Shelf Awareness for Readers for Friday, May 10, 2019

Poisoned Pen Press: That Night in the Library by Eva Jurczyk

From My Shelf

The Grown-Up Years

Cathy Guisewite created a beloved cartoon strip, "Cathy," that was syndicated for 34 years. I vividly remember some of them adorning office corkboards of mine. Many women saw themselves in "Cathy," as she dealt with weight, hair, career and parents. Now Guisewite has written Fifty Things That Aren't My Fault: Essays from the Grown-up Years (Putnam, $27), with the same humor, heart and compassion she showed in her strip.

She decides to join a new gym, with high hopes that sleek muscles and a flat stomach are within reach, until her trainer starts talking about bone health, cardiovascular integrity, joint mobility: "[I]t's demoralizing when all the improvements for my age bracket are for the interior, not the exterior."

Guisewite riffs on the joys of going to the mall for camaraderie and possibility, while hoping finally to find a top to match the perfect skirt she's had for 11 years; she wonders what it would be like to be male and not worry about work make-up, date make-up, break-up make-up. No make-up.

She and her friends gather around a dinner table to discuss their aging parents. Bonded since their children began kindergarten, they recall the feeling of knowing nothing as their babies sallied forth. They feel the same lack as their aging parents can no longer sally forth. And now they are wondering how soon they can answer their college kids' texts without seeming too needy.

This is a book that will wrap around you like a hug, with warmth, wit and wisdom. From the futility of finding jeans that fit out of dozens in the closet to the equally futile task of trying to get parents to learn TiVo, every woman and every daughter will recognize themselves in Fifty Things That Aren't My Fault. --Marilyn Dahl, Shelf Awareness

Book Candy

A Tale of Many Cities: Dickens & Travel

"Global Dickens: For Every Nation Upon Earth" is an upcoming exhibition at the Charles Dickens Museum in London exploring the impact of the author's travels on his life and writing.


"Discover Frida Kahlo's wildly-illustrated diary" chronicling the last 10 years of her life, Open Culture invited.


Spoiler alert: Mental Floss found "59 dead Game of Thrones TV characters who are still alive in the books.


Author Bev Thomas chose her "top 10 books about psychotherapy" for the Guardian.


Yinka Shonibare's The British Library is "a site-specific installation with a digital platform for visitors to join in the discussion," Bookshelf noted.

Great Reads

Rediscover: Tinkers

This year marks the 10th anniversary of Paul Harding's Tinkers, which was the surprise recipient of the the 2010 Pulitzer Prize for Fiction. (Later, the New York Times admitted that it had passed on reviewing Tinkers on its initial publication.) Publisher Bellevue Literary Press, founded in 2007, enjoyed a serious reputation boost. Bellevue was the first small press to win a Pulitzer for Fiction since Louisiana State University Press won for John Kennedy Toole's A Confederacy of Dunces in 1981.

Tinkers follows George Washington Crosby, a former clock repairman now on his deathbed. George thinks back to his impoverished childhood in the backwoods of Maine, and his father, Howard, an itinerant peddler who traveled in a donkey-drawn cart and struggled with epilepsy. The Pulitzer board described the novel as "a powerful celebration of life in which a New England father and son, through suffering and joy, transcend their imprisoning lives and offer new ways of perceiving the world and mortality." In 2013, Harding continued the Crosby family saga with Enon, which follows a year in the life of Charlie Crosby, George Crosby's grandson. In January, Bellevue Literary Press published a 10th anniversary edition of Tinkers with a new foreword by Pulitzer Prize-winning novelist and essayist Marilynne Robinson ($16.99, 9781942658603). --Tobias Mutter

Mother's Day Reads

The joy in giving and the joy in pregnancy; caring for a child and introducing them to your traditions; the sacrifices made and the relationships built... All of these books feature loving, strong--sometimes unusual--relationships between children and their mothers and grandmothers, perfect for a Mother's Day-weekend read.

In Yasushi Muraki's board book, Mom Loves Little Jumbo (minedition, $9.99), Little Jumbo the elephant tells readers ages 3 to 5 all about Mom. The tiny, gray elephant stands next to his mother, her shadow stretching from the left-hand page to the right: "Mom is big. I am small." Mom protects and cares for Little Jumbo in a number of ways: keeping him dry during a rainstorm, catching him when he falls, playing hide-and-seek with him.... Most important, though, "my mom loves me," Little Jumbo states on the last page, as the two walk off together, "and I love my Mom."

