Rebecca Barry assumed that following her dreams would be simple, if not easy: make a plan and stick to it. For Barry and her husband, Tommy, Plan A meant moving to a small town in upstate New York, buying a charming fixer-upper house and earning enough income from their various writing jobs. Barry (Later, at the Bar) wanted to write a novel while paying the bills with freelance magazine assignments; her husband wanted to launch a green-living magazine. In her memoir, Recipes for a Beautiful Life, Barry chronicles their pursuit of this dream, and the messy, uncertain, luminous reality they ended up with instead.

In short, hilarious chapters she calls "journal entries," Barry explores the challenges of pursuing the life she wants. She loves her children, but longs for time away from them; she wants to support her husband's dreams, but is constantly worried about money; she loves living near her parents and sister, but family tensions flare up frequently. Barry's mounting anxiety about her novel doesn't help matters.

As she goes to yoga, tries to meditate or takes refuge in venting to good friends, Barry begins to realize that her Plan B (or C, or D) life may just be beautiful after all. "All our lives are small, really, and it's the smallness that makes them tender and bright," Barry writes. This book will bring a welcome dose of brightness--leavened with acerbic wit--to those who, like Barry, are simply trying to do worthwhile work and care for the people they love. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

In 2011, while discussing the role of First Lady, Michelle Obama noted, "None of us chose the position. You get it because of who you're married to and you don't get a paycheck or a title, but you feel like you want to make the most of it and do some good things." In Washington Post political correspondent Peter Slevin's biography of the first African American First Lady, Michelle Obama: A Life, he depicts a determined woman working tirelessly to "do some good things" not only in her official capacity but throughout her life.

Slevin outlines the legacies of Obama's grandparents, who lived in highly segregated, Depression-era Chicago, worked hard and believed that once a person achieves success, she must "reach back and help others as they climb"--a philosophy Michelle Obama espouses. Slevin uses his subject's own words, actions and initiatives, as well as insights from those closest to her, to add color and dimension to his portrait of this tenacious, accomplished woman. Michelle Obama is packed with humorous anecdotes and revealing quotes. Readers experience her trials and tribulations on the campaign trail in 2008 and 2012, then move on to life in the East Wing of 1600 Pennsylvania Avenue.

Slevin depicts Obama's foibles and flaws, along with her courage and personal sacrifice, creating a stunning profile of an inspirational role model. --Jen Forbus of Jen's Book Thoughts

Just in time for golf's annual rite of spring, the Masters, comes Men in Green, Michael Bamberger's celebratory, personal meditation on aging and golf. In 2012, while covering the Ryder Cup outside Chicago, Bamberger, a writer for Sports Illustrated, sat down in a restaurant and wrote "Living Legends" and "Secret Legends." He listed nine names under each. The former were all players, while the latter included a club pro, a teaching pro and a tour caddie. Inspired by Roger Kahn's The Boys of Summer, Bamberger (The Green Road Home) concocted a plan to try to see each of them.

To accompany him on his road trip, he brings along his good friend Mike Donald (on his second list), famous for his playoff loss to Hale Irwin in the 1990 U.S Open: "Another lunch-bucket pro trying to knock off a legend in the most demanding event in golf."

Jack Nicklaus--Bamberger's golfing hero, the "one I admire most"--talks to them with a casual, genuine intimacy. Bamberger describes the famous 1977 British Open duel between Nicklaus and Tom Watson as "some kind of artwork." He and Donald then travel to Jackson, Miss., seeking out "caddie-yard legend" Dolphus Hull (aka "Golf Ball"), who caddied for Raymond Floyd and two of the great black players, Calvin Peete and Lee Elder. They find Hull in failing health in a nursing home.

Bamberger's book reads like a diary--conversational, funny and easy-going, filled with great golf stories and anecdotes, as well as fine mini-portraits of his Legends. --Tom Lavoie, former publisher

When asked to provide proof of the claim that the United States is a Christian nation, most people will point to public religious traditions: prayers at presidential inaugurations, the "under God" language in the Pledge of Allegiance, the "In God We Trust" motto. A closer look, however, reveals their roots not in the language of the Founding Fathers, as many believe, but in the push for public religion during Eisenhower's presidency--two terms remarkably influenced by an even earlier movement promoting Christianity, as businessmen and clergymen used the ideology of "freedom under God" to push back against the New Deal.

One Nation Under God "seeks to challenge... assumptions about the basic relationship between religion and politics" in the United States. Princeton University history professor Kevin Kruse (White Flight) starts his exploration and analysis of Christian America with the 1930s and that era's influence on Eisenhower's presidency in the 1950s. From there, he examines the many cases for and against prayer and Bible reading in public schools in the 1960s and '70s. Kruse argues that understanding these religious traditions as stemming not from the Founding Fathers, but from a more recent generation, "need not diminish their importance... [but] if they are to mean anything to us now, we should understand what they meant then." This kind of balanced assessment of the facts is characteristic of Kruse's work overall, which strives to offer a careful analysis of all sides as he explores the intersection of religion and politics throughout the 20th century--no small feat given the polarized debate about it in 21st-century America. --Kerry McHugh, blogger at Entomology of a Bookworm

SiriusXM Radio host and longtime gay political journalist Michelangelo Signorile warns the LGBT community in It's Not Over not to fall prey to "victory blindness" (i.e., complacency and apathy) after some great strides forward in gay rights. The 2011 repeal of "Don't Ask, Don't Tell" allows gays and lesbians now to serve openly in the U.S. military, and when the Supreme Court declared the Defense of Marriage Act (DOMA) unconstitutional in 2013, gay and lesbian couples gained legal rights as spouses. But, at the same time, violence against LGBT people has surged, and although LGBT teens are less than 10% of the teen population, they account for between 30% and 40% of teen suicides.

