Shelf Awareness for Readers for Tuesday, February 17, 2015


Doubleday Books for Young Readers: Bad Dog by Mike Boldt

From My Shelf

DC Black Label: Superman: Year One by Frank Miller, illustrated by John Romita

 Beach Lane Books: Pluto Gets the Call by Adam Rex, illustrated by Laurie Keller

David Carr, 1956-2015

For David Carr, the reporter, editor and media columnist who died last Thursday at age 58 after collapsing in the news room of his beloved New York Times, perhaps the biggest story of his career was his own story: in the 1980s, the talented journalist descended into crack addiction, alcoholism and "mania" so severe that it ruined much of his life and nearly killed him.

Carr recounted that harrowing period in his 2008 memoir, The Night of the Gun (Simon & Schuster has just gone back to press for another printing of 10,000), a book distinguished from other "recovery" titles because Carr approached his story the way he would any other: by researching, by interviewing pertinent people--and following the trail no matter where it went or how ugly it became.

Among the highlights of this low period: Carr left his twin daughters, at age eight or nine months, in his parked car when he went into a house to score some crack--and stayed for several hours, getting high and having no idea what he'd find when he returned to the car. Perhaps the most telling story is the one referred to in the title: as part of his research for the book, Carr interviews an old friend who once drew a gun to scare off an enraged Carr. To his astonishment, Carr learns that the old friend didn't brandish the gun--it was Carr himself.

Memory, Carr discovered, is selective, particularly regarding one's own traumatic moments. His own story turned out to be darker than he remembered, and only with the great help of friends and family was Carr able to turn his life around, kick cocaine, get off welfare, raise his daughters as a single dad--and find happiness for a time as a journalist's journalist, living in suburban New Jersey, remarried, with three children and a dream job at the New York Times.

What a story--and memory. --John Mutter, editor-in-chief, Shelf Awareness


Andrews McMeel Publishing: The Rupi Kaur Boxed Set by Rupi Kaur


Book Candy

18 Books Women Should Read at Age 18

Bustle's Kristen Scatton highlighted "18 books every woman should read when she's 18 (because I sure wish I had)."

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Cold weather got you down? Buzzfeed found "28 reasons you should stay inside and read a book. Like you need an excuse."

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The Dodo highlighted "22 pets who have no intention of letting you read your book."
    
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Chris Killen, author of In Real Life, chose his "top 10 novels about lost friendships" for the Guardian.

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A Flavorwire quiz posed the eternal question: "Guessing game: Edgar Allan Poe or Goth song lyrics?"

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"In this week's tech chat we take a look at Bookniture, a gadget that can withhold a weight of up to 170kg and be easily stored away in your book case," 3News in New Zealand reported.


International Thriller Writers: Click here to read an exclusive interview with author Alan Furst


Great Reads

Rediscover: The Shape of a Pocket

John Berger is a novelist, artist, critic and political activist who has had a profound impact upon me for many years. The Shape of a Pocket, originally published by Pantheon in 2001, showcases a 75-year-old mind deeply engaged with the world of art and the world at large.

Fluid time travel, particularly in the timeless dimension of art, is Berger's specialty. Consider his essay "The Fayum Portraits," in which he reflects upon these earliest surviving painted portraits, so old that "they were being painted whilst the Gospels of the New Testament were being written." Commissioned by the living, they were meant to serve as identity pictures on their after-death journey with Anubis. Berger explores the embryonic relationship between painter and subject: "The sitter had not yet become a model, and the painter had not yet become a broker for future glory. Instead, the two of them, living at that moment, collaborated in a preparation for death. To paint was to name, and to be named was a guarantee of this continuity."

A scant page later, we are whisked forward through the centuries as he writes of our culture's more diffident approach to both the future and death: "The future has been, for the moment, downsized, and the past is being made redundant. Meanwhile the media surround people with an unprecedented number of images, many of which are faces. The faces harangue ceaselessly by provoking envy, new appetites, ambition or, occasionally, pity combined with a sense of impotence."

