience not only enjoyed the syncopated jazz music and genuine love story, but roared for more, kicking off Shuffle Along's successful run on Broadway and its subsequent national tour. The show was plagued by constant financial troubles, though: the cast often went without pay, and the showrunners struggled to meet travel costs and other expenses. The economic and social effects of World War I, Prohibition and the Great Migration of Black Americans to northern states--among other forces--also affected the show's fortunes. But for its creators and participants, it helped form a vision for what was possible: a future America where Black actors could play authentic roles rather than squeezing themselves into narrow stereotypical boxes.

Footnotes is the story of one musical, but it is also a group biography of four men who were only one generation removed from slavery, whose lives and careers spanned rapidly changing times. Gaines charts the personal histories of the show's architects: comedians Flournoy Miller and Aubrey Lyles, and musicians Noble Sissle and Eubie Blake. He delves into each man's origin and career, recounting the success Miller and Lyles found together in vaudeville, and the musical adventures of Sissle and Blake, which took them from New York's jazz venues to playing at French military bases during World War I. Though none of the four had ever written a musical or performed on Broadway, they teamed up to conceive (and find funding for) something entirely new with Shuffle Along. They rented a theater on West 63rd Street--not in Manhattan's theater district, but close enough--and hammered out a book and a score that fused comedy, jazz, romance and plenty of dancing. The show would go on to launch the careers of performers--among them Florence Mills, Paul Robeson and a very young Josephine Baker--as well as open doors for many of its other cast, crew and orchestra members.

Drawing on extensive historical and archival research, Gaines holds up the show's creators as examples of Black excellence in a world designed to trap them in failure. He captures their complicated experiences and interpersonal dynamics, and draws sharp contrasts between the treatment of Black people in the U.S. and the accolades they received abroad. He also records the showrunners' struggles along with their triumphs: the way the show never quite managed to balance its books, the moments where the show's actors and writers resorted to blackface to get a laugh from the audience, the blatant colorism (onstage and off) that elevated light-skinned Black people above their darker counterparts. Judged by the standards of today, much of the show's original script reads as tone-deaf or even offensive. But a century ago, the musical provided a mix of satire, genuine emotion and familiar (if shopworn) jokes that drew in audiences and kept the show touring until 1924.

The book's last chapters deal with the show's several revivals, most of which were unsuccessful (until the 2016 remake) and the later careers of the showrunners. Gaines also muses on the ways in which Black actors and artists have still struggled to make a home for themselves on Broadway. In a moment of national conversation about systemic racism in the U.S., the story of Footnotes is not only compelling but perfectly timed. --Katie Noah Gibson

Sourcebooks, $26.99, hardcover, 448p., 9781492688815

Caseen Gaines: Lives of Contradiction

Caseen Gaines is an author, director, educator and pop culture historian. His books include We Don't Need Roads: The Making of the Back to the Future Trilogy and The Dark Crystal: The Ultimate Visual History. He is also co-artistic director of a nonprofit theater company he cofounded and a high school English teacher in New Jersey. Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way, available now from Sourcebooks, is his fifth book.

What inspired you to dig into the story of Shuffle Along and its creators?

I saw the 2016 iteration of Shuffle Along, which told some of the backstage story, the day before it ended its brief Broadway run. I couldn't shake the feeling that its premature ending was a continuation of what had been happening to [the show's creators] Noble Sissle, Eubie Blake, Flournoy Miller and Aubrey Lyles since the 1920s. As I began to dig deeper into each of their lives, there seemed to be something important about not forgetting these four men. They are just a few of countless Black Americans who forever changed this country and have long been denied their due.

Explain what your research process was like--delving into archival materials, recordings, newspaper clippings and other sources.

I spent a lot of time visiting libraries and archives in both Harlem and Baltimore, and loved every second of it. Several of the book's main subjects left behind so much ephemera, audio recordings, even some unfinished and unpublished memoirs. The information was decentralized and required some unearthing, but there seemed to be a never-ending well of information. Initially it felt daunting, but in a way, the wealth of information made it easier for me to focus on the story I was telling and leave out extraneous details. I also developed a relationship with Noble Sissle's son, which has been a real asset to this project.

Shuffle Along was a very different production than previous all-Black theatrical shows--vaudeville and minstrel shows--but it still contained moments where the Black actors wore blackface or played to racial stereotypes. That was a complex dynamic.

