Shelf Awareness for Readers for Tuesday, November 12, 2013


Oxford University Press: The New Negro: The Life of Alain Locke by Jeffrey C. Stewart

From My Shelf

Celadon Books: Wolfpack: How to Come Together, Unleash Our Power, and Change the Game by Abby Wambach

Andrews McMeel Publishing: With Gratitude by Marala Scott

Transcendent Plants

Last week we began our annual gift book series with some titles on wild animals (and teddy bears); this week we continue with subjects farther down the food chain, like Fruit: Edible, Inedible, Incredible by seed morphologist Wolfgang Stuppy and visual artist Rob Kesseler (Earth Aware, $35). They use scanning electron microscopy to produce images that are then colored, resulting in striking and fantastic figures. A short-rayed burr daisy looks like a carnival mask, an Antarctic hair grass becomes an aqua and golden fishing lure. Breathtaking.

The Tradescants' Orchard: The Mystery of a Seventeenth-Century Painted Fruit Book by Barrie Juniper and Hanneke Grootenboer (Bodleian Library, $65) reproduces early horticultural watercolors with stylized vignettes of little critters. Some of them will be familiar, having appeared on stationery and greeting cards; however, having all 66 original illustrations, along with commentary and history, is a treat.

Another treat for plant lovers is The Plant Hunters: The Adventures of the World's Greatest Botanical Explorers by Carolyn Fry (University of Chicago, $30). From ancient Egypt to 17th-century tulipomania to Joseph Hooker in the Himalaya to modern-day seed stockpiling, this handsome slipcased book is a delight--two-page color spreads plus pockets with pullouts: the oldest known map of Kew Gardens, Hooker's drawings of lichens and algae, Chinese paintings depicting the path of tea. Also from the University of Chicago is Seaweeds by Ole G. Mouritsen ($35). Scientific, yes, but the photos are ethereal. The dark pink porhyra tenera is the money shot. Or maybe the red alga Claudea elegans....

Two years ago Timber Press published Seeing Trees: Discover the Extraordinary Secrets of Everyday Trees by photographer Robert Llewellyn and writer Nancy Ross Hugo. This year he's teamed with Teri Dunn Chace for Seeing Flowers: Discover the Hidden Life of Flowers (Timber Press, $29.95). We all think we know what an amaryllis or geranium or morning glory looks like. Look again. Llewellyn stitches close-ups to reveal delicate depths--through his magic, there is a world in a daylily. --Marilyn Dahl, editor, Shelf Awareness for Readers


Picador USA: The Outline Trilogy (Outline, Transit, Kudos) by Rachel Cusk


Book Candy

Existential Quiz; Fantastic Fictional Vacation Spots

"How existential are you?" The Guardian celebrated the centennial of Albert Camus's birth last week by testing your being as well as your nothingness in an existentialist quiz.

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Travel posters advertising literature's most fantastical vacation spots were showcased by io9.

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The Telegraph served up "10 great meals in literature."

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Who do you believe? Flavorwire showcased "10 of literature's most unreliable narrators."

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"How does one meditate?" The Huffington Post suggested "15 meditation books for beginners recommended by Buddhist teachers."


International Thriller Writers: William Morrow & Company: Cemetery Road by Greg Iles


The Writer's Life

Nicola Griffith: A Seventh Century Game of Thrones

photo: Jennifer Durham

Nicola Griffith is a native of Yorkshire, England, where she earned her beer money teaching women's self-defense, fronting a band and arm-wrestling in bars. In 1993 she was diagnosed with multiple sclerosis. Her novels are Ammonite, Slow River, The Blue Place, Stay, Always and, now, Hild (see our review below). Her awards include the Tiptree, Nebula and World Fantasy awards, the Premio Italia and the Lambda Literary Award. Griffith lives with her partner, the writer Kelley Eskridge, in Seattle, Wash.

What drew you to the historical figure of St. Hilda of Whitby?