Signorile (Queer in America; Hitting Hard) reminds readers that the same victory blindness occurred in the women's movement--triumphs in women's rights in the 1980s were undermined a decade later with setbacks on such issues as abortion rights and the ERA. Signorile believes that, along with complacency, internalized homophobia also makes many gays and lesbians fearful of rocking the boat instead of pushing further for full equality.

Signorile's chronicle of the ongoing struggle for gay rights surveys Washington, D.C. (criticizing some top gay organizations that don't fight hard so as to maintain access), the entertainment industry (where even an out gay director tells young actors to stay in the closet) and state battlegrounds (where opponents to equality are rebranding themselves and recalibrating).

This persuasive and impassioned manifesto is filled with illuminating anecdotes and facts. It ends with a rousing seven-step call to action to stop accepting mere "tolerance" and push for full civil rights. --Kevin Howell, independent reviewer and marketing consultant

Lebanese food is well known in the United Kingdom, where chef Hussien Dekmak lives, and The Lebanese Cookbook makes delicious Lebanese cuisine approachable for home cooks everywhere. With pictures so gorgeous the reader might get sidetracked into ogling instead of cooking, it displays both photographs of the delectable food described and glimpses at the Lebanese way of life.

Lebanese food is generally served up family-style, with lots of dishes and flavorings on the table, allowing guests to make their own meals. So The Lebanese Cookbook is full of recipes that are mostly a cinch to prepare and combine. A few require ingredients available online or in specialized Middle Eastern stores (such as grape leaves, the leafy green Jew's mallow and sumac), but many boast common and easy-to-find ingredients, such as cilantro, cumin, nuts and garlic, assorted legumes, eggplant, fish and lamb. 

Including simple salads such as the salatit malfouf abiad (white cabbage salad), Lebanese classics such as moujadara (lentils and rice with crispy onions) and more time-consuming challenges such as moulokhia bil dajaj (Jew's mallow with chicken), The Lebanese Cookbook offers a variety of recipes that are generally easy enough for even beginner cooks but provides a few challenges for those already familiar with Lebanese cooking.

The cookbook's slim size means it will fit easily on any bookshelf, but its cheerful, bright cover won't let it be forgotten. The Lebanese Cookbook will be a welcome addition to the cooking libraries of home chefs looking to expand their culinary horizons. --Jessica Howard, blogger at Quirky Bookworm

Geoff Rodkey (The Chronicles of Egg) delivers an engaging mash-up of history, gaming, social media and family dynamics in this launch of a planned four-book series starring 12-year-old twins Claudia and Reese Tapper.

Claudia, the more academically minded of the twins, explains in the prologue that "Wars are terrible things. I know this because I've read about a lot of them on Wikipedia." The book serves as Claudia's oral history about "the war" with Reese. Rodkey sets up the narrative like a screenplay, and events unfold through the voices of the twins themselves. The innovative format also includes photos and screenshots, and text messages between the twins' two working parents. These juxtapositions allow for a great deal of humor, as readers fill in the gaps between the various--sometimes contradictory--points of view. Claudia offers nuggets about real war history--e.g., a photo of the attack on Pearl Harbor, which she likens to the "sneak attack" start of her "war" with Reese. Reese--who's not malicious, just a bit focused on other things, like his online gaming--dismisses Claudia's characterization: "[I]t's not like anybody died," says he. "Except on my MetaWorld account." As tensions escalate between the twins, online paybacks result in unintended consequences.

Rodkey's format results in a multi-layered, complex exploration of families, school and social mores. The antics fall away to reveal a more serious side to pranks gone awry. Beneath it all, the author reveals the underlying affection between Claudia and Reese, and a credible, likable family. --Jennifer M. Brown, children's editor, Shelf Awareness

Illustrations of primary and secondary colored blocks in geometric shapes teach toddlers about the possibilities of play and imagination.

A child gets the answer to the question posed on every spread by turning the page; a die-cut opening reveals the answer. "What are you building? What can it be?" appears on a two-page spread of what resembles a puzzle. Small red squares, yellow rectangles and blue circles in thick black outlines appear within the white frame of the double-page spread. With a turn of the page, children learn "It's a car." Sound effects ("Beep, beep!") provide an additional clue. The image of a vehicle, camouflaged on the previous page by the surrounding blocks, now appears starkly outlined against a white background. Children will flip the page back and forth to see how the die-cut in the page at first hides the car, then reveals it. A bus, a train, a ship, a plane and an out-of-this-world surprise all take shape through Yusuke Yonezu's (Yum Yum) deceptively simple configurations of triangles, rectangles and circles.

Yonezu leaves children with a question--"What else can you build?"--reinforcing the idea that imagination is infinite, and the possibilities for play endless. --Jennifer M. Brown, children's editor, Shelf Awareness