Shelf Awareness for Readers for Friday, November 7, 2014


Lion Forge: This Is a Whoopsie! by Andrew Cangelose, illustrated by Josh Shipley

From My Shelf

Sourcebooks Jabberwocky: The Complete Cookbook for Young Chefs by America's Test Kitchen Kids

Little, Brown Books for Young Readers: Malala: My Story of Standing Up for Girls' Rights by Malala Yousafzai with Patricia McCormick

Time Behind Bars

After making its debut on Netflix last year, Orange Is the New Black this year was nominated for 12 Emmys (it won three) and renewed for two more seasons. It's safe to say we're hooked on this captivating glimpse of life in prison, and after binge-watching the first season, many viewers picked up Piper Kerman's memoir, on which the series is based.

There's no reason to stop with Kerman, though. Avi Steinberg never expected to work in the penal system, but when the need for health insurance sent him job hunting, he found himself a prison in Boston. His memoir, Running the Books, catalogues his time at the prison's library counter, detailing the inmates with whom he worked and the myriad ways they used the library to learn, connect with the outside world and even break the rules.

Rene Denfeld works as a death-row investigator, a professional experience that shapes her stunning, imaginative novel, The Enchanted. The book tells the story of a group of death-row inmates by focusing on the prison as a whole, rather than on their individual crimes. With just a touch of the fantastical, Denfeld masterfully brings to light the despair that lurks in one of the darkest places in our society.

Kathy Page's novel Alphabet centers on one inmate, Simon Austen, in prison for murdering his girlfriend. Austen wears his history quite literally on his skin, as he tattoos onto his body all the names and words he has been called: "dumb," "waste of space," "threat to women." As Alphabet tracks his incarceration over many years, what emerges from beneath his crude exterior is not the cold-blooded killer one might expect, but a surprisingly sympathetic character caught in a web of startlingly cruel prison politics. --Kerry McHugh, blogger at Entomology of a Bookworm


Berkley Books: The Matchmaker's List by Sonya Lalli


Book Candy

Flirting Books; Imaginary Friends in Fiction

"Forget pick-up lines. Give your crush a book," advised Buzzfeed in recommending "16 books that will do the flirting for you."

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Read like the Boss. Brain Pickings offered "Bruce Springsteen's reading list: "28 favorite books that shaped his mind and music."

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Mental Floss challenged readers to "name the 50 words in Green Eggs and Ham."

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The "top 10 imaginary friends in fiction" were gathered together for the Guardian by A.F. Harrold, author of The Imaginary, which is illustrated by Emily Gravett.

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Dubbing him "lord of the rings," the Women You Should Know blog featured British designer Jeremy May, who creates literary jewelry from the pages of used books at Littlefly Jewelry

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A little sheepish about your book collection? Perhaps the Baa-Baa Bookshelf from Rowen & Wren could be a solution, Bookshelf suggested, noting that it is "also available in black."


Quirk Books: We Sold Our Souls by Grady Hendrix


Great Reads

Rediscover: What's the Matter with Kansas?

After the midterm elections, Republicans are likely still busy partying and celebrating their wins. On the other hand, Democrats might be taking a break from listening to the news and should consider reading--or re-reading--a thoughtful yet hilarious book that addresses what perplexes many Democrats: How can so many people vote for politicians who, Democrats maintain, pursue policies that go against their interests? First published in 2004, Thomas Frank's classic What's the Matter with Kansas?: How Conservatives Won the Heart of America (Holt, $17) dives right into the matter, focusing, as the title implies, on Kansas. Frank, journalist, historian, author and native of Kansas, argues that cultural solidarity among people on the right masks their many economic and class contradictions.


Callaway Arts & Entertainment: Theophrastus' Characters: An Ancient Take on Bad Behavior by James Romm, translated by Pamela Mensch, illustrated by André Carrilho


The Writer's Life

Lev Golinkin: Reclaiming the Past

photo: Diana P. Lang

In the late 1980s, as the Cold War waned, nine-year-old Lev Golinkin and his family fled the Soviet Union along with thousands of other Jews seeking to escape persecution. They left with just 10 suitcases, $600 and the vague promise of help awaiting them in Vienna.

