The Rage by Gene Kerrigan (The Midnight Choir) is a multifaceted, character-driven story of crime and remorse. Vincent Naylor, freshly out of prison, is back to planning a robbery with his old accomplices, most notably his beloved big brother, Noel. Bob Tidey is an experienced and jaded police detective, still devoted to doing good but with the growing feeling that his employers limit his best efforts. Maura Coady is a retired nun living with her guilt and regrets. When Maura witnesses something out the front window of her apartment that doesn't look quite right, she calls Tidey to report it, setting in motion a string of events that run counter to the Naylor brothers' movements toward the next big score. The reader watches each player's trajectory on this collision course, but still won't guess the big finish until it crashes into place.

The Rage will please readers of crime thrillers and literary fiction alike. The atmosphere effectively evokes contemporary Ireland, with all its discontent and economic frustration, and in this way brings to mind Tana French's lyrical Dublin Murder Squad mystery series. Bob Tidey's cynicism and gruff efforts at romance recall Michael Connelly's hero Detective Harry Bosch. The intersecting story lines and crescendo of action create a cinematic effect. Kerrigan's compelling characters carry this thriller breathlessly through to its climax, but it is the engaging dialogue, thoughtful and absorbing prose and social conscience that make The Rage memorable. --Julia Jenkins, librarian and blogger at pagesofjulia

On its surface, Roseanne Montillo's The Lady and Her Monsters is an exploration of the genesis of Mary Shelley's Frankenstein. But Montillo clearly rejoices in meandering through the volatile times that gave life to Shelley's gothic classic, and her multifaceted literary study expands to include discussions of anatomy and alchemy, suicides, ghoulish dissections of men not quite dead and the dramatic death of Percy Shelley at sea.

In the early 19th century, Europe grew increasingly fascinated with life, death and man's ability to control nature. Grave robbers known as "resurrectionists" provided subjects for human dissections that were conducted both in medical schools and for the general public's entertainment. Scientists and imposters experimented with the capacity of electricity to restore life. Into this environment, Mary Shelley was born to Mary Wollstonecraft (A Vindication of the Rights of Woman) and William Godwin, a famous reformer of the day. Percy Bysshe Shelley was her lover and eventual husband; her sister was lover to Lord Byron. The foursome were traveling in Italy, telling the ghost stories with which Percy Shelley was obsessed, when--as Mary Shelley and legend have it--a human monster appeared to Mary in a waking dream. It was also in Italy that she may have first heard the surname Frankenstein, tied to the inspiration for Bram Stoker's Dracula, as well as to Sir George (he who killed the dragon). In Montillo's enthusiastic prose, such diverse and macabre subjects make for a lively survey, not only of Shelley's masterpiece, but of an odd and colorful time in European history. --Julia Jenkins, librarian and blogger at pagesofjulia

In April 1865, John Wilkes Booth shocked the fragile Union when he leaped onto the stage at Ford's Theatre and shot Abraham Lincoln. Less well known is the plot to assassinate Lincoln even before his inauguration as president, which Daniel Stashower recounts in The Hour of Peril. In February 1861, as Lincoln traveled from Springfield, Ill., to Washington, D.C., on a special train, a group of Baltimore secessionists devised an elaborate scheme to murder him as he passed through their city.

Allan Pinkerton, founder of the detective agency that bore his name, was originally hired to help protect the railroads during Lincoln's inaugural tour. When Pinkerton and his agents (including Kate Warne, the first female American private eye) arrived in Baltimore, they heard rumors of a murder conspiracy. For two tense weeks, the agents used any means necessary--including bribery, alcohol and coded telegraph messages--to ensure the president-elect's safe passage to Washington.

Stashower (The Beautiful Cigar Girl) builds his tale slowly, beginning with Pinkerton's origins in Scotland and his early career as a cooper. He emphasizes the volatile political climate in a nation on the brink of fracture, and showcases the bravery of Pinkerton's undercover agents and the growing strain on Lincoln's inner circle of advisers and bodyguards. Extracts from contemporary letters, memoirs and newspapers provide fascinating context.