I was in my early 20s when I discovered Whitby Abbey. I crossed the threshold of the ruins and it was as though history fisted up through the turf and through me. History, from that moment, was real, made by real people with their own dreams, disappointments and dailyness.

I wanted to know more. I picked up a battered 1959 Pelican edition of Trevelyan's A Shortened History of England and read about the Synod of Whitby, a debate, held in 664 CE, hosted by a woman called Hild, in which advocates for Celtic and Roman churches fought for dominance and the king's endorsement. This Synod is a major turning point of English history, I thought. But who is Hild?

For the last 20 years I've been groping my way through ever more modern scholarship. And, it turns out, what we know about Hild barely fills a single page. So I wrote this book to find out: I built the seventh century and grew Hild inside.

The language in Hild is sensory, enfolding the reader physically. It's a reminder that people in earlier centuries had a much more tactile relationship with their world.

If the sun didn't shine, you starved. If it shone too much, you starved. Starvation over a wide area leads to shortages, shortages lead to war, war leads to suffering for all. So people of that era, of most classes and ethnicities, would have been aware, all the time, of the physical details of their world.

But it's not just that. Setting is the heart of my joy as a writer. It's how I express character.

The language in Hild seems carefully wrought to evoke the period and setting of seventh-century Britain. Was Old English an inspiration in writing this book?

I'm grinning at the notion of "carefully" and "writing this book."

Yes, Old English was foundational for me. Especially the poetry. I read the surviving poems, in several translations and in the original (though my OE is rubbish). It's stirring--heroic, alliterative, elegiac. But I'm not sure how representative it is of Hild's era. It's written, rather than being oral, which means it came to us through the double filter of Latinised, Christian scribes.

I read a fair amount of old Welsh/British poetry, too, because Britain in Hild's time was a seriously multi-ethnic place. Scholars argue whether that poetry was originally written in Hild's time or centuries later, but it, too, is stirring and heroic, proud in a slightly different register.

I took the poetry, stuffed it into the black box of my writing brain, and let it ferment. And then I quailed. I was terrified of screwing it up. In the end I did what any good Anglo-Saxon would: I got drunk, laughed in the face of fear, and charged. So while the thinking beforehand and the editing afterwards were carefully considered, the writing itself was more like riding a bull.

Women in this period were constrained in many ways, yet some of your most fascinating characters are women who find ways to subvert their subservient destiny.

I'd say that in Hild's time a person was constrained largely by their status, ethnicity and character, as well as their gender. Much like today. Much like any era.

By birth, Hild was high status. By the canny machinations of her mother, she was looked upon as special from the day she was born. By natural inclination she was extraordinary. Singular. But singular within the constraints of her time.

So much of what we think we know of Britain in the early seventh century is guesswork based on literary evidence written by male Christian scribes, with conscious and unconscious bias. But sifting through the evidence, my guess is that women and men of her status occupied different worlds, seriously constrained by gender roles, yes. But--and try not to flinch--while their roles were very different you could see them as relatively equal. Or perhaps a better word might be balanced.

In high-status households, where there is surplus and luxury, there is also specialization. So in a king's household there would be a scop (combination historian, entertainer and PR flack), whom I'm guessing would be a man, though that guess is based entirely on textual evidence, which, as I've said, isn't wholly reliable. Gesiths, or the king's personal warriors, would be men, because weapons were very much a man's province--unless you were a priest. If we can believe Bede, priests would most likely be men, forbidden to ride stallions or carry edged iron. Textual and archeological evidence could be interpreted to show that prophecy was a woman's prerogative. And we know women ran the household: they literally held the keys and made decisions about resources. If you bear in mind that 1,400 years ago, all that stood between life and death was managing resources and planning the production of same, running the household/estate was the most important job in the world.

It wasn't an accident that in seventh-century Britain (and Frankia) women like Hild headed the enormous mixed-sex religious foundations. Women ran just about everything except armies. Their organisational and logistics skills were what stood between a community and starvation.