In Golinkin's moving, darkly comic debut memoir, A Backpack, a Bear, and Eight Crates of Vodka (Doubleday), he recalls that harrowing journey, which eventually brought him and his family to the United States. He also intertwines a second story: his quest as an adult to retrace his family's long trek, locate the strangers who aided them and, along the way, finally confront the past he had spent a lifetime suppressing.

Golinkin is a graduate of Boston College and lives in New Jersey.

A Backpack, a Bear, and Eight Crates of Vodka has to be one of the most memorable book titles.

It refers to what I had when we fled the Ukraine. Overnight, my world went from having things like an address, a kitchen, a bed, to being a blurry entity with no citizenship, no plans, no belongings, nothing to anchor me in the world. I had a backpack with a change of clothing, my teddy bear and a sizable quantity of vodka which my parents used to bribe soldiers and people at checkpoints on our way out. In many ways, I spent the next 15 years of my life in this strange state of drifting and running and being off the grid. That theme of the journey and search for belonging is present throughout the book.

In the late 1980s, as thousands of Jews left the Soviet Union to escape rampant anti-Semitism, what was going on behind the scenes politically? How were families like yours caught in the middle of the "cat-and-mouse game between the U.S.S.R. and the West?"

Any Jew able to leave the Soviet Union was a threat to the regime. It was a question of control: you can't run a dictatorship with some freedom of choice. If the Jews leave, what's stopping the Baltics and the Eastern Europeans from leaving? What's stopping the churches from asserting their independence? Because of this, the Soviet Union did everything in its power to minimize and preferably stop Jewish emigration entirely. The U.S., in turn, did everything to get as many Jews out as possible, in hopes of weakening the Soviet regime. And this wasn't just a matter of Cold War policy--the notion of a land which forbade the very existence of religion was an abomination to many in the U.S., including Ronald Reagan. I had the privilege of speaking with the ambassador to the U.S.S.R., Jack Matlock, who said that Reagan was very concerned with putting pressure on the Soviet Union to stem its persecution of religious minorities, both Jewish and Christian.

The other issue was that the internal upheavals of the late 1980s were making the situation dangerous enough for Jews to risk leaving. The U.S.S.R. was falling apart, no one knew what was going to happen and, as is always the case in times of unrest, this led to the rise of ultra-nationalist groups whose core ideology was to wipe Ukraine and Russia clean of what they saw as Jewish filth (similar groups rose in Ukraine during the current crisis). Soviet Jews were caught between two forces--the U.S. and human rights agencies trying to pull us out, combined with a rise in violence and threat of more violence in the future which pushed us to leave. The dangers of staying in an increasingly volatile and anti-Semitic country became greater than the dangers of leaving everything and placing ourselves at the mercy of the West. And so we left.

You share that you did everything you could over the years "to ignore, omit, and otherwise bury" memories of your life in the Soviet Union and your journey out of the country. What inspired you as an adult to revisit this part of your past?

My experiences at Boston College were crucial. BC showed me what I wanted: a life of meaning, a sense of belonging to something greater than myself, a desire to love and be loved. None of that was possible without first understanding myself. I had a simple choice: continue drifting with no attachment or stop pretending to be no one and try to understand my past. The time I spent volunteering with BC's tremendous social justice and immersion programs and interacting/reflecting with students and professors made it clear that I had to make some serious changes.

You write about experiences unique to you and your family, but what universals are there in your story? Do you hope that this book gives people a better understanding of the emigrant experience?

I feel it's pretty relatable. You don't need to be an ex-refugee to know what it's like to feel helpless, or trapped, or to hate what you see in the mirror. The book does cover some experiences that are unique to immigrants, or that immigrants feel more acutely than Americans--in those instances I tried to immerse the reader in order to make him or her understand. For example, at one point I realized that many Americans don't know what it's like to be crippled by a language barrier, simply because they had never experienced it, so I spent a couple of pages presenting the reader with a scenario that many immigrants encounter on a daily basis.