Berger seems at once a man of his time and timeless. Defining his century for a radio listener who challenged him about his opinions by asking what century he thought he was living in, Berger replied: "The one I live in is the sixteenth or the ninth. How many, sir, do you think are not dark?" Berger has shed his light where he can, and leaves his readers to judge for themselves. --Robert Gray, contributing editor


HMH Culinary & Lifestyle: A Gift For Every Cook & Cocktail Lover


The Writer's Life

Jennifer Jacquet: Effective Shaming

Spend five minutes in the comments section of any major publication's website, and you'll be excused for thinking that the feeling of shame is endangered and on the borderline of extinct. The idea that shame still exists as a public construct and in fact could prove indispensable is the seed of Jennifer Jacquet's remarkable book, Is Shame Necessary? (see our review below).

Jacquet is an assistant professor in the Department of Environmental Studies at New York University, where she's an environmental social scientist interested in large-scale cooperation dilemmas, particularly in overfishing and climate change.

Let's start with the distinction between guilt and shame, the private versus public aspects of the two, and where they overlap.

A lot has been written on the emotional differences between guilt and shame, but less exists on the distinction in terms of punishment, which is my focus in the book. I chose to distinguish shame from guilt as a punishment that requires an audience--real or imagined. In contrast, guilt is a form of self-punishment--something that occurs between an individual and that individual's conscience.

You write about the limits of shaming, citing as an example criminals forced by judges to wear shirts announcing their crimes to the public, and how many people would feel this is too dehumanizing a punishment. However, there's a growing sentiment in this country that the justice system is failing everyone except the wealthy. How can shame be applied in a way that makes change, but also doesn't cross a line into a metaphorical public flogging?

As you point out, formal punishment seems to be missing for certain transgressions, especially transgressions by some of the most powerful actors in society. This is where shaming can play a role. It's a form of punishment that is still available to the general public (unlike prison, for instance, which is a tool that can only, for very good reasons, be used by the state).

I write in the book about seven habits of highly effective shaming, and I think those spell out some key ingredients to make shaming work well. One of them is that the gap between the behavior in question and the desired behavior should be large. But I also point out that what makes shaming effective is quite different from what makes it acceptable to society. We need to be sure that shaming punishments do not come in conflict with other values we hold--for instance, we might not like punishments that have a dehumanizing element, through forcing individuals to wear shirts, or hold signs, or get tattoos. One way to make sure shaming punishments are not dehumanizing is to use them against non-humans--shaming institutions, rather than individuals.

Also keep in mind that many of those public floggings weren't seen as problematic in their day. Shaming and the forms it takes are calibrated to the standards of the time. However, because shaming requires attention, and attention is a limited resource, we must always treat shaming with care. In the book, I compare shaming with antibiotics, which can be used effectively but can also be overused and then backfire.

It seems there is an increasing number of protest marches and rallies, including the marches on Washington and thousands of people in the streets of New York following the Eric Garner verdict. Are they effecting change?

Sure. The marches signal to society what issues are important. Shaming is nothing without a standard of behavior with which to compare the shameful behavior. The more visible and widely understood the norms of behavior are, the more easily shame can be applied. For raising the profile of an issue, it's certainly more effective to turn out for a march than to click "like" on Facebook.

Yet the "standard of behavior" seems to be up for grabs. In the case of Eric Garner, while many people were outraged, some tried to make a case that hair-trigger judgments need to be made by police officers and a "rush to judge" their actions can undermine their work. When the media covers both viewpoints, there's no clear behavioral norm being held as the standard.

Yes, that's right. The standard of behavior is always up for grabs and there can be long struggles between what standard should win. We should not take any norms in our society for granted or assume that things always will remain the same. In the book, I mention cultures that have rituals to severely mutilate genitals, or flatten babies' heads, or bind women's feet. These are practices that, despite being biologically maladaptive, have managed to persist (not that they always will), and they provide evidence that behavior and standards and norms are, just as you say, always up for grabs. I think the fact we're talking about Eric Garner shows the power of both the media and the marches, in addition to the obvious atrocity.

What are the implications of using shame as a tool in education?

This really depends on the context. In general, I would avoid using shame in the classroom, as I don't think it encourages a lot of the values we want in kids. One of the many conclusions I've drawn through this research is that shaming is much more useful for encouraging pro-social behavior than for encouraging individual learning or innovation. But if we instead look at what people like celebrity chef Jamie Oliver have done in shaming schools and food providers to get children more nutritious lunches, then you see the potential power of using shame to change behaviors for the better at a large scale. --Matthew Tiffany, LCPC, writer for Condalmo and psychotherapist


Ingram: Books Make Great Gifts - Take a Look!