The late Patricia McKissack joins celebrated folk artist and illustrator April Harrison to capture the joy of giving in their picture book, What Is Given from the Heart (Schwartz & Wade, $17.99, ages 4-8). After his father's death, James Otis and his mother lose their farm and move to the Bottoms. There, the African American family of two try to rebuild their lives. After a "skimpy" Christmas and new year, Valentine's Day approaches and their pastor implores his congregation to donate items for "love boxes" that will go to needy families, reminding them that "what is given from the heart reaches the heart." Though they don't have much, James Otis and his mother embrace the opportunity to create gifts for another struggling family of two and are pleasantly surprised at how giving from the heart can quickly circle back. What Is Given from the Heart is a loving tribute to collective work, responsibility and the joy that comes from giving freely.

Crescendo by Paola Quintavalle, illustrated by Alessandro Sanna (Enchanted Lion, $19.95), takes readers ages 4 and up through human gestation. Each week (from fifth to 40th) is honored in a two-page spread featuring Quintavalle's carefully chosen text and a facing illustration. Is there a picture book that better marries art and science? Sanna seems to be working in watercolor with a brush dipped in celestial light, and yet Crescendo is deeply scientific. Quintavalle has loaded her pen not with sunshine and moonglow but with information about human gestation; her narrative, utterly faithful to the stages of embryotic and fetal growth, concludes with "Developmental Facts That Inspired the Text." Crescendo is a book that belongs on multiple shelves in the kids' section of a bookstore or library, but the truth is, it wouldn't be out of place in an adult's collection.

When Maya says that she wants to see her grandma, Mother explains "Grandma lives many thousands of miles away." But, a few weeks later, while walking home from school, Mother says she has a surprise for Maya: Grandma! Maya learns right away that Grandma does things differently. She wears a "crimson sari" and offers "homemade sweets." The next morning, instead of taking the exciting trip Father had promised to an island with a carousel, Mother says the family will pray at a temple for Holi. Maya "wish[es] Grandma had never come." Saumiya Balasubramaniam takes a tender look at the complexity of family bonds--especially when they span oceans and generations--in When I Found Grandma, illustrated by Qin Leng (Groundwood Books, $17.95, ages 4-7). Maya's initial unhappiness gives way to acceptance and love; her struggles with cultural differences are convincingly stated, and reinforced perfectly by Leng's lively ink-and-watercolor illustrations. Maya's and Grandma's compromises are satisfying and, by the end, Maya didn't just find Grandma, they "found each other."

Delia, whose father left when she was young, knows that she's unlikely ever to roam far from Jackson, Tenn.: even with three jobs between the two of them, she and her mom (with whom she has a close relationship) make just enough to squeak by. Delia plans to go to community college and keep filming her cable access TV program, Midnite Matinee, with best friend Josie, who has dreamed of working in TV since she "was old enough to remember." Even though she doesn't love the terrible scary movies that Delia adores, Josie enjoys playing Rayne Ravenscroft to Delia's Delilah Darkwood on their Elvira-style show. When the girls are invited to a horror convention, Delia becomes convinced she can talk someone into producing Midnite Matinee. The girls set off on a road trip that could make or break the show--and their friendship, too. Rayne & Delilah's Midnite Matinee (Crown, $17.99, 12-up) is a change for Jeff Zentner, whose earlier works featured teens in significantly more tragic situations. Throughout, Zentner keeps the spotlight firmly planted on his two female protagonists, creating a novel as funny as it is bittersweet.

In Ben Philippe's The Field Guide to the North American Teenager (Balzer + Bray, $18.99, ages 13-up), Norris Kaplan is about to start his junior year at a new school in Austin, Tex., where his Haitian/Canadian mother recently got a job. Generally pessimistic and especially sour about moving to "the surface of the sun," Norris is determined to hate everything. Which he does. Until Aarti Puri. "Dark skinned... with... artificially dyed dark red hair," Aarti is artistic, smart and not into him. But Norris makes a deal with cheerleader Madison when applying for a job at her family's restaurant: he'll cover shifts when she has practice and she'll help him with Aarti. Slowly, with Maddie's help, Norris starts hanging with cheerleaders, makes friends with a nice loner and goes on dates with Aarti. All the while, Norris writes in his journal witty, self-satisfied "field guide" entries disparaging life in Austin and the people around him. That type of mindset can backfire, though, and, when it does, Norris might have to leave Texas altogether. --Siân Gaetano, children's and YA editor, Shelf Awareness