There were phenomena which I had assumed were specific to Soviet Jews but turned out to be applicable to other nationalities. In one chapter I talk about how Soviet immigrants to America only wrote back home about good news and omitted anything negative happening in the U.S. This unspoken censorship helped feed the stereotype that only wonderful things happen in America. After one of my friends read it, I was surprised to learn that she's heard the same thing about immigrants from Latin America.

Your parents and your sister feature prominently in A Backpack, a Bear, and Eight Crates of Vodka. How have they reacted to your writing a memoir, and to the book?

My parents are true first-generation, Old World immigrants, whereas I'm a product of both the old and new worlds, the 1.5 generation, as they call it. The book helped bridge that gap. Interviewing my parents allowed me to understand them to a much greater degree than before; conversely, reading the book helped my parents realize many things I had hidden from them when growing up. My sister's main concern is her privacy: like many immigrants, she is not interested in discussing the past. I can relate to that, having been there myself, and have changed her name in the book, per her request. --Shannon McKenna Schmidt


Quirk Books: Kid Scientists: True Tales of Childhood from Science Superstars by David Stabler, illustrated by Anoosha Syed


Book Review

Fiction

Mermaids in Paradise

by Lydia Millet


Lydia Millet's prize-winning work includes literary, political and picaresque novels, YA fantasies, stories and essays. She extends her reach with Mermaids in Paradise, a sparkling comedy of a California couple's journey from marriage to honeymoon to murder mystery to eco-warrior showdown. It reads as if Maria Semple's Bernadette wound up on Gilligan's Island, with a Lord of the Flies misanthropic bent.

Narrator Deb is a sensible, quick-witted woman with an MBA in finance. Her fiancé, Chip, is a good-hearted guy with a taste for video games and mud marathons. Her best friend, Gina, is the cynic, throwing the bachelorette party at a zombie-themed rave and disparaging any honeymoon that treads in the "vast featureless space" of Middle America or takes place on a cruise ship. Chip and Deb land at a resort in the British Virgin Islands, where the always-friendly Chip collects a coterie of new friends that includes a marine biologist, a toe fetishist, a coarse-mouthed retired Navy SEAL, a Japanese TV personality and a paranoid hippie vegetarian.

When the biologist stumbles upon a school of honest-to-God mermaids during a reef dive, Deb and Chip's honeymoon turns into a scientific adventure. They're eager to videotape the mermaids, authenticate the discovery and build a sanctuary--until the biologist is murdered, the resort's owners try to corral the mermaids for a commercial viewing venture, creationists campaign to eradicate these creatures who are "not the work of the Lord... [but] are filth and abomination," the former SEAL foments confrontation, and local militia arrives to referee the melee.

Millet is clever and funny, and she knows the idiosyncrasies of her characters. She even intersperses her tale with typical vacation-like Instagram snapshots of the novel's turning points. Mermaids in Paradise is a smart, good-time mash-up of the undersides of romance, mystery, religious zealotry and eco-tourism. -- Bruce Jacobs, founding partner, Watermark Books & Cafe, Wichita, Kan.

Discover: When a hip young California couple on their honeymoon discover mermaids, Millet's funny new novel takes a turn to sharp satire of creationists, eco-tourists and opportunists.

W.W. Norton, $25.95, hardcover, 9780393245622

Shelf Awareness Giveaway: Andrews McMeel Publishing: How to Be Successful Without Hurting Men's Feelings: Non-Threatening Leadership Strategies for Women by Sarah Cooper


Us

by David Nicholls


Long-listed for the 2014 Man Booker Prize, Us traces a journey across Europe as well as the topography of a family parting ways for the first time. David Nicholls (One Day) offers a crisp character sketch of a man desperate to save his marriage but clueless as to how.