The lifelong relationship, almost like marriage, of the gemæcce--two women bonded from adolescence for life--is of particular interest.

By some estimates, women spent 65% of their time in the production of textiles. That's a greater proportion of the day than sleeping, child care and food preparation combined. And much of that takes two people working together.

So I made up the concept of gemæcce and repurposed an Old English word that means partner, mate. I imagined that high-status women would have their gemæcces: a woman to weep and weave with, to look after your children when you can't, who'll be there when you're giving birth, who knows what it's like to have a husband at war or to be married to someone who is not only a stranger to you but an enemy.

The sophistication of the king's court was surprising. Were you compelled by the levels of Game of Thrones-like intrigue?

Just look at the Staffordshire Hoard, which is being tentatively ascribed a date of the late seventh century--the end of Hild's life. That speaks to enormous sophistication.

There was a lot of wealth in that time and place, and where there's wealth, there's luxury. Where there's luxury, there's scheming. People are people. The political backbone of Hild--the exiled sons of Æthelfrith and Edwin's retaking of Northumbrian by force and politics--can be easily extrapolated from the data in various Irish annals and Anglo-Saxon king lists.

And where there are warring families, then, yes, you get the kind of intrigue George Martin uses in his Song of Ice and Fire series. History is full of it. And I'm glad. Politics--both verbal and violent--is what makes for good story.

Can you name books or other sources of inspiration?

For this book, novelists who wrote of the so-called Dark Ages, particularly those I think of as the English landscape writers: Rosemary Sutcliff, Henry Treece, Mary Stewart. They each had different concerns--the society, as epitomised by one man (and it was always a man) for Sutcliff, the individual for Treece, the individual who guides (but does not direct) others for Stewart. But they were all keenly aware of how time and place influence history. We are all products of our circumstances.

What's next for Hild?

This book ends when she is 19--and she lives to the ripe old age of 66. There's lots of change ahead for her world, including a serious shift to literate culture and the interference of Christian notions of morality in women's lives.

And war, of course, lots of war.... --Ilana Teitelbaum, book reviewer at the Huffington Post


Candlewick Press: Starworld by Audrey Coulthurst and Paula Garner


Book Review

Fiction

Where the Moon Isn't

by Nathan Filer


Equal parts family drama, mystery, coming-of-age and meditation on mental illness, Nathan Filer's unusual and haunting debut novel, Where the Moon Isn't, defies easy categorization. Whereas many genre-bending novels tend to overreach, this one succeeds on every level, most notably with its affecting--and perhaps unreliable--protagonist, Matthew Homes. He introduces his brother this way: "His name's Simon. I think you'll like him. I really do. But in a couple of pages he'll be dead. And he was never the same after that." Yet as Matthew reveals himself through letters, documents, memories, observations of others and even his drawings, it becomes clear that he is one of the most honest narrators you will ever meet.

Matthew grieves the loss of Simon, who had Down Syndrome and died when they were both children. He also suffers from a mental illness that is gradually revealed. He has hallucinations, alternating periods of mania and depression, and a tendency not to take his medication or follow the outpatient treatment program designed for him. His grief is not simple; it's mixed with guilt because he believes he is responsible for his brother's death.

When Matthew talks about being visited by Simon, it makes sense to us in the same way it does to Matthew, and this window into a mental illness that is so often misunderstood and misrepresented is both interesting and enlightening. Despite his turmoil, Matthew is great company. Smart, funny and compassionate, he makes us believe, if only for a moment, that it is possible to conjure a loved one simply through the energy of longing and memory. --Debra Ginsberg, author

Discover: A meditation on mental illness, a family drama and mystery, a coming-of-age story--all wrapped up in a caring, imaginative story about a boy and his brother.