Book Review

Fiction

Father Brother Keeper

by Nathan Poole


Nathan Poole's debut collection of short stories, Father Brother Keeper, won the Mary McCarthy Prize in Short Fiction and is an emotionally evocative and varied experience. Each tale is a miniature masterpiece of perfect, often tragic realism, featuring men, women and children dealing with everyday trials: illness, death, divorce, financial hardship.

An old man fights his dementia--"he was losing traction"--when his estranged daughter leaves her two small children with him and drives away. A young man finds more than a dozen bait dogs (fight dogs past their prime) abandoned on his family's property and accuses the wrong man of the brutality. Two brothers react in different ways toward their mother after their father leaves. Two young neighbor girls who are friends contract the same illness but with different outcomes; mapping this divergence is a challenge for each family.

Though perhaps simple in their subject matter, each story is weighty in its emotional impact, sharp and poignant. The stories all feature people living simply, accommodating change if not embracing it, and struggling to move forward through whatever life hands them. Poole's voice is original, authentic and stark; he is clearly compassionate toward his characters even as he walks them through terrible everyday calamities. Father Brother Keeper is a slim book but one that demands to be read slowly and thoughtfully, so that the hints of redemption can percolate. Meticulous, gorgeous and brooding, these stories will appeal to connoisseurs of the short story as well as fans of traditional Southern ways of life and literary fiction. --Julia Jenkins, librarian and blogger at pagesofjulia

Discover: This memorable collection of reflective short stories about commonplace tragedies showcases a gentle, painstakingly accurate writing voice.

Sarabande Books, $15.95, paperback, 9781936747948

University of Nevada Press: The Color of Rock by Sandra Cavallo Miller


The Wonders

by Paddy O'Reilly


While carnival freaks may be an antiquated, even offensive, concept in the 21st century, Paddy O'Reilly (The Fine Color of Rust) explores what it would mean to be a "modern marvel." A producer brings together three peculiar individuals to form The Wonders: protagonist Leon, owner of a metal heart, finds himself plucked from his quiet life in Australia and thrust into the world of international celebrity once he's joined with Christos, who has surgically connected wings to his back, and Kathryn, whose skin is covered with wool. With money and fame come both the chance to rebuild Leon's fragile ego and increasingly dire threats against their lives from those who believe The Wonders are insults to humanity.

O'Reilly takes a very deliberate pace with The Wonders, following Leon and his comrades as they plan to put on their version of "the greatest show on earth." The behind-the-scenes aspects of the book are its most engaging parts, mixing fish-out-of-water comedy with the tension over whether or not Leon will succeed in his performance as the "Clockwork Man." But the stakes never really feel that high, until a rushed and tonally jarring ending places the main characters in mortal danger. It's one slight misstep, though, in an otherwise pleasurable book concerned with the (mechanical) workings of one man's heart. --Noah Cruickshank, marketing manager, Open Books, Chicago, Ill.

Discover: A whimsical story of celebrity, trauma and self-acceptance on a curious and improbable stage.

Washington Square Press, $15, paperback, 9781476766362

Tra Publishing: Lair: Radical Homes and Hideouts of Movie Villains by Various


Jillian

by Halle Butler


In suburban Chicago, Ill., two women work side by side as medical receptionists. Jillian, Halle Butler's debut novel, traces both the unraveling life of one of those women and the other woman's delight in her office partner's downfall. When wounds in each of their lives open, both women are bound together in a downward spiral of shame, regret and sorrow, eventually discovering renewal.

Jillian decides that the one thing missing in her life is a puppy for her son, but then her money problems worsen. Taking care of her son, her new pet and her career prove too much for her. Her strained relationships at church crumble when she calls in every favor she can. Lies she tells to maintain her image as a God-fearing Christian spin out of control. All of this excites Megan, who always loathed Jillian's naïve optimism, but Megan's boyfriend is uncomfortable with how much she enjoys the other woman's struggle. Megan's friends soon start to pull away from her spiteful vortex, and the lies she tells herself to cope with these betrayals begin to parallel Jillian's in unexpected ways.