Now that their son, Alfie, is headed to university, Douglas looks forward to plenty of alone time with his wife, Connie, whom he loves deeply. Connie has other ideas, announcing her intent to leave him right before the family embarks on a grand tour of continental Europe. While she views the vacation as the family's last hurrah, Douglas imagines he can use it to win her back and find a way to connect with the son who's always treated him like a stranger.

In reality, though, matters progress as usual--Alfie is embarrassed by his father, Douglas feels like a third wheel--while Douglas looks back on more than 20 years of married life with increasing bewilderment at their impending end. As the narrator, Douglas shows that he is a man filled with passion but too logical and cautious to express it; his frustration over the inability of his loved ones to see what's in his heart is striking. Douglas is far from one-dimensional, as his wit and humor take him from unlikely to likable hero. Fans of The Rosie Project in the mood for something sadder and deeper should take special notice of this acerbic scientist's struggle to halt the march of change. --Jaclyn Fulwood, blogger at Infinite Reads

Discover: A seemingly passionless man's European tour with his teenage son and soon-to-be ex-wife, from the author of One Day.

Harper, $26.99, hardcover, 9780062365583

There Once Lived a Mother Who Loved Her Children, Until They Moved Back In

by Ludmilla Petrushevskaya, trans. by Anna Summers


It may sound like the tagline of a bland romantic comedy or a think piece on the employment prospects of millennials, but in fact There Once Lived a Mother Who Loved Her Children, Until They Moved Back In is a translated collection by a giant of contemporary Russian literature, the subversive and brilliant Ludmilla Petrushevskaya (There Once Lived a Woman Who Tried to Kill Her Neighbor's Baby).

These three stand-alone novellas are brimming with black humor and bitter sparkle made possible by Petrushevskaya's clear compassion for her characters. They are overworked mothers and battered wives, neglectful and neglected in equal measures. Proud to a fault and disturbingly practical, they make unthinkable choices in the face of unbearable hardship.

In "The Time Is Night," an aging poet handles a seemingly endless number of intergenerational catastrophes. Food is scarce and money is scarcer, but worse than any material hardship is the way her every relationship has soured with bitterness and anger. "Chocolates with Liqueur" is a simpler, if more disturbing, tale. A young man seduces his nurse while recuperating in the hospital, but what seemed like the sweetest of all romances soon turns deadly. "Among Friends" is the most morally ambiguous and striking of the three stories. In it, a woman becomes convinced she is dying of a hereditary disease and takes bizarre measures to ensure her son will be taken care of when she's gone.

English-speaking readers are lucky to have another translation of Petrushevskaya's work at their disposal, and this collection will leave them eager for more. --Emma Page, bookseller at Island Books, Mercer Island, Wash.

Discover: A collection of surreal and yet strikingly direct portrayals of family life in modern Moscow.

Penguin, $16, paperback, 9780143121664

Hiding in Plain Sight

by Nuruddin Farah


The murder of a good man creates a vacuum his bereaved sister bravely tries to fill in this intimate family drama by African novelist Nuruddin Farah (Crossbones). After her brother, Aar, a U.N. ambassador in Somalia, loses his life to a terrorist bomb, fashion photographer Bella leaves her job in Italy to take over as guardian of his teenage son and daughter in Nairobi. Their mother, Valerie, left the family for another woman years ago, and with Aar dead, Bella hopes Valerie will simply leave the children in peace.

However, as Bella makes progress on forming a new family with suspicious Salif and fragile Dahaba, Valerie resurfaces with her lover, Padmini, fresh off a stint in a Ugandan jail after an unscrupulous businessman exposed them as a couple.

From the first moments of the story--the only segment told from Aar's point of view--Farah establishes Bella as smart, socially savvy and never strident, a free spirit who is also focused on her career, her brother and his children. By contrast, Valerie is clearly a poor choice of guardian for the children: impractical, catty and erratic. And though she's the source of much conflict, readers should not assume that Farah makes judgments against the LGBT community in general. Rather, he draws attention to their plight--homosexuality is a crime in many African countries and can even carry the death penalty.