Footnotes is set in such a specific moment in American history. Each of the four main subjects were just a generation removed from slavery, and yet all but one were college-educated. That may feel inherently contradictory, but in the 1920s, like today, being a Black American is often to live a life of contradiction, or at least complexity.

Shuffle Along was the brainchild of two Black musicians who performed in tuxedos, and two blackface comedians who trafficked in antebellum humor. This may seem regressive, but it was the opposite; and this balance helped make the show palatable to white audiences and allowed it to play in the Deep South. It also is a clear illustration of the dance people of color do every day to have their best shot at success in America.

Although the creators of Shuffle Along were all Black men, the show also opened doors for Black women and the kinds of roles they were able to play onstage.

Prior to Shuffle Along, the prevailing consensus was that white people, and white women, specifically, would never pay to see Black women on stage unless they were playing a stereotypical role, like a mammy or a jezebel. Sissle, Blake, Miller and Lyles deserve credit for creating legitimate roles for Black women, and also providing opportunities for them to shine in the chorus. For the first time, theater-goers were able to see women as artists: skilled dancers, singers and performers, and not just attractive set dressing like they were in popular shows like Florenz Ziegfeld's Follies. Josephine Baker became a star as a chorine, and there are other women, like Florence Mills, Adelaide Hall and Fredi Washington, who first got their big break in Shuffle Along before reaching superstardom.

Several of the show's creators and musicians spent time in the military and played in military bands, and their experiences abroad were vastly different than their experiences at home in the U.S. How do you think that experience informed the show?

Noble Sissle, in particular, was significantly impacted by his time overseas. He was part of the all-Black 369th Infantry Regiment, better known as the Harlem Hellfighters, and they were instrumental in introducing jazz to Paris. Seeing the way the French responded to culturally Black music reinforced the idea that white audiences in New York might be similarly captivated, and that authenticity mattered when it came to art. Additionally, by serving in the armed forces, Sissle developed a strong desire to be part of creating a more just America. Music was his medium, and Shuffle Along and jazz were means to that end.

What surprised you the most in your research?

I was surprised by how well-documented the lives of my subjects were, particularly in newspapers. There were so many Black publications at the time, and the artists in Footnotes were major celebrities of the day. I uncovered so many vivid anecdotes, and some of my favorites in the narrative are centered around minor characters, like Josephine Baker. Most people envision her as a fearless woman dancing topless in a banana skirt, but in Footnotes, we see her develop from an insecure teenager to an international superstar.

Why do you think the story of Footnotes is particularly relevant today, in a moment of widespread conversations about representation, racism and related issues?

Footnotes is a story about the importance of not only racial representation, but also racial and cultural authenticity. It's a reminder that Black creatives, and more broadly, people from all underrepresented groups, can produce excellent and commercially viable art, if the gatekeepers stay out of their way. But what's equally important is that it's also a story of appropriation, erasure, and the ongoing fight to be acknowledged for your worth. However, there's still an optimism that remains constant throughout the narrative. Footnotes is set against the backdrop of the highest period of racialized violence in the United States since the Civil War, an economic recession, and the aftermath of a global pandemic; yet, even in this landscape, these Black artists were able to achieve what seemed like the impossible. --Katie Noah Gibson


Shelf vetted, publisher supported.


Great Reads

Rediscover: An American Tragedy

In Theodore Dreiser's 1925 novel, An American Tragedy, an ambitious but dim-witted and unscrupulous young man kills a farm girl he impregnated in order romantically to pursue a more promising socialite. The bungled murder lands him in the electric chair. Dreiser (1871-1945) based his book on the 1906 case of Chester Gillette, who killed pregnant Grace Brown while rowing on a lake in the Adirondacks. Gillette beat Brown, left her to drown and fled to a nearby town, where he was quickly arrested. Like Dreiser's character, Gillette's shifting stories and the ample evidence against him resulted in conviction and execution. The real murder of Grace Brown became a national sensation. As a journalist, Dreiser observed that this kind of crime, in which a young man killed a poorer pregnant girl in order to pursue a richer one, occurred with shocking regularity in the United States.