Butler weaves together two very different lives, seamlessly volleying one character's successes off another's failures. In this spare book, the experiences of these women continue to bounce off one another until the distance between self-doubt and self-confidence is quickly diminished. Jillian's misplaced goodwill shines an uncomfortable light on Megan's unfulfilled life, while Megan's youth and opportunity, in turn, chip at Jillian's idealism. Finally, both realize that the hardest lies to maintain are the lies they tell themselves. --Joshua Potter

Discover: In this apathetic suburb, immediate satisfaction is merely a distraction and future opportunities don't come fast enough.

Curbside Splendor Publishing, $14.95, paperback, 9781940430294

Amherst

by William Nicholson


Love and romance reside at the heart of British author William Nicholson's work, be it in his screenplays (Shadowlands) or in his prose fiction (Motherland). In his historical novel, Amherst, he crafts two love stories--past and present--centered on the poet Emily Dickinson and her vivid impact on other lives.

Nicholson threads the needle of his intriguing, well-plotted narrative with Alice Dickinson, a contemporary 20-something London copywriter whose shared last name with the poet draws her to Emily's work. Alice travels to Amherst, Mass., to research a screenplay she's writing about the real 1880s love affair between Austin Dickinson, Emily's 50-year-old, unhappily married brother, and Mabel Loomis Todd, the 24-year-old wife of an Amherst College professor. Once Alice arrives in the U.S., she boards in the home of Nick Crocker, a handsome, married, charismatic English Literature academic in his 50s. Alice's research into the mysteries of love, fidelity and passion is soon complicated when she and Nick begin an affair that ultimately parallels the intense complexity found in Austin and Mabel's relationship, which was secretly consummated in the home that Emily Dickinson shared with her younger sister, Vinnie. 

These tender, revealing love stories are told via alternating chapters. Nicholson draws from historical texts and includes letters along with Dickinson's poems to re-create the longstanding affair between Austin and Mabel--and the significant role that Emily, an enigmatic spinster-recluse, played in their romance, as well as how Emily's ghost permeates the relationship between Alice and Nick. --Kathleen Gerard, blogger at Reading Between the Lines

Discover: Two secret love affairs--past and present--come together under the influence of poet Emily Dickinson.

Simon & Schuster, $26, hardcover, 9781476740409

The Room

by Jonas Karlsson


"The first time I walked into the room I turned back almost at once."

From this skillfully subtle opening line, the titular room is spotlighted as the crux of a strange and surreal tale. Björn, the first-person narrator of Jonas Karlsson's The Room, is odd from the first, but we take him at his word: he is good at his bureaucratic job, perhaps not well-liked by his fellows, but effective and ambitious.

On the other hand, there is the room. Björn discovers it by accident while looking for the toilet. It is a lovely space, a perfectly appointed, perfectly proportioned, old-fashioned, classy office. He catches sight of himself in the mirror, and is struck by how good he looks, despite not usually feeling that he is attractive, or even worrying about such things. Björn begins visiting the room regularly, and a problem arises. His coworkers see him standing in a particular spot, along the hallway on the way to the toilets. They don't see the room; the room doesn't exist on architectural plans or for anyone else.

There are several levels to the uncomfortable probing Karlsson undertakes throughout Björn's odd tale, sketching larger doubts about the subjectivity of reality, social graces and the importance of control over different aspects of our lives. Karlsson's prose and the inventiveness of Björn's surreal mental workings are often funny, but the overall impact is also deeply thought-provoking and profoundly disquieting, and the combination of the banal and the absurd results in a striking and singular read. --Julia Jenkins, librarian and blogger at pagesofjulia

Discover: A slim book with a large footprint that poses questions about the nature of truth and the value of defining one's own work and life.

Hogarth, $14, paperback, 9780804139984

Mystery & Thriller

Dreamless

by Jørgen Brekke, trans. by Steven T. Murray


Ever since the blockbuster success of Stieg Larsson's trilogy, American shelves have been awash with a tidal wave of Nordic noir. Authors like Mankell and Nesbø prove there are pearls in that surf, and readers can count Jørgen Brekke's Dreamless, the second book in his Odd Singsaker series (Where Monsters Dwell), among them.