Gracefully pulling together social issues with the seismography of a single family and underscoring it all with hints at the Somali diaspora of the 1990s, Farah once again offers a complex look at the struggle and joy of finding home. --Jaclyn Fulwood, blogger at Infinite Reads

Discover: A Somalia-born novelist delves into the intricate bonds of family while also exploring the dangers homosexuals face in Africa.

Riverhead, $27.95, hardcover, 9781594633362

Mystery & Thriller

The Burning Room

by Michael Connelly


Michael Connelly's 27th novel, The Burning Room, features the return of the much-loved, authority-averse LAPD Detective Harry Bosch, now in his final year with the Open-Unsolved Unit. As the senior detective in the unit, he has been paired with the youngest, freshest rookie: Lucia Soto, or "Lucky Lucy," who has survived gunfights to become a Los Angeles hero but has zero experience solving homicides, fresh or cold. Their first case together is an apparently random 10-year-old shooting, whose victim has only recently died of his wound--unusually, a cold case with a warm body. Bosch's concerns about his partner's abilities are laid to rest quickly as he observes her work, but the case is increasingly fraught with political intrigue (and, as his fans know, politics are an especially difficult arena for Bosch). Complicating matters is an older cold case with personal ties for Soto. The latter connection is somewhat improbable, perhaps, but thrilling nonetheless.

Bosch is everything his fans have loved for decades: grouchy yet soft-hearted, an outstanding detective who can't seem to get along with his superiors and a fine mentor to his new partner. Detective Soto is an intriguing new character in her own right, with a storied past that begs for further exploration. The satisfying, shocking denouement leaves Bosch's future--and the continuation of the series--in question, although surely Connelly (The Gods of Guilt) will not disappoint the detective's many fans just yet. --Julia Jenkins, librarian and blogger at pagesofjulia

Discover: Harry Bosch delves into a cold case--which might be his last--with an appealing new partner.

Little, Brown, $28, hardcover, 9780316225939

Biography & Memoir

My Heart Is a Drunken Compass: A Memoir

by Domingo Martinez


Domingo Martinez (National Book Award finalist for his memoir The Boy Kings of Texas) continues his personal story of anxiety, excessive drinking and love shortly after the events at the close of his first book. His ex-fiancée, Steph, is in the hospital--she plummeted off a highway embankment after having an epileptic seizure while driving. Stressed out and unable to sleep, Martinez starts his tale with the lowest point in his life: when he tried to end it.

Martinez hops around his own timeline, reflecting first on the influence he might have had on his youngest brother's addictions--Derek almost died after drinking too much--and then his dynamic with Steph. In their love/hate relationship, everything was always a bit skewed and arguing was part of their foreplay. With passion and profound honesty, Martinez holds nothing back as he interweaves his own downward spiral with tales of his Mexican-American family, his interactions with his social circle, his work and his fraught bond with Steph.

He also delves into his own despair at turning 40 with little to show for his life of hard work. It's only when he makes a concerted effort to get his writing published that his life begins to turn around. Fittingly, selling the first chapters of his first book to a literary journal called Epiphany helps Martinez realize that there might be an end to what he calls his "personal inferno." Page after page, the captivating Martinez releases a flood of raw emotions in this tender and illuminating memoir. --Lee E. Cart, freelance writer and book reviewer

Discover: When a man reaches the bottom of the barrel of life, he can either stay there or fight his way up; Domingo Martinez is a fighter.

Lyons Press, $26.95, hardcover, 9781493001408

History

Empire of Sin: A Story of Sex, Jazz, Murder, and the Battle for Modern New Orleans

by Gary Krist


With the same surety he brought to his succinct retelling of the fall and subsequent rise of modern Chicago in City of Scoundrels, Gary Krist details the fascinating history of another American city. Empire of Sin covers a 30-year span of New Orleans history, from 1890 to 1920.