An American Tragedy was adapted into the 1951 film A Place in the Sun, starring Montgomery Clift, Elizabeth Taylor and Shelley Winters. It won six Academy Awards. Dreiser's other novels include Sister Carrie (1900), Jennie Gerhardt (1911), The Financier (1912), The Titan (1914), The "Genius" (1915), The Bulwark (1946) and The Stoic (1947). He also wrote two plays and numerous nonfiction titles. A new edition of An American Tragedy is available today from Vintage ($12). --Tobias Mutter


Plum Blossom: Mop Rides the Waves of Change: A Mop Rides Story by Jaimal Yogis, illustrated by Matt Allen


Book Review

Fiction

Among the Hedges

by Sara Mesa, trans. by Megan McDowell


Beyond familial bonds, is a relationship between an almost-14-year-old girl and a 54-year-old man possible? Intriguing Spanish writer Sara Mesa--who presented all manner of inappropriate relationships in Four by Four--continues to explore highly charged power dynamics in Among the Hedges, translated by award-winning Megan McDowell.

She's called Soon, as in "soon-to-be fourteen." Being "fifty-four now," the old man is exactly that--earning his Old Man appellation. Soon is truant, avoiding constant bullying by hiding daily among the hedges in a park a half-hour from home. Old Man just appears one day, intruding into her haven, speaking of birds, before he apologizes because "he talks too much" and abruptly leaves. But he returns the next day. And the days after. Soon, initially wary, shares a few fabrications but "stops lying out of laziness." After having "no one who listen[ed]... now she's at least found this man, Old Man, who only talks about birds and Nina Simone, and who never lies." Their weekday ritual expands to include snacks and drinks--and fractured secrets. Talk of "Sudden Urgent Transfer" of schools and even marriage leads to tragic consequences.  

Obvious or predictable could never describe Mesa's narrative here. Her sly hints--especially when she repeats words like "made up," "fabricating," "lying"--are clearly meant to manipulate readers in various directions, right or wrong, truth or not. "She can't end up without a story to tell," Soon insists to herself--regardless of the potentially dangerous results. Mesa, meanwhile, prods, enables, challenges, maybe even misleads. Satisfaction--of sorts--arrives in Mesa's concluding "Part Two," which shrewdly reveals the bittersweet outcome beyond the hedges. --Terry Hong, Smithsonian BookDragon

Discover: Award-winning Spanish writer Sara Mesa brilliantly, unpredictably explores highly charged power dynamics between an almost-14-year-old girl and a 54-year-old stranger.

Open Letter, $14.95, paperback, 120p., 9781948830393

Atlantic Monthly Press: The Wonder Test by Michelle Richmond


You People

by Nikita Lalwani


Nikita Lalwani's alternating narrators in her remarkable third novel, You People, seemingly have little in common beyond a shared place of employment: a London pizzeria with predominantly undocumented staff. Nia, a 19-year-old Welsh transplant escaping an abusive home life, was asked to leave Oxford University, where she'd remarkably gained entrance. Shan is a tortured Sri Lankan refugee, the son of a journalist whose name appears in the Wikipedia entry for "List of people killed by Sri Lankan government forces"; his mother "and all the others" also dead. Guilt haunts them both: Nia for abandoning her younger sister to their alcoholic mother; Shan for deserting his wife and son to escape alone.

While Nia waitresses, Shan cooks. Upstairs, their Singaporean boss, Tuli, seems to "play God," funding no-interest loans, provisioning the needy and reuniting families, but perhaps he's also running drugs, enabling trafficking, ignoring the law as necessary. His loyal employees willingly do "extra" work, including Nia and Shan, who both grow closer to Tuli--but at what cost?

Lalwani, an Indian immigrant raised in Wales, now living in London, made the Man Booker longlist with her first novel, Gifted. She seamlessly weaves her diverse background throughout these pages, creating an authentic contemporary London, a crossroads for international populations. Her characters are caught at the intersection of kindness and indifference, of whether to choose self-preservation or extend a helping hand. Writing in crisp, frank prose adorned with lyrical flourishes ("new voice... shorn of the Welsh wool"; "artifacts in her orbit"), Lalwani searingly exposes an urgent, universal story of humanity lost and (hopefully) found. --Terry Hong, Smithsonian BookDragon

Discover: Nikita Lalwani's magnificent third novel features two London pizzeria employees--one British, the other undocumented--and their enigmatic boss who just might be playing God with all their lives.