St. Martin's Press, $24.99, hardcover, 9781250026989

Sleeping Bear Press: Soar High, Dragonfly by Sheri Mabry Bestor, illustrated by Jonny Lambert


Kara Was Here

by William Conescu


When 30-something real estate agent Brad learns his ex-girlfriend Kara has died of an overdose, he wonders if he didn't always see it coming. Though they haven't spoken for years, Kara was always impulsive and self-destructive. While Brad's wife sympathizes with the peculiar pain of losing an already-lost love, she does not anticipate the surging anxiety it triggers in her husband, a man whose heart was never released by his first love. With the novel Kara Was Here, William Conescu (Being Written) speaks to the rippling effects of an individual's life after death.

Though Kara's death is tragic in its own right, it is also a harbinger of greater, more abstract loss. To Brad and her college friends, she was the last link to a freer past, the sole survivor of a lifestyle they once shared. To her much younger sister, Gwen, Kara represents an intimidating, hypersexual adulthood. Gwen's grieving manifests itself in perverse relationships with Kara's old lovers, suggesting the loss of her sister is linked with the loss of her own innocence and youth.

In many ways, Kara Was Here can be read as a contemporary take on James Joyce's The Dead. No matter the fullness of the present, it will never eclipse the romantic past. The pain of Brad's wife runs deep--she must accept her husband even though some caverns of his heart will never be open to her. Conescu's characters are resilient. Reading through their struggles is an exercise in catharsis and compassion. --Annie Atherton

Discover: The untimely death of a struggling actress triggers emotional crises in those who yearned to be close to her in life.

Soft Skull, $15.95, paperback, 9781593765330

Sourcebooks Landmark: Little Lovely Things by Maureen Joyce Connolly


Hild

by Nicola Griffith


With the historical epic Hild, Nicola Griffith creates an alternate reality, strange in its particulars yet utterly recognizable as human. Through the preternaturally observant eyes of Hild--a child when the novel begins--Griffith unfurls a vivid tapestry of nature and craft, belief and myth. Inspired by the life of St. Hilda of Whitby, Hild is an immersive experience, its exquisite language serving as a portal to a distant time and place.

In the seventh-century Northumbrian court of King Edwin, his niece Hild rises to prominence as a seer through the machinations of her mother, Breguswith. In truth, the girl's "prophecy" is shaped by her extraordinary intelligence and powers of observation, which enable her to see patterns in the intrigues and political machinations of those around her. But danger is constant, and Hild must prove her usefulness to King Edwin again and again--or die. While everyone orbits the king, Breguswith operates so cannily from the shadows that her effects on the court may be the most profound of all.

The women in this world are strong and complex. Particularly intriguing is the lifelong bond between pairs of women, called gemæcce, who spin and card together from childhood until death, through marriage, sickness and childbearing.

Though it is the richness of historical detail that may be most overtly noticeable, Hild is above all a story of love and friendship--and how the preservation of those things demands sacrifice. --Ilana Teitelbaum, book reviewer at the Huffington Post

Discover: A richly detailed historical epic inspired by the life of St. Hilda of Whitby, who in the seventh century was influential in spreading Christianity in Britain.

Farrar, Straus & Giroux, $27, hardcover, 9780374280871

Greystone Books: The Secret Wisdom of Nature: Trees, Animals, and the Extraordinary Balance of All Living Things --- Stories from Science and Observation (Mysteries of Nature Trilogy #3) by Peter Wohlleben, translated by Jane Billinghurst


Sea of Hooks

by Lindsay Hill


Lindsay Hill's Sea of Hooks begins with a man named Christopher Westall staring at his mother's asphyxiated body. Her suicide is only the latest in a long series of traumatic events in Christopher's life, and it creates an emotional fissure that widens into a vast gulf between life before and after her death. The narrative splits accordingly, weaving together two chronologies: one timeline describes his dysfunctional youth; the other follows his trip to Bhutan after his mother's suicide.