New Orleans, with its French-Spanish-Creole roots, was always markedly different from the rest of the American South, especially with regard to its attitudes about morality and race. But the city's reputation meant that it wasn't attracting investors, so businessmen decided to enact both racial and geographic segregation. All brothels, saloons and dance halls were pushed into an area known as Storyville (with a separate section for "Black Storyville") and outlawed elsewhere. For more than a decade, the vice trade flourished, giving rise to wealthy madams like Josie Arlington and producing some of jazz music's early greats, Buddy Bolden and Louis Armstrong among them.

But soon teetotalers and ministers, appalled at the flagrant debauchery and increasing crime of Storyville, decided that New Orleans needed an even bigger makeover and began pushing legislation that would cement Jim Crow laws, eliminate prostitution and drastically cut back on jazz music and drinking. Naturally, the denizens of Storyville fought back, and the battle for New Orleans began.

Gary Krist excellently summarizes a momentous era in a complicated city. Black-and-white photos of many of the main characters add to the narrative's historical appeal. Indeed, "characters" is apt, since Empire of Sin reads almost like fiction as musicians, criminals, prostitutes and businessmen mix and mingle on the streets of old New Orleans. --Jessica Howard, blogger at Quirky Bookworm

Discover: A fascinating history of turn-of-the-20th-century New Orleans.

Crown, $26, hardcover, 9780770437060

WWII: A Chronicle of Soldiering

by James Jones


James Jones is perhaps best known for his trilogy of loosely autobiographical World War II novels: From Here to Eternity, The Thin Red Line and Whistle (published a year after his death, in 1978). His only work of nonfiction appeared as part of WWII, a coffee-table book about wartime art published in 1975. Despite initial success, a reprint was impossible due to issues with the images themselves, dooming Jones's remarkable text to obscurity. WWII: A Chronicle of Soldiering brings Jones's account and a handful of smaller works of art from the original book to a new generation of readers.

Jones began his war as an infantryman stationed on Oahu. After the attack on Pearl Harbor (to which he bore witness), Jones fought on Guadalcanal, where he earned a Bronze Star and Purple Heart before being shipped back to the United States to recover from an injury. Jones interweaves his personal recollections with an exploration of the overall war effort and the experiences of American soldiers in other theaters of the war.

This account is brutally honest, scathingly critical and even funny at times. Jones's vivid, vulnerable memoir cuts through a veil of nostalgia that often surrounds the war. Instances of horror and levity punctuate his evolution as a soldier and the eventual begrudging acceptance of his own insignificant role in the American war machine. He also fiercely condemns the wasting of lives by careless or politically motivated strategists. Jones's insightful mix of memoir and military history is engrossing. --Tobias Mutter, freelance reviewer

Discover: The only nonfiction work of World War II novelist James Jones, reprinted for the first time.

University of Chicago Press, $17, paperback, 9780226180939

A History of America in 36 Postage Stamps

by Chris West


In A History of Britain in 36 Postage Stamps, Chris West took the concept of micro-history to the height of miniaturization, using a chronological series of postage stamps as "tiny rectangular time machines." With A History of America in 36 Postage Stamps, he applies the same method to United States history.

West cleverly opens with the image of an 18th-century British revenue stamp--explicitly making the point that the history of the U.S. begins with a stamp. He ends with a stamp he designed on postage website stamps.com, a statement of discomfort about including a self-portrait in a collection that boasts such figures as George Washington and Abraham Lincoln, and a thoughtful discussion of the personalized stamp as the logical extension that all men are created equal. Along the way, he discusses themes of American history drawn from his philatelic examples, including innovation, westward expansion and individualism.

The themes hold no surprises for anyone familiar with the broad outlines of America's past, but West consistently chooses quirky or unfamiliar details to illustrate his story and occasionally draws unexpected connections. Perhaps the most interesting element of the book for American readers is the way West uses the history of America's postal service to illuminate social history. (Who knew that post offices became targets for hold-ups during the Great Depression?) This engaging survey will appeal to both history buffs and stamp enthusiasts. --Pamela Toler, blogging at History in the Margins

Discover: A quirky history of the United States with a faint English accent.