McSweeney's, $26, hardcover, 230p., 9781952119132

The Blackmailer's Guide to Love

by Marian Thurm


Relationships and marriages fraught with flaws and imperfections are consistent hallmarks of the always thought-provoking work of Marian Thurm (Today Is Not Your Day). Her seventh novel, The Blackmailer's Guide to Love, is set in 1978. A trio of young, sophisticated, upwardly mobile New Yorkers are embarking on their lives in post-Nixon Manhattan. "Suburban-bred innocent," Ivy League alumna and literary writer wannabe Mel Fleischer, 25, lands an entry-level job at a prestigious Madison Avenue magazine. Her boss, Austin Bloch, is a middle-aged, esteemed editor who works with some of the finest writers. However, that doesn't make his moral character exemplary, and Mel is put in the precarious position of covering for and hiding Austin's dalliances from his wife.

This is all new to Mel, who has "no idea how to navigate a universe where husbands and wives betray each other or snort coke with straws off glass tables." She shares her experiences with Charlie, her caring and supportive husband, a Manhattan psychotherapist. He is faced with his own dilemma in counseling Julia Meyerson, a young, divorced Ph.D. student who, unable to secure a teaching position, cares for an aging and infirm childless couple. Around the same time that Mel has one of her short stories accepted for publication by the New Yorker, doctor-patient lines start to blur for Charlie and Julia. Each character, on the brink of personal change, faces a crossroads.

Clever plot developments abound, and exquisitely drawn characters have their perceptions radically changed. Thurm's literary authority is on full display in this deeply engrossing and dramatically juicy novel. --Kathleen Gerard, blogger at Reading Between the Lines

Discover: A richly drawn, juicy love triangle ensnares the lives of three young, upwardly mobile sophisticates in post-Nixon Manhattan.

Delphinium, $26.95, hardcover, 336p., 9781953002006

Mystery & Thriller

Version Zero

by David Yoon


David Yoon (Frankly in Love) makes his adult fiction debut with Version Zero, a fast-paced, smart technothriller set in the near future. It's the story of Max, the son of undocumented Salvadoran immigrants, who works for a Facebook-like company called Wren. Max, as a "Brown," is a bit of a diversity wunderkind in the "Whiteman" world of Wren, and as such is called to work on a super-secret project.

At first Max is thrilled to have hit the big league, but then he starts to question the morals of the project he's working on, whose entire goal is to mine the data of Wren users. He's immediately fired and blacklisted from finding another tech job, so with the help of his best friend, Akiko, an expert programmer, Max sets out to expose what's going on at Wren.

Yoon examines many things modern technological life takes for granted in a clever, satirical way, as Max, Akiko and the group of misfits they bring together try to re-create the Internet in a kinder way. Surprising no one, the retaliation against them is quick and severe. Exploring themes of privacy and privilege, and the responsibility of the average Internet user, Version Zero brings up thoughtful questions amid its frenetic energy. And, as the scope of Max's schemes broaden, he realizes that what he's doing puts everyone he loves at risk. When is protecting one's own circle more important than benefiting humanity at large? --Jessica Howard, bookseller at Bookmans, Tucson, Ariz.

Discover: In this fast-moving technothriller, a disaffected programmer tries to take down a huge social media company and meets with drastic retaliation. 

Putnam, $27, hardcover, 368p., 9780593190357

A Peculiar Combination

by Ashley Weaver


Ellie O'Donnell has always been proud (if a bit conflicted) to be part of her family's safecracking operation. She knows it's morally questionable work, but it helps augment the earnings from her uncle's locksmithing business, and she enjoys the challenge of conquering a tricky lock. But when Ellie and Uncle Mick are caught robbing a house one night, she suspects they've been set up. Ashley Weaver begins an intriguing mystery series with the first of Ellie's adventures, A Peculiar Combination.

Weaver (A Deception at Thornecrest) keeps the English setting of her Amory Ames series, but moves to a different era: 1940, when most Londoners are waiting to see if the Nazis will invade. Ellie's cousins are both off doing their bit for the war, and Ellie and her uncle are keeping busy with work (both upfront and illegal). When they're apprehended after a seemingly routine jewel theft, Ellie is surprised to be offered a job in exchange for her freedom: helping Major Ramsey, a British intelligence agent, retrieve a set of crucial documents and switch them out for fakes.