The dual time periods in Dreamless add a twist that will enliven mystery fans weary of formulaic plots. Eighteenth-century police chief Nils Bayer is delightfully foul and filthy. He's trying to find the killer of Wingmark, an intrepid troubadour with a penchant for dice games. Meanwhile, in modern-day Trondheim, Norway, Chief Inspector Odd Singsaker has his own murders to solve. A vicious serial killer is murdering young women in a gruesome way--he removes the victims' larynxes and leaves behind music boxes that play only a single piece of mysterious music.

In addition to hunting a sadistic murderer, Singsaker is struggling to recover from the removal of a brain tumor, which took place in the first Singsaker book--both with the help of his American wife, Detective Felicia Stone. The meat of the mystery revolves around an elusive folk ballad from the 1700s, "The Golden Peace," rumored to have the power to lull even the most troubled soul to sleep--but only if sung by the right voice. Brekke uses this enigmatic song in a compellingly layered novel to wind up music boxes as well as the reader. --Tom Lavoie, former publisher

Discover: This fine, discordantly dark thriller is the second installment of Brekke's Norwegian mystery series starring the quirky Inspector Singsaker.

Minotaur, $25.99, hardcover, 9781250016997

Food & Wine

Virgin Territory: Exploring the World of Olive Oil

by Nancy Harmon Jenkins


When Nancy Harmon Jenkins (The New Mediterranean Diet Cookbook) purchased an abandoned farm on a hillside in Tuscany in the late 1960s, she didn't realize she had embarked on a lifelong inquiry into one popular Mediterranean food. Virgin Territory: Exploring the World of Olive Oil is a fascinating compendium of all her hard-earned knowledge, distilled into manageable bites that cover every aspect of oil production and usage. Jenkins narrates the historical evolution of olive oil from pre-biblical times to the present, explains the process by which olives become oil, discusses the qualities of good and bad oils and includes interviews with oil producers.

She traveled the world visiting the various regions that grow olives to make oil, and includes more than 100 Mediterranean dishes that feature this unctuous staple. These include simple recipes--Sicilian fried almonds, epityrum (a sort of caper-free tapenade from ancient Rome) and oven-roasted kale--as well as more complex dishes, such as veal shoulder with caper-anchovy sauce and Lebanese lamb-and-bulgur meatballs.

Jenkins believes that olive oil can be used in almost any recipe that "calls for fat, whether butter, lard, coconut oil, or some more esoteric substance," and she provides conversion tips that allow readers to modify their own recipes to use extra-virgin olive oil in everything. But, she cautions, "regular olive oil, light olive oil, or--perish the thought--pomace oil has no place in any kitchen that is dedicated to creating healthful, delicious food. Only extra-virgin will do." After reading Jenkins's informative analysis and trying her recipes, readers will agree. --Lee E. Cart, freelance writer and book reviewer

Discover: An informative and enjoyable assessment of olive oil, complete with delicious recipes and colorful photographs.

Houghton Mifflin Harcourt, $29.99, hardcover, 9781118203224

Biography & Memoir

Screening Room: Family Pictures

by Alan Lightman


The death of an elderly uncle prompts Alan Lightman (The Accidental Universe) to return to Memphis four decades after he headed north to college at Princeton, and the reminiscences that loss inspires are the foundation of his elegiac memoir, Screening Room: Family Pictures. Towering over this family story is the figure of the grandfather he idolized, Maurice Abraham Lightman, known as M.A., who built a chain of 63 movie theaters in seven Southern states while establishing himself as a world-class bridge player and womanizer. Lightman's depiction of his parents is a touching but honest one, capturing the pathos of two mismatched people who somehow endured a lengthy marriage. He movingly shares scenes with his 90-year-old father in the nursing home where his life draws to an end.

As much as this is a family story, it also deals frankly with Memphis's troubled racial past. Lightman grew up in the 1950s and '60s in a city that was every bit as benighted in its views on racial equality as any town in the deepest of the Deep South. He describes his father's role in quietly desegregating the family's Memphis movie theaters and offers a sympathetic portrait of the family's maid, Blanche, while confessing the bell he inherited that was "pure music" when it summoned her in his childhood now "cuts like a knife."