Although readers know the end of this story (and its sad coda four years later), Stashower's expertly plotted recounting of Lincoln's journey will keep readers spellbound to the last page. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

Most people are never going to write well, argues Ben Yagoda (When You Catch an Adjective, Kill It), and that's okay. But they need advice on how to avoid writing badly: how to produce prose that makes its point and doesn't confuse or annoy the reader. The average e-mail, cover letter or annual report doesn't need to be a masterpiece of literature--but it does need to be organized, concise and free of bothersome spelling, formatting, grammar and word choice errors. With How to Not Write Bad, Yagoda heads straight for the errors that native users of American English are most likely to make and the easiest ways to correct or prevent them, focusing on producing the not-bad and letting the good take care of itself.

Skipping many of the technical subjects common to writing handbooks, Yagoda concentrates on providing guidelines for formatting (stick to house style), punctuation (less is often more), spelling (use your dictionary) and word choice (ditto). He recognizes that, for most high school and college writing students, writing well is neither necessary nor of interest; they just need to know how to communicate in sentences that aren't confusing, nonsensical or woefully misspelled. His advice is short, well-organized and fun to read. This, of course, increases the chances that students of writing will actually use it--and readers everywhere can breathe a sigh of relief. --Dani Alexis Ryskamp, blogger at The Book Cricket

Like any good Southern boy, Paula Deen's youngest son, Bobby, loves his mama's cooking. But after years of eating rich food, he found himself sluggish, overweight and in need of a change. The premise of his Cooking Channel show Not My Mama's Meals finds further expression in From Mama's Table to Mine, a collection of more than 100 classic "comfort foods" in lower-calorie but still flavorful versions.

Deen uses an arsenal of standard tricks to slim down his recipes, such as swapping low-fat Greek yogurt for sour cream and ground turkey in place of beef. He provides helpful tips on a variety of kitchen topics, urging readers to sub in their favorite veggies, amp up a dish's flavor with fresh herbs and refrain from overdoing the butter and cream. Each recipe features a before-and-after nutrition listing, including the total calories and fat grams, plus information on fiber, protein, carbs and sodium. Dieters can feel virtuous about the calories they're saving, while devotees of Southern food can enjoy down-home favorites like shepherd's pie, creamed spinach, mac 'n' cheese and even red velvet cake--without the guilt.

Readers looking for new twists on Southern recipes won't find them here: Deen admits even his mama often can't tell the difference between his dishes and her own. But for the health-conscious eater who craves comfort food and welcomes all things in moderation, Bobby's recipes strike a balance between familiar flavors and a newer, healthier approach to cooking. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

Every dog lover will be grateful to Ted Kerasote for writing Pukka's Promise, his follow-up to the much beloved Merle's Door, and for his exhaustive research into answering the questions: Why do dogs die so young? What can we do to prevent this?

Once Kerasote knew he was ready to find his next dog after Merle, he embarked on a journey to learn about the healthiest ways to raise dogs. He interviewed many veterinarians, dog breeders, researchers and shelter workers who identified six factors that affect a dog's longevity: inbreeding, nutrition, environmental pollutants, vaccination, spaying and neutering and the shelter system. To these, Kerasote added his own factor--freedom.

Kerasote seamlessly integrates his findings with the story of the search for his next dog, including his experiences raising Pukka (pronounced PUCK-uh, meaning "genuine" or "first-class" in Hindi) from puppyhood. Every decision Kerasote makes is deliberate--from the elk he shoots to nourish himself and his dog to leaving Pukka intact sexually to resorting to e-collar training to preserve Pukka's freedom. He is definitive and opinionated, but his decisions are never made lightly or without scrupulous research and consideration.