Book Review


Loudermilk: Or, the Real Poet; Or, the Origin of the World

by Lucy Ives

Loudermilk, the second novel from poet Lucy Ives (Impossible Views of the World), is a book where profound poststructuralist meditations on language, chance and creativity are deftly spun through with a myriad of jokes about farting, sex and male anatomy. The novel centers on handsome Troy Augustus Loudermilk, who wins a fellowship to a famed Midwestern creative writing institution by using his friend Harry's poetry. Harry Rego--directionless, agoraphobic and bearing close resemblance to "a hobbit or shaved teddy bear"--follows Loudermilk to the Midwest, agreeing to be his ghostwriter in exchange for a spare room. With the Bush presidency and invasion of Iraq playing out ambiently and calamitously in the background, Loudermilk perfectly captures the strange cultural ethos of the early 2000s.

Although Loudermilk's frat-boy antics and inexplicable charisma are the heart of the novel, Loudermilk is also populated with a number of other characters ranging from plotting to pathetic: one-time award-winners with perpetual writer's block, drunk professors, scorned geniuses and teenagers on their worst behavior. Throughout the course of the novel, Ives produces distinct writing as every one of these characters, prompting the reader to consider the ways in which creativity often involves accessing other selves and inhabiting different personas. With razor-sharp prose and a plenitude of linguistic strangeness, Ives has written a novel about American college life that is both philosophically gripping and exceptionally hilarious. --Emma Levy, bookseller at Third Place Books Seward Park, Wash.

Discover: In the wickedly funny novel, a wealthy jock cheats his way into a prestigious poetry fellowship while his fellow students negotiate the complexities of art and language.

Soft Skull Press, $16.95, paperback, 304p., 9781593763909

The Book Woman of Troublesome Creek

by Kim Michele Richardson

A determined and forthright Cussy Mary Carter tells her story in The Book Woman of Troublesome Creek. In her fourth novel, Kim Michele Anderson gives her a voice true to the Appalachian backwoods of "western Kaintuck" in the 1930s.

At 19, Cussy hopes to overcome a lifetime of poverty and scorn, when she joins the Works Progress Administration's Pack Horse Librarians program "to put females to work and bring literature and art into the Kaintuck man's life." Cussy got the job against her ailing coalminer father's objections that "a workin' woman will never knot." Finding her a husband will be hard enough, Pa knows, because she's a "Blue"--the last of a blue-skinned clan descended from French Blues who'd settled there four generations back. But Cussy perseveres, and on her reliable mule Junia, she's welcomed as "the Book Woman" by her patrons, whose isolated cabins are spread out for miles. In spite of her own hardships, she shares what little she has, and relishes "bringing a hopeful world into their dreary lives and dark hollers."

A heroine richly deserving of happiness, Cussy does find love and joy, but in the author's historically accurate plot it's compromised in an episode of prejudice and violence. Pack Horse librarians, Troublesome Creek and the blue-skinned people of Kentucky were all real, and their story, as Cussy tells it, is a bittersweet homage to an unusual time and place. --Cheryl Krocker McKeon, manager, Book Passage, San Francisco

Discover: Set in Kentucky's Appalachian region during the Depression, The Book Woman of Troublesome Creek is a tale of determination and the power of books.

Sourcebooks, $15.99, paperback, 320p., 9781492671527

A Job You Mostly Won't Know How to Do

by Pete Fromm

When Marnie slips the pregnancy test from her tool belt, surprising Taz as they're demo-ing their fixer-upper, he's dumbstruck but pleased. A Job You Mostly Won't Know How to Do feels like a comedic novel of young parenthood. Then, just before the birth, they make a romantic last visit to their favorite secluded fishing spot in the Montana mountains near Missoula, Pacific Northwest author Pete Fromm's (The Names of the Stars) favorite setting. Their situation seems idyllic, but Fromm has another story to tell: of resilience in the face of incomprehensible tragedy.