His upbringing is almost a parody of Victorian repression, while the trip to the "Far East" in search of spiritual healing is a painfully well-worn trope. Nevertheless, Sea of Hooks is an impressive work that uses an experimental, fractured format to great effect, benefiting from Hill's powerful poetic sensibility. The novel is divided into very short chapters, ranging from a sentence to a paragraph in length. They build haphazardly, the way memories tumble forward after an initial triggering event. Each chapter is meticulously crafted, representing a stand-alone thought or image. Some include a significant amount of narrative detail, accumulating into a coherent image of Christopher's childhood; others begin as simple descriptions and morph into stream-of-conscience explorations of his mental state.

The novel's title could easily refer to Hill's unusual writing style, as each short chapter "hooks" the reader afresh, offering a thought-provoking and multifaceted image best absorbed in an instant and pondered for days. Sea of Hooks is the rare novel that is both experimental and accessible, at once a joy and a challenge to read. --Emma Page, bookseller at Wellesley Books

Discover: A poet's debut novel is a dark, metaphysical story that is cerebral, poetic and eminently readable.

McPherson & Co., $25, hardcover, 9781620540060

Food & Wine

My Mexico: A Culinary Odyssey with Recipes

by Diana Kennedy


Diane Kennedy's name was synonymous with superb Mexican cooking even before My Mexico--filled with delicious recipes and personal accounts of her travels around Mexico--was first published in 1998. It's back in print and updated with new photographs that add visual beauty to the more than 300 sensual and authentic dishes from all parts of Mexico.

Throughout her journeys, Kennedy has always sought the best cuisine from each region, often traveling hundreds of miles to reach a tiny house or store in search of that one perfect recipe. Readers meet the Mexicans who create these dishes, stepping into their homes alongside Kennedy as she tastes such treats as cajetas, "thin layers of fruit conserve rolled up with a coating of sugar, the most delicious being a pale green in color... made of steamed green mangoes," or chocolate-flavored tamales served with eggnog. For savory dishes, the choices range from eggs with cactus and cilantro to pork loin in guava sauce to langostinos in pumpkin seed sauce.

Kennedy's stories and recipes evoke the authentic flavors, sights and smells of Mexico. She also provides much useful information, from the types of cookware needed to a comprehensive chart describing varieties of chiles. My Mexico will certainly aid armchair travelers and cooks alike in gaining a much deeper appreciation for the people of Mexico and their culinary delights. --Lee E. Cart, freelance writer and book reviewer

Discover: A must-have cookbook of authentic Mexican recipes and the stories and people behind the dishes.

University of Texas Press, $39.95, hardcover, 9780292748408

Classico e Moderno

by Michael White, Andrew Friedman


Michael White, an executive chef who owns nine successful restaurants from New York to Hong Kong brings his trademark spin on Italian cuisine to Classico e Moderno. Stuffed full of delicious recipes, luscious photographs and helpful cooking tips, it will appeal to novice and veteran cooks alike.

The first half of the book--Classico--delves into White's Wisconsin upbringing and years of training in Italy, including his exploration of the variations in regional Italian cooking. He also shares more than 100 classic Italian recipes, ranging from bistecca alla fiorentina (steak Florentine) to gnocchi to pomodori gratinati (baked tomatoes with breadcrumbs).

The recipes follow a traditional Italian meal pattern--from appetizers to soup to pasta to meat courses to dessert--but are also flexible, inviting the home cook to expand upon and alter them to fit the ingredients on hand, just as an Italian cook would.

The second half of the book, Moderno, is more about White's vision of modern Italian cuisine, combining classic Italian ingredients with French techniques and American twists. These recipes are a bit more exotic, including sea urchin and lardo crostini, gazpacho with grilled mackerel, seaweed pesto with chive oil and venison medallions with quince purée and juniper sauce.

Whether enjoying a simple classico favorite or tackling a delicious moderno dish, Classico e Moderno is sure to please cooks of all abilities and lovers of Italian food. --Jessica Howard, blogger at Quirky Bookworm

Discover: This delicious Italian cookbook invites readers to cook both classic and modern recipes.