Picador, $28, hardcover, 9781250043689

Art & Photography

33 Artists in 3 Acts

by Sarah Thornton


After chronicling the contemporary art scene for her broadly successful 2009 Indie Next selection Seven Days in the Art World, Sarah Thornton spent the next four years taking her sharp eye and candid questions into the studios and homes of 33 working artists to sniff out just what it takes to be an artist today. Presenting these interviews and visits in a loosely dramatic structure, 33 Artists in 3 Acts suggests that art today is, in many ways, theater. Thornton's three acts focus on politics, kinship and craft; her global cast of artists includes big-money rock stars Jeff Koons, Damien Hirst and Ai Weiwei, as well as the lesser-known Wangechi Mutu, Maurizio Cattelan and Andrea Fraser. She is agnostic with regard to the value of their artistic media--performance, photography, video, paint, found objects, sculpture, even Lena Dunham's TV work (Girls)--but relentless in her pursuit of their nuggets of self-definition.

As an art writer for the Economist and occasional contributor to the New Yorker, Thornton has a journalist's touch and makes no attempt to play the role of critic. She sees what she sees--like Koons in a hot auditorium, where he "glistens rather than sweats," or a small Venice Biennale audience of "two blondes with complicated handbags and beige Uggs." Her interviews often elicit surprising comments from her subjects, such as Michael Elmgreen's observation that "if I didn't behave myself as an artist, I'd be reborn as a curator or an interior decorator" or Cattelan's admission that "I speak through images because I can't talk." Turn Thornton loose in artists' personal lives and you are reassured that art is refreshingly alive regardless of its who, where or what. --Bruce Jacobs, founding partner Watermark Books & Cafe, Wichita, Kan.

Discover: Art journalist Sarah Thornton interviews top contemporary artists in their homes and studios.

W.W. Norton, $26.95, hardcover, 9780393240979

Children's & Young Adult

The Doubt Factory

by Paolo Bacigalupi


Paolo Bacigalupi (Shipbreaker) crafts a ripped-from-the-headlines thriller that highlights the power that spin doctors at top-notch public relations firms can wield over the lives of unsuspecting citizens. Bacigalupi introduces an engaging cast of characters and a nonstop plot that always stays one step ahead of readers.

Alix Banks lives a privileged life. She attends prestigious Seitz Academy and is "Ivy-bound, and headed for money and power." Her father runs a highly successful PR firm for top (and top secret) clients. But Alix's world begins to crumble when she tries to find out why a vandal ("a good-looking black guy in a trench coat" who seems "weirdly recognizable to her"), known as 2.0, has been targeting Seitz. "Ask your father," the vandal says. "He's the one who knows all the secrets." As the stakes rise, private security forces arrive to keep Alix and her brother safe. Alix retreats into deep denial, even when she is kidnapped and shown evidence of how drug companies manipulate science to keep their products on the market. Her teenage captors insist that Alix's father and his PR firm are engineering the obfuscation. It's not until Alix begins to dig for her own answers that she finds herself wondering if 2.0 may actually be right.

Through this group of teen radicals and their cause, Bacigalupi explores class and racial tensions. Their techno-savvy plans make for an exhilarating read, as does the very strong attraction between Alix and 2.0. --Lynn Becker, host of Book Talk, the monthly online discussion of children's books for the Society of Children's Book Writers & Illustrators

Discover: This ripped-from-the-headlines thriller features one teen's growing awareness of how far some companies will go in the name of profit.

Little, Brown, $18, hardcover, 496p., ages 15-up, 9780316220750

Henri Matisse: Meet the Artist!

by Patricia Geis, trans. by Lawrence Schimel


In her third addition to the Meet the Artist! series (Alexander Calder; Pablo Picasso), Patricia Geis demonstrates how Henri Matisse (1869–1954) transformed his days in a sick bed to his birth (and rebirth) as an artist.