Marnie delivers Midge, clutches Taz's hand and in an instant, he is a widower with a newborn daughter. Ensuing chapters are titled "Day One" through "Day Five Fifteen" as Taz grapples with grief and fatherhood. While Taz forms an awkward bond with Marnie's mother--a tender storyline--it's their friend Rudy who becomes an unlikely uncle to Midge. His beer-drinking, irregular schedule and droll wit serve as comic relief to the novel's sorrow. (When Taz balks at taking days-old Midge to the club, Rudy says, "She doesn't have to order anything!") He's there, always, sometimes on the porch before Taz even realizes he needs him. He helps Taz resume his carpentry work, and arranges an introduction to Elmo--the bartender-turned-nanny who stabilizes their lives, becoming Midge's "Momo." Taz dotes on Midge, and when the ever-present voice of Marnie eventually says, "The future, it's where you're headed, you can't help that," Taz allows himself to once again feel joy. --Cheryl Krocker McKeon, manager, Book Passage, San Francisco

Discover: This bittersweet novel of young love turning tragic follows a widower and his newborn forging a life among friends and memories.

Counterpoint, $26, hardcover, 336p., 9781640091771

The Conviction of Cora Burns

by Carolyn Kirby

Are we born bad, or do our circumstances shape us?

That's the question burning at the heart of Carolyn Kirby's debut novel, The Conviction of Cora Burns. The eponymous protagonist was born in the Birmingham Gaol (jail) to a mother she never knew. Twenty years later--after a harsh childhood in a workhouse, and several years as a laundress at an asylum--she returns to the gaol as a prisoner, having committed a yet-to-be-revealed crime. On the day of her release, she's sent onto the streets with nothing but her wits, her temper and a tarnished, broken medal bearing a cryptic engraving. Cora is certain that the medal's missing half will lead her to her long-lost friend, Alice Salt--a girl with whom she shared a profound bond, a twin-like resemblance and an unspeakable childhood transgression. Instead, the medal leads her into the dark machinations at the home of Thomas Jerwood, a "gentleman scientist" who is determined to prove that criminality is hereditary.

Kirby seems to be challenging readers to understand the social and economic contexts that often determine people's fates, and to view what Jerwood cruelly calls "the lower orders" with empathy and nuance. With its complex anti-heroine and its dark, twisting plot, The Conviction of Cora Burns is haunted by transgenerational trauma, twins and doubles and the painful legacies of maternal sacrifice. All at once, it's a historical thriller, a ghost story and a sneakily political treatise on the need for a more equitable society. --Hannah Calkins, writer and editor in Washington, D.C.

Discover: This historical thriller stars a young woman in 1880s Birmingham, England, struggling to solve the painful mysteries of her past.

Dzanc Books, $16.95, paperback, 296p., 9781945814846

Mystery & Thriller

The Paris Diversion

by Chris Pavone

Paris, 9:17 a.m.: A Middle Eastern man walks into the Louvre courtyard, wearing a suicide vest and carrying a briefcase. Across the Seine, Kate Moore (expat housewife, frustrated American intelligence agent) hears the sirens and wonders what has happened, and whether it has anything to do with her. Meanwhile, Kate's husband, Dexter, is preparing for one of the biggest stock-trading days of his career, as his former colleague Hunter Forsyth, tech CEO, readies himself for a huge announcement. But none of these people, or their actions, are exactly what they seem. Chris Pavone returns to the setting and protagonist of his debut novel, The Expats, in his fourth propulsive thriller, The Paris Diversion.

Pavone (The Travelers, The Accident) plots his narrative as tightly as a labyrinth of Paris streets, its threads twisting, doubling back and occasionally intersecting in surprising ways. He combines international political posturing, round-the-clock television coverage of terrorist events (real or potential) and the machinations of global tech companies with the quieter domestic drama of two marriages long plagued by secrets and lies. Adding a compelling layer are the minor characters and settings: a Louvre sniper called Ibrahim, a quick trip to an unnamed but highly recognizable Left Bank bookstore, several women who are much more than their administrative job titles suggest. Readers may think they know how Pavone's smart, stylish story will turn out, but his gift for illusion (rendered in crystal-clear prose) means nothing is certain until the last page--if then. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

Discover: Chris Pavone's fourth Eurocentric thriller follows the interconnected actions of several people during a bomb threat at the Louvre.