Lightman's memories flicker like the light from an old movie projector he meticulously describes in one of the book's many artfully constructed scenes. Like his incomparable novel Einstein's Dreams, this memoir is, at its core, a tender meditation on the passage of time. --Harvey Freedenberg, attorney and freelance reviewer

Discover: The tender and frank story of Alan Lightman's return to his roots in Memphis, Tenn.

Pantheon, $25.95, hardcover, 9780307379399

Selected Letters of Langston Hughes

by Langston Hughes, edited by Arnold Rampersad and David Roessel with Christa Fratantoro


Langston Hughes called himself "the world's worst letter writer," though according to the introduction of Selected Letters of Langston Hughes, he wrote enough of them to fill "almost 20 large volumes." Like many famous authors, he was overwhelmed by a tidal wave of correspondence. Letters stacked his tables, slid over his bed and commandeered his sock drawer.

Literary scholars Arnold Rampersad (The Life of Langston Hughes), David Roessel (In Byron's Shadow) and Christa Fratantoro have chosen a representative sample of Hughes' letters as "an epistolary companion to the life story Hughes tells in his autobiographical works." They are grouped in sections by decade, each with a concise biographical introduction. Here is bold, generous, open-minded Langston Hughes, from age 19 to 65, achieving spectacular literary success despite endless obstacles and setbacks. He is known for his part in the 1920s Harlem Renaissance, but that was one stage in his long and staggeringly prolific career.

Celebrities like Countee Cullen, Carl Van Vechten, Zora Neale Hurston and Amiri Baraka appear throughout the collection. There are a handful of love letters and many intimate ones to friends, but business, leftist politics and shoptalk dominate. Hughes is charming, funny, passionate in his loves and his outrages, but always diplomatic and always serious about work. His younger letters show some insecurity, but it never slows him for long. He turns out groundbreaking work in nearly every literary form, pursues new relationships throughout his life and travels the world, charging through life with extraordinary confidence and optimism. --Sara Catterall

Discover: Langston Hughes's adventurous life as a working writer through his own letters.

Knopf, $35, hardcover, 9780375413797

Social Science

Is Shame Necessary?: New Uses for an Old Tool

by Jennifer Jacquet


In Is Shame Necessary, Jennifer Jacquet argues that shame can be an effective tool to change harmful social, economic and environmental practices. Shame's effectiveness, she posits, relies on a number of factors, including audience, focus and implementation. But not everyone has the ability to wield this old tool; used poorly, it can be counter-productive.

Jacquet--a professor of environmental studies at New York University--provides many examples, among them a public shaming campaign against the tuna-fishing industry for the mass killings of dolphins in tuna nets. The voluntary "dolphin-safe" practices (better nets that reduced the number of dolphins caught and killed) put the focus of fixing the problem on individuals who could boycott tuna and only roundaboutly on the groups engaged in the damaging practice. Because the standards were voluntary, the impact was small until the later enactment of federal regulations mandating dolphin-friendly fishing.

When it comes to large-scale problems, Jacquet says, shame needs to come from a source of influence. A successful example was the state of California's threat to publish a list of the top 500 business tax delinquents. Those who paid their outstanding taxes were taken off the list before publication. The state has recovered approximately $301 million in unpaid taxes since 2007 as a result.

Jacquet offers guidelines to use shame as an instrument for good, and provides concrete examples for how American society can use public shaming to ensure it remains an effective tool. --Justus Joseph, bookseller at Elliott Bay Book Company

Discover: An investigation into how shame can be harnessed to enforce new norms necessary for the continued healthy existence of societies.

Pantheon, $24, hardcover, 9780307907578

Children's & Young Adult

Cat & Bunny

by Mary Lundquist


Endearing portraits of young children in animal attire will immediately win over readers in Mary Lundquist's debut tale of the ups and downs of friendship.

The endpapers introduce a cast of characters decked out as dinosaurs, quails, honeybees, giraffes and more (plus a cameo of a real kitten). At first, it's just Cat and Bunny, who "were born on the same day of the same month in the same year." The pencil-and-watercolor illustrations trace their bond from toddlerhood to tricycle-riding. Lundquist envisions a safe world of unsupervised play. Cat and Bunny pack up picnic lunches and make forts from bedsheets al fresco. "Friends forever!" says Bunny. "Just us!" cries Cat, as they transform into caped superheroes. In the park, they play "the Made-Up Game... and only they knew the rules to it." But one day, Quail asks, "Can I Play?" Bunny says yes, without consulting Cat, and a rift grows. As more children join in, Cat runs away. Lundquist's illustration captures Cat's disappointment as she discards a leaf and makes tracks. But the tables are turned when a kitten with a ball of yarn befriends Cat. Together they create their own "Made-Up Game," and soon others are asking Cat to join. "Of course!" says she.

