Outlaw Marriages links 15 notable Americans by a common thread: the same-sex relationships that sustained each of them and made their work possible. It's a short book, especially given the scope of its material, but Rodger Streitmatter manages to illuminate the main theme concisely without ever selling short his subjects. Each chapter focuses on the relationship of a couple whose collaboration left a mark on American culture--even if the public was only aware of one of them--starting with Walt Whitman's long-term courtship of Peter Doyle. Other literary couples Streitmatter discusses include James Baldwin and his partnership with Lucien Happersberger, and the well-known pair Gertrude Stein and Alice B. Toklas. Social reformer Jane Addams and her wife-in-all-but-law Mary Rozet Smith merit a chapter, as do actress Greta Garbo and Mercedes de Acosta and composer Aaron Copland and Victor Kraft, among several other well-known figures.

Outlaw Marriages serves less as a comprehensive biography of any of its subjects than as an overview of committed same-sex relationships and their long history in the United States (even if they have rarely been sanctioned by law). Streitmatter focuses on the support each half of these couples gave the other, as well as their romantic and erotic relationships, demonstrating that they all had a true "marriage" even if it was never committed to paper. Outlaw Marriages is a testament to the enduring power of human partnership and love, regardless of sex. --Dani Alexis Ryskamp, blogger at The Book Cricket

Buzz Bissinger's twin sons, Zach and Gerry, were born prematurely. Zach suffered brain damage; Gerry did not. As an adult, Zach is an eight-year-old in a 24-year-old body, Bissinger writes. He is a savant with a prodigious memory: "Zach's memory doesn't reinforce the past. It reinforces the present, a living snapshot that never disappears." Bissinger loves his son deeply but is frustrated that he can't get as close to him as he would wish. So he (and Zach) decide to take a week-long road trip together--a father-and-son version of Rain Man--during which, as Father's Day relates, they'll bond and have adventures (and a few misadventures).

As Buzz and Zach drive from Philadelphia to Chicago, Milwaukee and Six Flags in Missouri--where they both have a blast on the rides--then on to Odessa, Tex., the setting of Bissinger's Friday Night Lights, flashbacks tell us about the problems Zach faced growing up, as well as young Buzz's own relationship with his father. Then it's on to Las Vegas and finally Los Angeles, where Gerry and Zach spend more time together. Father's Day is especially valuable because of the insights it gives into the life of an older person with brain damage. Bisssinger may not have gotten everything he hoped for out of this special trip, but he got everything he needed. --Tom Lavoie, former publisher

From 1930 to 1942, Vernon "Lefty" Gomez was considered the glue of the New York Yankee clubhouse. Famous for his high-velocity fastball, the southpaw ace was a fierce competitor who took to the mound injured so often that he was forced to retire when he was only 33 years old. He held a lifetime record of 189-102, was the winning pitcher in the first ever All Star Game and his World Series statistics still remain among the greatest. But beyond the many athletic achievements detailed in Lefty: An American Odyssey, Vernona Gomez (Lefty's daughter) and Lawrence Goldstone (Inherently Unequal) shed light on Lefty's life off the field.

Lefty was the youngest of eight children from a poor, immigrant California ranch family who made it onto the field to play alongside Yankee superstars like Ruth, DiMaggio and Gehrig. He and his Broadway-star wife, June O'Dea, hobnobbed with the likes of Marilyn Monroe, George M. Cohan and Ernest Hemingway. "El Señor Goofo," as the public and press called Lefty, exhibited an affable, gregarious wit, yet his personal life was often riddled with hardships and loss. This thorough, well-rounded biography draws upon conversations with Lefty's family and a star-studded lineup of other interviewees to create an insightful portrait of the accomplishments and adventures, foibles and virtues of a man who lives on as a baseball legend. --Kathleen Gerard, blogger at Reading Between the Lines

In many ways, the sport of figure skating reinforces dominant notions of sex and gender in our society. Its categories, expected performances and scoring systems are all based on the notion that there are just two genders, "man" and "woman," that correspond respectively to the behaviors we regard as "masculine" and "feminine"--and never the twain shall meet. The lives of real human skaters, however, are rarely so simple. In Red Nails, Black Skates, Erica Rand (a professor of art and of women and gender studies at Bates College) explores the vast gray areas between our traditional sex/gender categories and the actual life experiences of many skaters--including Rand herself. In a series of essays, Rand examines costume conventions, skate boot colors and issues of sex, gender, race and class that affect who participates in figure skating's elite events and at neighborhood clubs.

A self-identified adult figure skater and queer femme, Rand reports from inside competitive figure skating, as well as from personal forays into related sports like hockey and roller derby. Although figure skating's traditional elements, training rituals and accessibility to minorities (or lack thereof) have limited its ranks to a comparative few, Rand never takes this fact as grounds for pessimism about the sport itself. Her personal love for skating shines through the essays collected in Red Nails, Black Skates, leading to an incisive yet upbeat analysis of both the sport's shortcomings and the depths of its potential. --Dani Alexis Ryskamp, blogger at The Book Cricket

Kenyan athletes completely dominate middle- and long-distance running. Wanting to understand this inimitable ability, English runner and Runner's World contributor Adharanand Finn went to Kenya to investigate and perhaps reignite his own passion for the sport. In Running with the Kenyans, he proffers a theory many readers of Christopher McDougall's Born to Run will appreciate: perhaps the Kenyans' success comes from learning to run barefoot. So Finn tries barefoot running himself, with mostly positive results, though he is chagrined to learn most Kenyan runners find the practice trite and parochial.