Crown, $27, hardcover, 384p., 9781524761509

Biography & Memoir

No Walls and the Recurring Dream

by Ani DiFranco

Maybe it began the summer when young Ani DiFranco wanted to spend more time at a horse camp than her parents were willing to pay for. DiFranco raised the extra money herself through babysitting, selling her possessions and otherwise honoring the DIY creed with which her name is now synonymous. As the Grammy-winning singer-songwriter writes in her memoir, No Walls and the Recurring Dream, "My utter conviction that I don't need anyone or anything but myself to do what I need to do in life got me through childhood and... has also been the essence of my superpower."

DiFranco, who was born in 1970 and raised by bohemian parents in Buffalo, N.Y., began performing music with her guitar teacher when she was about 10. By high school, she knew her path: she created a three-year course plan and graduated at 16, becoming an emancipated minor. Her fame was gradual and hard-won, achieved through schlepping to every gig offered and creating Righteous Babe Records in 1990. "The point was not to conquer the world of business so much as to devise a way of having a career in music without having to associate with businesspeople at all."

Fans of DiFranco's music know that she can write lyrics, and No Walls and the Recurring Dream's prose employs a similar playful acuity (Pete Seeger would "reach around behind the heads of people he was talking to and turn off the spotlight they had trained on him"). The book tracks DiFranco's career only through 2001; let's hope for an encore. --Nell Beram, author and freelance writer

Discover: Grammy-winning folkie Ani DiFranco's memoir is as skillfully written as her lyrics.

Viking, $28, hardcover, 320p., 9780735225176


Ten Innings at Wrigley: The Wildest Ballgame Ever, with Baseball on the Brink

by Kevin Cook

When Kevin Cook launches into the sagas of the Chicago Cubs and Philadelphia Phillies, fan partisanship gives way to the lore of two of the league's oldest teams. In Ten Innings at Wrigley, Cook delves into the culture of baseball at a tipping point through a May 17, 1979, rubber match that turned into "the wildest ballgame ever."

Cook admirably winnows remarkable team histories to set the table. The Cubs, "born to lose" and cursed by a goat, were not a big market team in 1979, with Wrigley (a character in its own right) used for other events (e.g., ski-jumping contests) to make money. The Phillies were also "lovable losers," the last original franchise yet to win a World Series. But they were on the rise with something to prove, winning three straight division titles.

The game supports an inning-by-inning and pitch-by-pitch written recounting. With winds gusting to 30 mph, six runs in the first 10 minutes, 97 total bases and a run total of 45 that stands as the second highest of all time, the garbage truck fire beyond the bleachers is a mere afterthought. Many of the game's legendary and most colorful characters were playing (Rose, Bowa, Buckner, Kingman, Maddox) on the brink of epic cultural and league changes--cable television, the high-five, facial hair, computers, labor strikes and modern metrics, to name a few. Cook seamlessly blends these issues into this reconstruction of the game and its aftermath, a slice of history fans of any team will relish. --Lauren O'Brien of Malcolm Avenue Review

Discover: The histories (and futures) of some of Major League Baseball's greatest franchises and players are relayed through a record-setting, extra-inning 1979 game.

Holt, $28, hardcover, 272p., 9781250182036


Our Symphony with Animals: On Health, Empathy, and Our Shared Destinies

by Aysha Akhtar

"Animals provide steady comfort in the midst of chaos," writes Dr. Aysha Akhtar in her moving--if occasionally enraging--second book, Our Symphony with Animals: On Health, Empathy, and Our Shared Destinies. "As with human bonds," she continues, "our love for animals can foster in us a sense of security and well-being." Akhtar, a physician and deputy director of the army's Traumatic Brain Injury Program, explores just how deep that love goes by speaking with a range of pet owners, including victims of domestic violence and homeless people. She concludes from these firsthand interviews as well as from expert studies that human relationships with animals can sometimes truly mean the difference between life and death. In one especially poignant chapter, she interviews a woman who was beaten by her partner. The dog would repeatedly jump between the man and the woman to protect her, ultimately receiving those blows instead.

Akhtar, who also writes frankly in the book about her own childhood abuse and the dog who saved her, explains that society's most vulnerable people would fare far better, both physically and psychologically, if we could offer more care for their pets. Fewer than 200 women's shelters in the United States, she writes, allow pets in their facilities. As a result, many women stay with their abusive partners. The homeless are also healthier and happier with their pets, but often lack access to medical care when their animals fall ill. Our Symphony with Animals is a timely and necessary book that sheds light on how far animals will go to help us, and how much better we need to treat them in return. --Amy Brady, freelance writer and editor

Discover: This deeply affecting book reveals just how important animals are to human health and happiness.