Pukka's Promise is a wealth of information any dog lover would appreciate and is truly a love letter to this beloved species. It is not only a fast-paced and engrossing read, but a significant testament to how the decisions we make every day affect the dogs we love so much. --Kristen Galles, blogger at Book Club Classics

Eva Moore (The Story of George Washington Carver) and Nancy Carpenter (Emma Dilemma) tell the suspenseful true story of Mama Duck and a rescue mission to save her five ducklings.

Out for a walk, Mama Duck leads her ducklings--Pippin, Bippin, Tippin, Dippin and Little Joe--through the town of Montauk one June day in 2000. One by one, the little ducklings follow their Mama and fall through a storm drain. "Oh dear! That could have been the end of the story. But it wasn't, because..." goes the refrain. Nancy Carpenter's charcoal and digital media illustrations depict the woman at the tollbooth, who observes the parade of feathery family members, sees the ducklings tumble and calls for help. Mama Duck scares off the bystanders, until firemen Joe, Paul and Dennis arrive on the scene. However, they can't budge the grate. ("Oh dear! That could have been the end of the story....") Moore and Carpenter show that it takes a village to save the ducklings. Perry and his pickup attach a cable and haul away the grate cover so the firemen can finish the job.

Fans of Robert McCloskey's classic Make Way for Ducklings will be heartened to know that townsfolk still stop traffic to let nature run its course. Carpenter's illustrations of the fluffy ducklings endow them with personality, while Moore's refrain will invite children to participate in this happy-ending tale. --Jennifer M. Brown, children's editor, Shelf Awareness

In Gingersnap, a redheaded girl, cast emotionally adrift by World War II, searches for security, love and family. Nine-year-old orphaned Jayna, recently reunited with her brother, Rob--plus a backyard turtle named Louise--have assembled a ragtag family that makes Jayna feel secure and loved. But 1945 is a crucial year in the war, and Rob is drafted. "Rob would leave, and I'd be alone," says Jayna, crushed to lose her newfound security and to live with her landlady until Rob's return.

Rob reassures Jayna that all will work out, and gives her a special rock out of Louise's pond to remember him by. He also gives Jayna an antique recipe book that hints at a heretofore unknown grandmother. So when Rob's ship is reported sunk during the Battle of Okinawa, Jayna feels compelled to locate her long-lost grandmother. Accompanied by Louise the turtle and the mysterious urgings of a ghostly presence, Jayna makes an extensive journey from upstate New York to Brooklyn in search of the reported cookbook-grandmother and a new home.

Patricia Reilly Giff (Lily's Crossing), twice awarded a Newbery Honor citation, again captures the innocence and vulnerability of childhood in this gentle historical novel. Although the ghostly plot element feels a little tangential, the writing style is charming and further enriched by the inclusion of Jayna's favorite soup recipes, and a dash of humor. --Jessica Bushore, former public librarian and freelance writer

Former Broadway performer and debut author Tim Federle takes readers behind the curtains of a boy's journey to make a name for himself in the big city.

Thirteen-year-old Nate Foster is fleeing Jankburg, Pa., for New York City so he can audition for the role of Elliot in E.T: The Broadway Musical Version. Nate's parents are away, celebrating their 17th wedding anniversary, and his "girl-addicted" 16-year-old brother, Anthony, encourages him to stay over at his best friend Libby's house. Instead, Nate leaves for New York City with $50, his brother's fake I.D, knowledge from the Internet on "things that annoy New Yorkers" and a big dream to chase.

It's a joy watching Nate marvel at Manhattan for the first time, such as the rush of Port Authority, but it's not nearly as dreamy as Nate finding hope in the audition process when all the odds seem to be stacked against him. Federle admirably rolls out themes of adolescent sexuality onto the stage to tie into Nate's dreams of escaping to a place where he doesn't have to change anything about himself to fit in. (Nate says of his sexuality, "I am undecided... and frankly don't want to declare anything other than 'Hey, jerks. I'm thirteen. Leave me alone.' ")

Better Nate Than Ever is an open call for any reader looking for a little book with big star quality. --Adam Silvera, former bookseller, Paper Lantern Lit intern