Finn is too clever a writer and too observant of a runner to oversimplify, though, and what he uncovers about the Kenyans is much too complex to fit in a one-size-fits-all basket. As he works on his own running struggles, he shows a sensitive eye for the Kenyan people and the countryside where he and his friends run and train. He also brings his wife and children, and their takes on Kenya offer some grace notes that don't enter into most sports narratives. Running with the Kenyans is an artfully illustrated, moving tribute to the Kenyan people and to the bliss and blisters that running brings--an inspirational tale of one runner going to the ends of the earth to recover his athletic mojo. --Donald Powell, freelance writer

Bill Pennington is the author of the witty "On Par" column for the New York Times, but On Par isn't a collection of those columns. Instead, it's a separate work whose length allows him to ponder in-depth "solutions to the seemingly unsolvable" and to examine two basic tents of the game: the utter conviction that your game will get better and your ability to distort yourself into thinking you've actually gotten better.

On Par is filled with good advice that will help everyday golfers enjoy playing the game more: "good karma leads to good golf." He reminds us that golf is flog spelled backward; we absolutely must not beat ourselves up over the game. He highly recommends that all golfers take regular lessons. He teaches us about the Voldemort words; we never say shank, slice, choke, or yips. Get to the course early and just walk around, look around at the course, watch others tee off; you'll learn a lot. Keep your eyes "quiet" before hitting a putt; it really works.

If you end up with a bad partner--"the bad ones tend to stick with you longer, like a persistent grass stain you can't wash out"--focus on your game; don't let him ruin your day. Pennington is a goldmine of facts and figures about golf, like the average age when a person has their first hole-in-one--44.7. Ordinary golfers may appreciate this book the most, but golfers of all levels will find much of value here.--Tom Lavoie, former publisher and golf addict

SF/fantasy master China Miéville's (Embassytown; Un Lun Dun) newest, Railsea, balances YA elements with classical references, yielding a novel that will satisfy a broad range of readers. The story opens as Shem, the teenaged protagonist, takes part in his first "moldywarpe" slaughter. As a doctor's apprentice on a moletrain (think Moby-Dick, but with monstrous moles instead of whales), Shem dreams of a grander future. A salvaging incident with an abandoned train sends Shem and his mates beyond the bounds of the known world. Their adventure recalls both The Odyssey and Treasure Island, liberally spiced with pirates, politics and plunder.

Miéville's trademark worldbuilding is in full force here, introducing an unsettling future in which the ground below and the air above are a dangerous, shifting morass of oversized rodents, insects and monsters that will as soon devour humans as look at them. His dramatic, playful and inventive prose is often reminiscent of Lewis Carroll's The Hunting of the Snark. In the book's stylized structure, ampersands take the place of "and" (including in dialogue), and periodic chapters take a bird's-eye view of the action, breaking the fourth wall and speaking directly to readers. These stylistic notes can be both a selling point, as they're beautifully integrated, but also a liability, as they may pull less advanced readers out of the story. The plot itself, however, has all the action, young love and dystopic revelations that one could want out of an "all ages" novel. --Jenn Northington, events manager at WORD bookstore

In her second novel, Cat Patrick (Forgotten) skillfully explores the moral implications of a government agency that resurrects children.

Daisy Appleby is killed by a bee sting, then resurrected by Revive, a top-secret drug that brings people back from the dead. To protect the Revive project from exposure, the mastermind of the drug, known only as "God," moves Daisy to Omaha, Neb., along with two agents, Mason and Cassie, who pose as her parents but treat her more like a partner than a daughter. Daisy has been Revived five times since her death at age four in a bus accident in Iowa. Ever since then, she has been bound "to a life of continued silence and make-believe."

In Omaha, Daisy finds genuine friendship with Audrey McKean and a growing crush on Audrey's brother, Matt, which causes her to take fewer risks despite her privileged access to Revive, her "protective suit through life." The first of a number of tragic turns occurs when Daisy learns that a close friend is dying from cancer--but Revive cannot be used on anyone who's suffered a gunshot wound or is a cancer victim.

Patrick's well-drawn, touching relationships bring a great deal of humanity to a  science fictional setting in which the heroine has often cheated death. Revived will please teen readers looking for a thoughtful story with an unusual spin on life after death and that grapples with moral dilemmas. --Adam Silvera, assistant, Books of Wonder, New York City

Based on an actual event from her youth, Mary Downing Hahn's (Wait Till Helen Comes) latest novel probes the lingering effects of violence and shows how its survivors begin to piece together their fractured lives.

In the Baltimore heat of 1956, Nora is eager to be done with her junior year of high school so she can begin a "sinful" summer of boys, beaches, cigarettes and beer. The final day of class proves to be one she'll never forget--two girls are killed on their walk to school, and "It's as if the whole world has changed. Nothing is what it used to be. It will never be the same again."

Nora's contemplation of the horror that has beset her neighborhood crowds out her dreams of summer fun. She thinks about how she could have been the one who died; how no God would let innocent girls be murdered; how the killer is still out there somewhere. Hahn explores the thoughts and diaries of various characters in alternating chapters. She offers a complex portrait of a town in the aftermath of such a crime, as well as a glimpse into the twisted psyche of Mister Death: "He smiles at himself. The man you meet at the top of the stairs, that's who he is: the man who isn't there. The man you should pay attention to, the man you shouldn't offend. Vengeance is mine, sayeth the man who isn't there."

This haunting narrative will leave readers with a chilling sense of unease. --Julia Smith, blogger and children's bookseller emerita