Weaver builds a satisfyingly tricky plot while sensitively exploring the complex motives driving both Ellie and the major to do their work. Filled with vivid historical details, late nights under a London blackout and characters from all classes who aren't quite what they seem, A Peculiar Combination is a sparkling addition to Weaver's oeuvre and a highly enjoyable start to a new series. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

Discover: Mystery novelist Ashley Weaver's series launch set in 1940s London features a whip-smart safecracking heroine and satisfyingly tricky plot.

Minotaur, $26.99, hardcover, 304p., 9781250780485

The Anatomy of Desire

by L.R. Dorn


Two women take a canoe out on a lake in California, but only one comes back--dead. The other disappears from the scene. Told entirely as a transcript of a true-crime documentary, L.R. Dorn's thought-provoking legal thriller The Anatomy of Desire follows a beautiful young fitness influencer whose ambitions burn more brightly than her smile.

Cleo Ray is a social media star with a handsome influencer boyfriend who has even more followers than she does. The couple has planned a camping retreat with friends to unplug from their electronic devices. Before she meets up with the group, Cleo just has one small task to take care of: break up with her secret girlfriend, Beck. The two go out on a lake to talk but don't return. Beck's drowned body is discovered hours later, with injuries to her face and head, while Cleo is nowhere to be seen. Police eventually find Cleo camping nearby with her friends, acting as if nothing has happened. She's charged with murder and put on trial, but Beck's killing might not be the only reason for which Cleo is judged by the small conservative community.

Though the transcript format creates a matter-of-fact tone in this modern take on Theodore Dreiser's An American Tragedy, Dorn (pseudonym for screenwriters Matt Dorff and Suzanne Dunn) manages to paint layered portraits of the main players, who resist clear labels of good and bad. As the trial progresses, readers may find their preconceptions challenged and their feelings flip-flopping regarding Chloe's guilt and moral character. And when the ending comes, it's a surprisingly poignant one. --Elyse Dinh-McCrillis, blogger at Pop Culture Nerd

Discover: A beautiful social media influencer is put on trial for murder in this gripping courtroom thriller.

Morrow, $27.99, hardcover, 320p., 9780063041929

Science Fiction & Fantasy

Honeycomb

by Joanne M. Harris, illus. by Charles Vess


With Honeycomb, the prolific Joanne M. Harris (ChocolatPeaches for Father Francis), who has written fantasy, historical fiction, suspense, cookbooks and more, offers an enchanting collection of darkly delightful, imaginative fairy tales and parables of the modern world. (These stories began as a series on Twitter.) Illustrator Charles Vess (StardustSandman) brings to life Harris's Silken Folk, "weavers of glamours, spinners of tales... whom some call the Faërie, and some the First, and some the Keepers of Stories," in richly detailed images.

In the world of Honeycomb, the Sightless Folk (regular humans) unwittingly often share space with the numerous and diverse Silken. "There are many doors between the worlds of the Faërie and the Folk. Some look like doors; or windows; or books. Some are in Dream; others, in Death." These 100 stories form a whole that is magical, fanciful, enchanting and occasionally nightmarish. In special moments, "all Worlds were linked, like the cells of an intricate honeycomb, making a pattern that stretched beyond even Death; even Dream," and the stories are likewise linked cells. Some act as allegories, as in "The Wolves and the Dogs," in which the Sheep elect a Wolf to protect them because at least he is honest. In "The Traveller," the titular character passes quickly by many delights in pursuit of his destination, which turns out less impressive than he'd hoped.

Completely engrossing, exquisitely inventive, brilliantly illustrated and thought-provoking, Honeycomb is a world, or Worlds, to get lost in. "Some of these tales have stings attached. But then, of course, that's bees for you." --Julia Kastner, librarian and blogger at pagesofjulia

Discover: Fairy tales for grown-ups, allegories, visions and horrors: these gorgeously illustrated linked stories are guaranteed to transport.

Saga Press/Gallery, $32, hardcover, 432p., 9781534433052

On the Origin of Species and Other Stories

by Bo-Young Kim, trans. by Joungmin Lee Comfort, Sora Kim-Russell


Seven stimulating short stories, plus a pithy "reflection" on breasts, comprise Kim Bo-Young's collection On the Origin of Species and Other Stories, translated from the Korean by Joungmin Lee Comfort and Sora Kim-Russell. Lauded as one of Korea's most prominent science fiction writers, Kim insists her stories "came into being without [her] consciously trying to turn them into SF.... It's only later that [she] found out that readers labeled them SF." That eschewing of such classification effectively summarizes Kim's genre-defying imagination as she intricately weaves history, romance, mystery, pop culture and, of course, strange science into her absorbing storytelling.