Pegasus Books, $27.95, hardcover, 336p., 9781643130705

Performing Arts

On Streisand: An Opinionated Guide

by Ethan Mordden

Prolific novelist and American music theater expert Ethan Mordden (All That Jazz) offers a fascinating, perceptive and very concise overview of Barbra Streisand's six-decade career in the studio, on stage, TV and screen. On Streisand: An Opinionated Guide examines and evaluates her prodigious output (she's won 10 Grammys, two Oscars and five Emmy awards) with a keen and critical eye. He also looks at her motivation behind each project. "Streisand is not a creature of impulse," writes Mordden. "She makes considered--even excruciatingly interrogated--judgment calls, because her work is her identity."

While Mordden is a fan, he's not undiscerning. Discussing her most recent two CDs, he notes, "We can no longer avoid noticing that Streisand's instrument is truly in decline." And while her 1976 movie A Star Is Born was a massive hit, Mordden notes that with her re-editing, she created "a love story with only one person in it." But he champions her amazingly assured directorial debut, Yentl, as well as Hello, Dolly!, Funny Girl and the problematic The Way We Were. Mordden folds in Streisand's personal life, her difficult reputation (sometimes earned, sometimes not) and how her genuine distinctiveness worked for and against her. "She was an Original, and many people dislike Originals--at first," he writes. Her movie career slowed down when she became "a compulsive ditherer... endlessly changing her mind about everything."

On Streisand is a thoughtful, perceptive and at times analytical look at Streisand's creative output and working methods. Mordden's engaging examination celebrates and deepens an appreciation of Streisand and her body of work. --Kevin Howell, independent reviewer and marketing consultant

Discover: This concise and engaging review of Barbra Streisand's six decades of work on TV, movie screens and in recording studios will deepen your appreciation of Streisand and her output.

Oxford University Press, $21.95, hardcover, 176p., 9780190651763


Is, Is Not: Poems

by Tess Gallagher

Tess Gallagher (Dear Ghosts) elucidates liminal spaces in her fully realized poetry collection Is, Is Not.

The book is divided into eight sections, all bearing Gallagher's richly layered and evocative style. Her poems are wide-ranging in form and content, switching from long, complex, flowing meditations to terse, single-stanza observations. She considers the natural world as much as the human world, with a keen eye for where the two meet. Much of Is, Is Not straddles the boundaries between wilderness and civilization, between history and oblivion, life and death. In "Your Dog Playing with a Coyote," the poet writes of "Some ancient tincture of permission/ allows the edge of night/ to blend where wild and tame/ exchange fur in one naked, human/ mind."

Exploring these thresholds changes the poet's perception of the world and the nature of language itself. In "the night-nest of one mind" mingle impressions, memories and words, blending the objective world with the subjective self. Poetry, the poet maintains, springs from this melding of worlds.

Gallagher is as cerebral and intellectual as she is evocative and sensuous. These poems delight with their willingness to trespass into unknown realms of thought and being. The result is a heady reading experience. As she says in "Encounter," one of the collection's best, "A small entitlement of steps/ led me to mystery, seeking to be/ left out." She then asks: "How else let difference tell you/ what you are?" Is, Is Not will leave such questions spinning quietly in the mind. A bold new work from a poet of consequence. --Scott Neuffer, writer, poet, editor of trampset

Discover: Tess Gallagher is in top form with this collection of challenging but intellectually rewarding poems.

Graywolf Press, $16, paperback, 160p., 9781555978419

Children's & Young Adult

Our Castle by the Sea

by Lucy Strange

For 12-year-old Pet, normal is "living in a lighthouse" with her Pa, sister Mags and German-born mother, Mutti. But the start of World War II, with Hitler's army "surging up through France," is not an easy time to live in England and have a mother from Germany. Insults are hurled and Mutti is blamed for acts of sabotage in the nearby village. When "a package of information and drawings" is "intercepted... on its way to Germany," Mutti is taken away to live in an internment camp with other "enemy aliens." Mags convinces Pet they should "find out who the real spy is," and their first guess is the "nasty old" recluse living on the nearby south cliff, Spooky Joe. But before they can do much investigating, Mags's odd behavior--she's been getting into fistfights with Kipper Briggs and sneaking around with "handsome Michael Baron"--causes a rift between the sisters. Pet feels her entire family slipping away, and it falls to her to be brave enough to make sense of a very complicated world.