Ballantine, $50, hardcover, 9780345530523

History

1913: The Year Before the Storm

by Florian Illies, trans. by Shaun Whiteside, Jamie Lee Searle


Florian Illies's 1913: The Year Before the Storm is an astonishingly rich cultural portrait of Europe just before World War I. It animates the personal and creative lives of the era's avant-garde--from Picasso and Gertrude Stein to Freud, Jung and D.H. Lawrence--while untangling the intricate webs connecting them, all in the guise of a collection of miniatures.

Illies gives each month of the year a chapter consisting of vignettes, some only a sentence and others a few pages, offering glimpses of his subjects as they meet and couple and break from each other from one end of the continent to the other. He colors his portraits with diary entries, letters and excerpts from contemporary newspaper accounts. We are privy to Kafka's most intimate thoughts as, with agonized ambivalence, he vacillates about making one of history's most tortured marriage proposals. Oskar Kokoschka obsessively paints his self-portrait, in bed with his lover Alma Mahler; it must be his masterpiece, her condition for their marriage. Meanwhile, Hitler spends his days painting watercolors in his Vienna flat, and the Mona Lisa remains missing from the Louvre until November.

The most devastating war the world has yet known will soon erupt, the shadow underlining the hopes and neuroses of all these "pioneers of modernism," as Illies writes, who are each engaged in "the struggle against depression, drinking, senseless distraction and the advance of time."

This is an immensely enjoyable, imaginative, and textured history of one the most vibrant periods in Western culture. --Jeanette Zwart, freelance writer and reviewer

Discover: A rich and surprisingly moving cultural history, already a bestseller in Germany and Britain, upends traditional narrative to offer an intimate portrait of the era.

Melville House, $25.95, hardcover, 9781612193519

Here on the Edge

by Steve McQuiddy


The United States has a tradition of conscientious objectors stretching back to Henry David Thoreau and Walt Whitman. Steve McQuiddy's fascinating Here on the Ledge uncovers the story of a talented group of men who resisted military enlistment during World War II, serving in a civilian service camp on the Oregon coast instead.

Their duties, six days a week, for no pay, focused on tree planting, road building and firefighting. One of the conscientious objectors, poet Bill Everson (aka Brother Antonius), penned "Here on the Edge" in March 1943, for the camp's alternative paper. He wrote that they were biding their time "when what we are, and that for which we have taken this stand, can be tangent again to the world." They had no idea, McQuiddy says, "how their words and actions would resonate far beyond the borders of this backwoods camp."

During the evenings, the "Fine Arts Group of Waldport" published books, produced plays and made art and music. Their members included William Eshelman, future president of Scarecrow Press; Kermit Skeets, co-founder of Centaur Press; and Adrian Wilson, founder of San Francisco's the Press in Tuscany Alley. The West Coast sensibility that emerged from the camp later helped shape the Beat Generation.

Illustrated with rare photos and drawings, Here on the Edge is a significant cultural history of a group who chose art over war, a "concentration of energy, a convergence of thought and action, a creative intensity... that was rare and perhaps unique." --Tom Lavoie, former publisher

Discover: The story of a group of conscientious objectors who created art that sustained them through World War II--and into the future.

Oregon State University Press, $24.95, paperback, 9780870716256

Religion

Mindfulness: A Practical Guide to Awakening

by Joseph Goldstein


Joseph Goldstein has studied and taught insight meditation and Buddhist practices for almost 50 years; Mindfulness: A Practical Guide to Awakening is a lucid, warm distillation of this experience and wisdom. Goldstein examines the Satipatthana Sutta, which contains the four foundations of Buddhist mindfulness, and presents it to modern audiences in an accessible and discerning manner.

Focusing on such tools as "ardency," "clear knowing" and "concentration," Goldstein makes a case for the use of Buddhist technique to survive the mundane daily grind and arrive at spiritual awakening. He breaks the concept of mindfulness down to four useful categories: the body, feelings (including sensory perceptions), mind and dhammas--Buddhist categories of experience that identify the hindrances and help-aids on the path to awakening.