Homunculi, avatars, machines and maybe humans populate "Scripter," in which gaming and reality seem impossible to separate. In "Between Zero and One," previously published in the 2019 anthology Readymade Bodhisattva, Kim skewers Korea's relentless pressure-cooker school system through a student's suicide, her surviving mother--and time travel. Transformation for survival drives "An Evolution Myth," while mutating species challenge each other in "Last of the Wolves." Siblings attempt epistolary communication 28,000 light years apart in "Stars Shine in Earth's Sky." Most fascinating of the collection are the paired "On the Origin of the Species" in which robots contemplate the viability of organic biology, then face the consequences of creating life in "On the Origin of Species--And What Might Have Happened Thereafter."

Following the success of Kim's I'm Waiting for You and Other Stories, Kaya Press hopes to replicate Kim's "cult following," as described by the collection's discerning editor, Sunyoung Park. Inventive and unpredictable, Kim's fiction delivers both insight and provocation. --Terry Hong, Smithsonian BookDragon

Discover: Ranging from delightful to disturbing, Kim Bo-Young's inventive collection features seven label-defying, intricate stories-in-translation.

Kaya Press, $19.95, paperback, 224p., 9781885030719

Graphic Books

My Begging Chart

by Keiler Roberts


In My Begging Chart, her seventh collection of autobiographical comics, Keiler Roberts (Rat Time) offers a view of domestic life that praises the mundane with a gentle poignancy and inimitable dry wit and humor. Unfolding in a series of vignettes, the book relates her life with her husband, Scott, and their daughter, Xia, as well as her art and her experience living with multiple sclerosis. She pays particular attention to her parenting foibles: when Scott chastises her for letting Xia eat ice cream in the car on the way to the dentist, she responds, "I told you I was having a transition year. This is my new life." This sort of droll sendup of the language of wellness is characteristic of the book's attitude toward the theme of self-improvement common in diaristic comics. Another: after describing to her therapist that she likes to visualize her thoughts as cicadas clinging to her, Roberts concludes, "It doesn't help at all, but I like visualizations."

Roberts's rough-hewn drawing style lends a sense of immediacy to her observations. She often gives the smallest moments the most room on the page, such as one in which she rests on the couch with her daughter reclining in her lap, reading. These scenes, along with those in which Roberts discusses the fatiguing effects of MS, are marked by stillness and quiet, and are among the most affecting in the collection. Candid and funny, My Begging Chart finds whimsy in the minutiae of everyday life. --Theo Henderson, bookseller at Ravenna Third Place Books, Seattle, Wash.

Discover: In this collection of autobiographical comics, Keiler Roberts documents the minutiae of everyday life--including parenting, art and disability--with poignancy and wit.

Drawn & Quarterly, $19.95, paperback, 156p., 9781770464582

Biography & Memoir

Elizabeth and Monty: The Untold Story of Their Intimate Friendship

by Charles Casillo


This dual biography of Elizabeth Taylor and Montgomery Clift by Charles Casillo (Marilyn Monroe: The Private Life of a Public Icon) is so jammed packed with sex, pill-popping, alcoholism, affairs, breakdowns, suicide attempts and multiple brushes with death that most readers will want to read it in one greedy, high-caloric gulp. Readers may come for the nonstop scandals but what will keep them reading is Casillo's deeply empathetic and nuanced portrait of two Hollywood stars who forged a loving and loyal friendship.

The two met while filming 1951's A Place in the Sun, and their chemistry was striking. Clift was gay and Taylor was a teenage virgin, but onscreen they generated heat. Off-screen, they formed a strong friendship. "She feels like the other half of me," Clift said. The two were reunited six years later in Raintree Country. Midway through filming, Clift was in a near-fatal car accident. Taylor saved his life by climbing inside the wrecked car and pulled broken teeth from his throat. The accident partially paralyzed his face and left him addicted to alcohol and painkillers. When he made The Misfits in 1960, he was in such bad shape, no film company would insure him. Costar Marilyn Monroe said Clift was "the only person I know who is in worse shape than I am."