Lucy Strange's (The Secret of Nightingale Wood) second middle-grade work features elegant prose and an enchanting protagonist. Pet is earnest and unwavering, and the "small, mousy, and unimportant" girl at the beginning of the story is quite different from the strong young woman who emerges by the end. Her kinship with the Daughters of Stone--mythical girls who sacrificed themselves for the safe return of their fishermen fathers--lends a timeless, haunting quality to the story, and endows it with the weight of legend. The message that everyday friends, "people from church, the village shopkeepers and fishermen," can easily turn into an angry, frightened mob is especially timely. This haunting, historical novel is sure to touch young readers' hearts. --Lynn Becker, blogger and host of Book Talk, a monthly online discussion of children's books for SCBWI

Discover: In this middle-grade novel, "mousy" 12-year-old Pet's life is ripped apart by the start of World War II, but she becomes "someone extraordinary" to save her family.

Chicken House/Scholastic, $17.99, hardcover, 336p., ages 8-12, 9781338353853

Secret Soldiers: How the U.S. Twenty-Third Special Troops Fooled the Nazis

by Paul B. Janeczko

During World War II, U.S. military officers conceived of a "deception unit" that could assist in the war effort. The group used radio signals, recordings, inflatable prop military vehicles and other special effects to mimic the movements and actions of other groups. The men in the unit risked their lives to convince the Nazis of a larger presence, an alternate attack plan or simply to cover the retreat of a weary company while another was en route to take its place. Often staging their scenes near the front lines of the war, the men--actors, camouflage experts, sound engineers, painters and set designers among them--knew their missions were dangerous and that the cost of discovery would be devastating; they "were ordered to say nothing of their exploits and accomplishments for fifty years."

Secret Soldiers by Paul B. Janeczko (Double Cross: Deception Techniques in War) brings to light a little-known element of the Allied war effort: the U.S. Twenty-Third Special Troops and the unusual yet critical part it played in World War II. Whether attempting to trick the Nazis about the details of the impending D-Day invasion or masquerading as another troop to allow it to slip into an alternate position, the missions of the Twenty-Third were varied and high tension. Janeczko intersperses his narrative with photographs and mini biographies of the men in the unit. Secret Soldiers is enlightening and intriguing, a must-read for young military buffs. --Kyla Paterno, former children's and YA book buyer

Discover: The true story of how the U.S. Twenty-Third Special Troops used technological savvy, artistry and showmanship to deceive the Nazis during the critical last years of World War II.

Candlewick Press, $19.99, hardcover, 304p., ages 12-up, 9780763681531

Sparky & Spike: Charles Schulz and the Wildest, Smartest Dog Ever

by Barbara Lowell, illus. by Dan Andreasen

"Sparky's dog, Spike, is a white dog with black spots. He's the wildest and smartest dog ever." What makes Spike so smart? Well, he can ring a doorbell, fetch a potato and eat things like screws and handkerchiefs to no ill effect.

The other love of young Sparky's life is comics, and he dreams of becoming a cartoonist. Persevering through his insecurities, he develops a talent, and soon the kids at school are clustering around him and requesting illustrations.

One day, Sparky realizes that the newspaper comic strip Ripley's Believe It or Not! offers a way to merge his two loves: he draws a picture of Spike on a letter heralding the dog's sense of gastronomic adventure and submits it to the strip. Finally, the Sunday paper runs Sparky's illustration, supplemented with the caption "A hunting dog that eats pins, tacks, screws and razor blades is owned by C.F. Schulz, St. Paul, Minn.," and a storied career is unassumingly launched.

Sparky & Spike: Charles Schulz and the Wildest, Smartest Dog Ever features Barbara Lowell's borderline "See Spot run"-simple sentences and Dan Andreasen's Tintin-reminiscent illustrations, some in panel format, many on pixelated backgrounds, Sunday funnies-style. These beguiling nods to an earlier era may elude young readers, who needn't register these winks in order to be charmed by this double homage: to a boy's dog, and to a boy who grew up to become the beloved illustrator of the comic strip Peanuts, which starred a certain other white pooch with black spots. --Nell Beram, freelance writer and YA author

Discover: This winsome picture book pays tribute to both the creator of the comic strip Peanuts and the real-life canine inspiration for Snoopy.

Cameron Kids, $16.95, hardcover, 40p., ages 4-8, 9781944903589

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