Mindfulness is a master class in Buddhist teaching--and in more general wisdom suitable for an age in which mindfulness has become a centerpiece to new approaches in healthcare, addiction and business management. Goldstein stays true to his source material, but never gets bogged down by technical or non-English jargon. Each teaching is amply supported by compassion and the firm strength of one who's been there and done that. Throughout, one feels the love Goldstein has for this material, this path and for his fellow pilgrims on the way. His ample, big-hearted book will be useful for long-time practitioners or those new to Buddhism or meditation alike. --Donald Powell, freelance writer

Discover: This is a big-hearted master class on Buddhist teachings and meditation from one of the U.S.'s foremost mindfulness teachers.

Sounds True, $25.95, hardcover, 9781622030637

Nature & Environment

Out on a Limb: What Black Bears Have Taught Me About Intelligence and Intuition

by Benjamin Kilham


For Benjamin Kilham, black bears have been part of daily life for more than 20 years. He and his wife have raised dozens of orphan cubs, helping them reintegrate into nature, and what he's discovered in his nonscientific observations has changed the way the scientific world and general population thinks about and interacts with these highly communal animals.

In Out on a Limb, Kilham explains the intricate social hierarchy of bears--once thought to be solitary creatures--and the elaborate relationships they develop, based on the availability of food, to ensure the survival of them all. "The more alliances a bear forms with its neighbors, it appears," he writes, "the more likely it is to secure food in times of shortage." Using radio collars and daily observations, Kilham gathered meticulous details on the ways bears communicate--including vocal sounds, scent and urine deposits and ear, eye and body language. (He compares these to our own forms of communications and draws some interesting correlations between species.) He's been an eyewitness to courtship and mating rituals, monitored bears with cubs in hibernation and received many bear bites and swats--experiences he believes place him squarely in the ursine family.

Kilham's attention to specifics and his obvious love of black bears are apparent throughout this rich and enlightening narrative. --Lee E. Cart, freelance writer and book reviewer

Discover: The author offers an entertaining, highly informative and comprehensive look at black bears in the wild.

Chelsea Green Publishing, $24.95, hardcover, 9781603583909

Children's & Young Adult

Whale Shines: An Artistic Tale

by Fiona Robinson


Having explored the musical talents of landlubbing creatures in What Animals Really Like, Fiona Robinson turns her attention to artistic-minded ocean-dwellers in this funny and touching tale.

In the upper left-hand corner of the opening two-page illustration swims a barely visible fish beneath a narrow strip of sky. "Once upon a tide...," the story begins. A turn of the page completes the sentence: "...a whale came with a message." Whale now appears front and center, bearing a call for entries for "The Hugest Art Show in the Deep & Briny," curated by Jackson Pollock. As the whale spreads the word, he catalogues all of the projects in progress by his undersea neighbors. Hammerhead composes sculptures from materials left by shipwrecks. Eel makes patterns by wriggling in the sand. Robinson endows each with its own palette and adds comic touches.

Whale wishes he could make something, "but I'm just in advertising," he says. A reply comes back from an unlikely ally, "Why don't you try?" reply the plankton. Robinson acknowledges their adversarial relationship ("please go away before I eat you!"), but as Whale swishes his tail, something happens. Robinson's climax pays tribute to Vincent Van Gogh and the idea that a great artist introduces his or her onlookers to a fresh perspective on the world and shows them a view they've never seen before. The author-artist adds another layer, too: through Whale and the plankton's collaboration, they overcome their differences in service of a greater purpose. --Jennifer M. Brown, children's editor, Shelf Awareness

Discover: A funny, touching tale of artistic ocean-dwellers by the creator of What Animals Really Like.

Abrams, $17.95, hardcover, 32p., ages 4-8, 9781419708480

Mi Familia Calaca/My Skeleton Family

by Cynthia Weill, illus. by Jesús Canseco Zárate


Anita, the young narrator, introduces readers to her two brothers, mother, father and grandparents in this bilingual celebration of family. Capturing the rich tradition of honoring our ancestors, this folk art celebration connects to the Mexican commemoration of the Day of the Dead.