Both Taylor and Clift have numerous biographies devoted to them, but Casillo's dual biography admirably laces their dramatic lives together. Much like A Star Is Born, with one star rising as the other declines, these two life stories make riveting reading. --Kevin Howell, independent reviewer and marketing consultant

Discover: Charles Casillo's dual biography of Elizabeth Taylor and Montgomery Clift is the movie star bio of the year, told with empathy and insight.

Kensington, $27, hardcover, 352p., 9781496724793

Children's & Young Adult

Jo Jo Makoons: The Used-to-Be Best Friend

by Dawn Quigley, illus. by Tara Audibert


A plucky Ojibwe first-grader worries over friendships, her artistic chops and a deflating cat in the charming #OwnVoices series starter, Jo Jo Makoons: The Used-to-Be Best Friend.

Josephine "Jo Jo" Makoons Azure is a spunky seven-year-old resident of a fictional reservation belonging to the Pembina Ojibwe, and a proud Native child. In eight short, accessible chapters, Jo Jo schedules a veterinarian's visit for her cat Mimi (her "home best friend"), submits her art for the school yearbook and deals with the recent lunch table abandonment of her "school best friend," Fern. Meanwhile, Jo Jo strives to be friendly, as her kokum (grandma in Michif) teaches, while struggling with emotional vulnerabilities that ring painfully true.

Dawn Quigley (Apple in the Middle; contributor to Ancestor Approved), a citizen of the Pembina Band of Ojibwe, delivers savvy observations that subtly educate readers about Ojibwe culture, heritage and community. Michif and Ojibwe words appear regularly and are italicized only once, as Jo Jo defines or enunciates them. Quigley's snappy humor and short paragraphs suit the early chapter-book format, while front- and backmatter affirm Indigenous readers and support non-Native children. Wolastoqey/French filmmaker, cartoonist, animater and artist Tara Audibert's charismatic work perfectly complements Jo Jo's animated disposition. Cartoon-style caricatures feature warm eyes and generous smiles, rendering each character distinctly. Grayscale spot art and full-page illustrations include Ojibwe details like a turtle calendar in the classroom and floral motifs throughout.

Jo Jo's magnetic personality and liberal humor should endear her immediately to readers struggling to sort out their own worlds--she is sure to be young readers' new "book best friend." --Kit Ballenger, youth librarian, Help Your Shelf

Discover: An Ojibwe girl sorts out friendship struggles in a hilarious series starter from #OwnVoices creators.

Heartdrum/HarperCollins, $15.99, hardcover, 80p., ages 6-10, 9780063015371

Rule of Threes

by Marcy Campbell


Kids in middle-grade novels tend not to have it easy. Even so, in Rule of Threes, Marcy Campbell (Adrian Simcox Does NOT Have a Horse) comes up with a real humdinger of a challenge for the endlessly sympathetic Maggie Owens, her 12-year-old narrator: Maggie learns that she has a half brother one year her senior, the product of her father's extramarital affair.

Tony's arrival in Maggie's life--and home (Tony's mom is in drug rehab so he's staying with the Owens family)--compounds her other problems: adjusting to middle school and dealing with her beloved maternal grandmother's mental decline. To take her mind off her troubles, Maggie throws herself into her school's Spirit Week decorating contest, but one of her friends slated to help is acting weird--yet another complication.

Rule of Threes works some time-tested middle-grade-novel themes--coping with a new school, coming to terms with parents' flaws, realizing that the perfect family doesn't exist--but the book's knockout premise is entirely Campbell's. Readers will be a step ahead of Maggie at times, and her behavior in a dramatic late-in-the-game scene may test credulity but, fortunately, not the reader's affection for her. Throughout this meticulously crafted novel, Maggie finds comfort in the before-and-after photos that she sees in design magazines, not realizing that her observation can apply to her reconstituted family: "It didn't matter how messy a 'before' was, because an 'after' was coming, and it would be awesome." --Nell Beram, freelance writer and YA author

Discover: In this carefully crafted middle-grade novel, a girl finds her life upended when she learns that she has an older half brother--the product of her father's extramarital affair.

Chronicle, $17.99, hardcover, 320p., ages 12-16, 9781797201238

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Boy Now From Kobo

 

Publisher: 
1001 Dark Nights Press

Pub Date:
April 27, 2021

ISBN:
9781951812263

List Price:
$2.99

 

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