Bunny brings Cat her leaf as a peace offering, and all is right with the world. Lundquist gets the dynamics of first friendship just right. --Jennifer M. Brown, children's editor, Shelf Awareness

Discover: Two friends weather the bumps of enlarging their circle, from a promising first-time author-artist.

Balzer + Bray/HarperCollins, $17.99, hardcover, 32p., ages 4-8, 9780062287809

When Otis Courted Mama

by Kathi Appelt, illus. by Jill McElmurry


With the singing rhythms of her Bubba and Beau series, Kathi Appelt introduces endearing Cardell, a coyote pup with a "perfectly good mama and a perfectly good daddy." All is well, until Otis comes along.

Jill McElmurry's (The Tree Lady) gouache compositions in desert tones spotlight the "perfectly good" parents with their pup. Vignette illustrations of Cardell's daddy flipping jalapeño flapjacks, playing "Zig-the-Zag" across the sand, and singing with his son by moonlight portray their special relationship. The only trouble is that Cardell's father lives on one side of the desert, and his mother on the other. A panoramic view of Cardell and his mama scouting gives way to a close-up of them at their easels. Author and artist present a well-adjusted child who loves both parents equally. Cardell likes his stepmother and stepbrother, too. "But all of that was before Otis, their new neighbor, showed up at their door." Appelt describes his mama's previous suitors through Cardell's eyes, and readers will immediately observe, by contrast, Otis's kind eyes and thoughtful manner. Though Cardell GRRRs ("He put Otis on notice"), Otis persists with a batch of prickly pear pudding, an impressive show of pouncing, and tales of horned toads and "little coyotes with big GRRRs" until Cardell's fades away.

Visual and verbal echoes of happy scenes foreshadow Otis making his way slowly not only into Cardell's mama's heart, but into the pup's heart, too. This lilting tale will reassure readers adjusting to new family arrangements that, "sticker burs and sand fleas aside," they will be okay. --Jennifer M. Brown, children's editor, Shelf Awareness

Discover: Cardell the coyote pup and his "perfectly good" separated parents slowly welcome a new member to the family.

Houghton Mifflin Harcourt, $16.99, hardcover, 32p., ages 4-8, 9780152166885


Under Occupation
by Alan Furst
isbn: 9780399592300
Random House
November 26, 2019


an exclusive interview with
bestselling author Alan Furst  
 

Although you are now considered America’s preeminent author of historical spy fiction, you came to the genre almost by accident while living in France in the ‘80s. Would you please expand on this?

“I had written books before—not very good books, to tell you the honest truth. They say novelists don’t come in until their 40s, and that was certainly true of me. I was able to write and publish books earlier than that, but really, they’re not very good. And the other thing is, I didn’t have what I call traction. That’s a big word for me in writing. That’s when you really know what you’re doing and where you’re going and how it all works. So there I was in Paris wanting to write a panoramic spy novel, and I wrote Night Soldiers, which is, I think, a very good book.”

Read the rest of the interview here.

 

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BLUE MOON by LEE CHILD: Once in a blue moon, things turn out just right. Unfortunately for Jack Reacher, this isn't one of those times. In the latest from New York Times bestselling author Lee Child, Reacher is in a heap of trouble. Read more at The Big Thrill.

EVERY STOLEN BREATH by KIMBERLY GABRIEL: Kimberly Gabriel was living in Chicago when in 2011, a series of “flash mob” attacks swept through a proclaimed safe part of the city—a little too close to home. So she did what every aspiring author would do—she wrote a young adult thriller about them. Find out more here.

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BLIND SEARCH by PAULA MUNIER: After the success of A Borrowing of Bones, USA Today bestselling author Paula Munier returns with her second book in the Mercy and Elvis Mystery series, BLIND SEARCH—which happens to be inspired by a true story. Read more here.

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