Matisse studied to be a lawyer in Paris and started at "a very proper law firm," when, at 21, an attack of appendicitis rendered him bedridden. His mother's gift of a paint set sent him down a different path. Well-chosen examples of Matisse's early work, such as Still Life with Books and Candle (1890), depict the photographic clarity with which he painted, and his dramatic departure is seen in paintings such as The Dinner Table (1897). These reproductions appear as paginated thought balloons from a child at the center of a two-page spread. The design occasionally feels awkward, but the balloons succeed in grouping related paintings and tracing the artist's evolution, and the interactive elements will engage children.

Geis also points out how Matisse's artwork reflected the changes in the world around him. Salmons, magenta and teals dominate his 1905 Open Window, Collioure, painted at the dawning of his Fauvism period; nine years later, his French Window at Collioure evokes a black cave, the shutters leading into the fearful unknown, painted at the start of World War I. The second illness that confined him to bed resulted in his famous cut-paper compositions (gouaches découpées), and the "window that opens" to his La Gerbe (1953) neatly brings readers full circle to its image seen through the book's die-cut front cover. --Jennifer M. Brown, children's editor, Shelf Awareness

Discover: An interactive approach to the blossoming and transformation of a flexible and inventive artist.

Princeton Architectural Press, $24.95, hardcover, 16p., ages 7-12, 9781616892821

The Iridescence of Birds: A Book About Henri Matisse

by Patricia MacLachlan, illus. by Hadley Hooper


Patricia MacLachlan (Sarah, Plain and Tall; What You Knew First) imagines the childhood influences that might have shaped the artist Henri Matisse in spare, poetic text that gives flight to Hadley Hooper's (Here Come the Girl Scouts!) relief-print compositions.

Hooper pictures the "dreary town in northern France where the skies were gray" in dove-gray tones with only a couple of lighted windows along the street. But inside, the walls of young Henri's home brighten thanks to the painted plates his mother makes. Hooper depicts birds on trees that resemble Matisse's later cutouts, and a cheery palette and patterns that mimic the swirling fabrics in the artist's paintings. MacLachlan lays out the facts that may have played out on Matisse's canvas: in his mill town, "people wove silks with colors all tangled." Looms stretch from side to side and from foreground to background in Hooper's artwork; her delightfully unevenly applied paints give her relief prints added texture and depth.

MacLachlan explains through context the idea of "iridescence" (explaining that the pigeons' colors "changed with the light as they moved"), and connects this with Matisse's later works, as "light and movement" come into play with Hooper's rendering of a segment (roughly the lower two-thirds) of Dance I (1909). From the moment MacLachlan poses the question, "Would it be a surprise that you grew up to be a fine painter...?" Hooper represents Matisse as adult-child twins. They first appear on opposite sides of the same ladder, and always in the same space. An enchanting meditation on the making of an artist. --Jennifer M. Brown, children's editor, Shelf Awareness

Discover: This book focuses on the childhood influences that might have shaped artist Henri Matisse, in poetic text and soothing relief-print compositions.

Neal Porter/Roaring Brook/Macmillan, $17.99, hardcover, 40p., ages 4-8, 9781596439481

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This book was far different than what I’d thought it would be. When I first met Derek back in 2014 in the first of the Montgomery Ink series, I thought I knew his past. It turns out, my own life found itself mirroring that story far too much, and I changed what Derek had once been into who he needed to be for myself and for him. Yet what Olivia and Derek share is exactly what I needed. And what I think Montgomery Ink needed. 

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www.1001darknights.com/authors/collection-five/carrie-ann-ryan-inked-nights


Buy it on Kobo: www.kobo.com/us/en/ebook/inked-nights-a-montgomery-ink-novella

 

 

Publisher: 
Evil Eye Concepts, Inc. 

Pub Date:
June 26, 2018

ISBN: 
9781945920967

List Price: 
$2.99

 

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