Cynthia Weill (Count Me In!; Opuestos) writes of a household, perhaps like readers' own, using language familiar to beginning readers, to tell about the family members and even pets. Each page contains simple sentences in both English and Spanish to describe each character. Young Anita introduces her hermanos (brothers), her hermosa (beautiful) mother and guapo (handsome) father. Her grandmother has good advice (muy buenos consejos) and her grandfather is the sweetest (tan tierno). Anita's great grandmother is a fabulous storyteller. "My wonderful familyMi maravillosa familia."

Oaxacan folk artist Jesús Canseco Zárate creates papier-mâché sculptures of calacas (skeletons) to illustrate Weill's text, which are then photographed. These gentle sculptures are not meant to scare but rather to share awareness of age-old traditions. The skeletons are thin, with long necks and black-lined teeth in warm, upturned smiles. The family members wear colorful, patterned materials, and small elements of style such as the mom's pearls or the little bird on the baby brother's blue, one-piece jumper. On the last page, the author shares: "In Mexico the skeleton is a beloved and humorous figure. Its origins go back to pre-Columbian times."

Author and artist share the joy of family love and familial roles across languages and... across cultures. --Mollie Welsh Kruger, graduate faculty, Bank Street College of Education

Discover: This book/libro is a resource for family members and a bridge between languages for young readers.

Cinco Puntos Press, $14.95, hardcover, 32p., ages 4-6, 9781935955504

Cemetery Road
by Greg Iles
ISBN: 9780062824615
William Morrow & Company
March 5, 2019


an exclusive interview with bestselling author Greg Iles   
 

One of the driving themes in CEMETERY ROAD is the sense of desperation felt in many small US towns. What additional messages would you like readers to glean from this book? 

“I hope people will come away more attuned to the reality that the behavior of people around us is often motivated by facts we don’t know—in other words, secrets. Quite a large percentage of folks around you at any given time are in the midst of extramarital affairs. I think we blind ourselves to this to get through the day. But if you pay attention, you’ll realize that the most significant dramas going on around you are just beneath the surface—invisible, but immensely powerful in determining events.”

Read the rest of the interview here.

 

ALSO FEATURED ON THE the big THRILL…

THE LIAR’S CHILD by CARLA BUCKLEY: It’s difficult to categorize a Carla Buckley book—a mystery, a suspense, a domestic thriller? In the case of her latest release, it’s perhaps a little of all of the above. And as is true with each of her novels, THE LIAR’S CHILD is an addictive, immersive, and propulsive read. Find out more here.

CROWN JEWEL by CHRISTOPHER REICH: Bestselling author Christopher Reich introduces a new hero in his ninth thriller CROWN JEWEL—Simon Riske, an ex-thief turned investigator with a taste for fast cars, high-end gambling, and trouble. Read more at The Big Thrill.

RED HOTEL by ED FULLER and GARY GROSSMAN: As a hospitality industry leader, Ed Fuller might not seem the most logical writing partner for someone with both feet firmly planted in fiction. But Fuller has teamed up with bestselling author and Emmy Award-winning producer, Gary Grossman, to pen RED HOTEL, the explosive first novel in a thrilling new series. Find out more here.

COME AND GET ME by AUGUST NORMAN: An intrepid journalist must confront a small town’s dark secrets in August Norman's COME AND GET ME, a heart-pounding thriller Publisher's Weekly calls "chilling" and Booklist labels "thoroughly memorable." Visit The Big Thrill for more.

MURDER-A-GO-GO’S by HOLLY WEST: With a foreword by Go-Go’s co-founder Jane Wiedlin and original stories by 25 kick-ass authors, editor Holly West has put together an all-star crime fiction anthology inspired by one of the most iconic bands of the 80s and beyond. Read more here.

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