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| photo: Olivia Spencer |
Hannah Beer is a writer from North West England. She lives in London and works in communications. A reformed fangirl, she has an encyclopedic knowledge of celebrity culture that she writes about in her newsletter, Emotional Speculation. When not working or writing, she enjoys reading, going to gigs, and cooking elaborate meals for her friends. I Make My Own Fun (Anansi International, October 14, 2025), her debut novel, is a romp through fame, obsession, and fandom following the descent of the world's most beloved movie star.
Handsell readers your book in 25 words or less:
An extremely famous woman becomes dangerously fixated on an ordinary girl, spiraling into a deep, unhinged obsession.
On your nightstand now:
I'm currently reading a proof of Frida Slattery as Herself by the Irish writer Ana Kinsella. It's delightful so far.
Favorite book when you were a child:
One of the first books I remember truly, wholeheartedly adoring is The Phantom Tollbooth by Norton Juster. My dad had loved it when he was younger, and I remember him giving it to me to enjoy for myself when I was in primary school. I loved all the wordplay, which felt hugely expansive and exciting to me. I think it probably is what made me realise just how much there was to be done with language.
All the imagery in it really left a mark on me: every time I'm bored, I think about Milo in his little car driving through the Doldrums, and every time I'm stressed or anxious about something pedestrian and adult, I think about the little boy whose feet got closer to the ground the older he got. That book is genius and fun and features some truly charming illustrations to boot.
Your top five authors:
Donna Tartt, Mona Awad, Lauren Groff, Gwendoline Riley, Eliza Clark.
I don't necessarily have a "type" when it comes to books--as evidenced by this list. All these women write really quite different books, but if I had to draw a throughline it would be this: none of them shy away from ugliness in their characters--in fact, they embrace it, which I really admire.
Donna Tartt is someone I will return to time and time again: I am consistently bowled over by the way she tells a story, at once so rich and so controlled. But really, I like all these authors because they really make me feel something: whether it's marveling at the sparse precision of Riley's prose, being carried away by Groff's lyricism, getting lost down Awad's trippy rabbit holes, or feeling gut punched by Clark's characters, reading these authors feels consistently exhilarating.
Book you're an evangelist for:
Anything by Eimear McBride, but especially The Lesser Bohemians. It takes a second to get into the way McBride writes, but once you're in, it's like you live there. It's so utterly absorbing.
Book you've bought for the cover:
Model Home by Rivers Solomon. I haven't read it yet, but the cover is spooky and fantastic.
Book you've faked reading:
I have never read David Foster Wallace's Infinite Jest, but I have definitely laughed along at memes about men who performatively read Infinite Jest. Does that make me worse or better than the men in the memes? Answers on a postcard, please...
Book you hid from your parents:
I consider myself quite lucky that my parents, by and large, let me read whatever I wanted--I think they were of the opinion that all reading was good reading (I agree!). But I did once have a copy of Riders by Jilly Cooper confiscated at school. I was about 12 or 13 and had gathered a little crowd of friends so we could all read the sex scenes together. I might've got away with it if I hadn't decided to do a dramatic reading (I am, and have always been, a Sagittarius).
Book that changed your life:
There are countless books that have left a lasting impact on me, but I would have to say that My Year of Rest and Relaxation by Ottessa Moshfegh changed my life in that it emboldened me to write a book with a truly heinous narrator. My Marina would not exist had I not read and enjoyed My Year of Rest and Relaxation, and so for that, I am endlessly in Moshfegh's debt!
Favorite line from a book:
I often see people online underlining particular words or phrases in their books, or sticking tabs on pages that particularly strike them. I always think this is a good idea, because I almost never remember the lines that really move me after I've read them, but the problem is I tend to read in bed, which is far away from my pencils and so, alas, it never happens for me.
That being said (and I'm sorry to bang the Donna Tartt drum again), I do think The Secret History has the best opening line of all time: "The snow in the mountains was melting and Bunny had been dead for several weeks before we came to understand the gravity of our situation."
Ugh! How completely, utterly fabulous. Who's Bunny? Who's we? And what, pray tell, is your situation?! Honestly, I defy anyone not to read on after that line.
Five books you'll never part with:
I am not hugely precious about my books (is that sacrilege for an author? Probably!) but I would struggle to get rid of my copy of The Phantom Tollbooth. Anything with an inscription is coming with me on every house move--my brother bought me a copy of On the Road by Jack Kerouac when I was a teenager that I still have because of its lovely inscription. I will always keep the proof and hardback of my own novel (because who knows, it may one day go out of print and that will be all I have left). Despite never returning to them again, I seem to have held on to several books I studied at university, so I guess I'm stuck with Thomas Mann's Buddenbrooks for life as well.
Book you most want to read again for the first time:
I would happily erase Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin from my brain just so I could read it all over again. That book swept me off my feet and broke my heart all at once! What a gorgeous, triumphant novel it is!
I read this book on holiday with my best friends, and if I'm honest I was quite poor company for a couple of days because all I could do was compulsively read this book (I'm sure I missed out on lots of stellar gossip).
It captures the pure, frenzied magic of creating something for the love of the game, and I'm still yet to read or watch anything that does that as well as this book. Reading it gave me the same feeling as writing something I'm really proud of, or nailing a tricky plot point: a thrilling satisfaction. I adored it, and I loved the way Zevin treats creativity and friendship with as much reverence as romance.