Dog Park begins with two women originally from Ukraine sharing a bench at a park in Helsinki. As picturesque images go, it's just about the only one on offer in Finnish-Estonian novelist Sofi Oksanen's superb but pitiless thriller.

Narrator Olenka has recently begun working as a cleaning woman--part of a self-reinvention ("I had a Finnish passport and a new life in a city that smelled of the sea") that was undertaken for reasons initially unclear to readers. The shock of seeing Daria beside her on the bench prompts Olenka to recall her life in post-Soviet Ukraine, where, following the fizzling of the modeling career that was supposed to bring her financial security, she donated her eggs to an agency that paid young women for the opportunity to help infertile couples. Olenka became a coordinator for the agency, which found an eager recruit in Daria, a university student keen to make money to help her family.

Oksanen (Purge; When the Doves Disappeared; Norma) is an unflinching storyteller with a commitment to discouraging easy and obvious sympathies; as Olenka's narration jumps back and forth in time, readers' loyalty to some characters will be tested, as will an initial revulsion to others. Dog Park charts the particular degradations that women suffer due to war, poverty and imperialism, although one source of cruelty is purely psychological: as Daria says to Olenka of one of the couples who did business with the agency, "They don't remember you any more than me." --Nell Beram, author and freelance writer

Cassandra Peterson has been playing the spectacularly funny and statuesque vamp Elvira, Mistress of the Dark, for four decades, and now the comedic bombshell has written a real bombshell of a memoir. Although Peterson's sardonic sense of humor and love of punny wordplay shines through, Yours Cruelly is not fluff. This memoir is explosive, surprising and written with wrenching candor as Peterson explores the physical and emotional abuse in her childhood and her family's three generations of addiction.

At 14, she started working as a go-go dancer at a bar, doing her school work between dance sets. After high school, she became a Las Vegas showgirl. On her 18th birthday, she declined an offer from magician Siegfried (minus Roy) to be her first sexual partner. She also fended off Andy Williams and had a career-changing encounter with Elvis Presley. Her sexual encounter with Tom Jones landed her in an ER. At 29, her agent told her she was too old to make it in Hollywood but she found success when she created the character of sexy punk vampire Elvira and landed a job hosting horror movies at a local Los Angeles TV station.

Peterson's captivating tale is one of survival and perseverance. After six miscarriages, she finally gave birth to her daughter at age 43. When her abusive 20-year marriage ended, she found love with her female personal trainer, and the two have been together since 2002. (This book is her first public disclosure.) Peterson's inspiring life story is written with wit, empathy and verve. --Kevin Howell, independent reviewer and marketing consultant

A true but forgotten tale of archeological adventure and intrigue (and the hinted inspiration for the cinematic hit Raiders of the Lost Ark) is resurrected with novelistic flair in True Raiders: The Untold Story of the 1909 Expedition to Find the Legendary Ark of the Covenant by Edgar Award-nominated author Brad Ricca (Olive the Lionheart).

In 1909, British nobleman and adventurer Monty Parker assembled an eccentric group of adventurers to search for the coveted Ark of the Covenant in the caverns and tunnels outside the city walls of Jerusalem. Building upon the previous explorations of Captain Charles Warren in 1867, the group followed an assortment of clues, including the enigmatic Bible "secret code" that Finnish scholar Valter Juvelius claimed revealed the Ark's location. The expedition eventually ended after a controversial incident that outraged the Islamic population of Jerusalem and dogged Parker for years, the truth of which Ricca resolves thanks to recently uncovered records and newly translated sources.

Due to the fragmentary nature of the expedition's historical record, Ricca makes the bold choice to structure the book as a characterization of the events. Where history leaves a gap, Ricca admits adding dialogue and scenes "as adhesive to help convey the facts," and includes a healthy set of endnotes with supporting sources. Dyed-in-the-wool historians may feel uncomfortable reading True Raiders as true history, but general readers will find the scenes of dark, claustrophobic underground passages and mysterious stone inscriptions deliciously fun. --Peggy Kurkowski, book reviewer and copywriter in Denver, Colo.

For long-time David Sedaris fans, The Best of Me, a collection of the humorist's 46 favorite pieces, will feel like coming home. Drawn from his 10 books and nearly 30 years of contributions to magazines, including the New Yorker, Sedaris's writing inspires a "Have you read the one about...?" loyalty; anyone new to his satiric humor can anticipate hours of laughter (and some tears) in one volume.

David's five siblings accepted his ever-present notebook, knowing "their personal lives are the so-called pieces of scrap I so casually pick up." And while they might say, "You have to swear you will never repeat this," he writes, "I always promise, but they know my word means nothing." From the mundane to the tragic, Sedaris family members whip from poignant to hilarious, as when brother Paul launches a surprise shower with dripping parsley in the grocery store, the week the family has gathered to mourn their sister Tiffany's suicide. While family stories are at the heart of Sedaris's work, another favorite theme is his frequent travel, from flight attendants' secrets to the loud passenger who compares a broken overhead bin with Obamacare. While most of the 46 pieces are essays, short stories also reveal the humorist's quirky wit, several narrated by animals.

Introducing The Best of Me--a New York Times Book Review Editors' Choice--Sedaris asks, "If I wasn't myself, and someone sent me one of my essay collections, would I recommend it to friends?" His fans know that they will, without hesitation. --Cheryl McKeon, bookseller, Book House of Stuyvesant Plaza, Albany, N.Y.

In his debut collection, Inter State: Essays from California, poet and playwright José Vadi delves into the metaphysical terrain of his home state, "a place many fantasize about but few experience." Vadi is a third-generation Mexican and Puerto RicanCalifornian who grew up in Pomona and graduated from UC Berkeley, the son of a college professor and grandson of a migrant farmworker. His rambling, frenetic odysseys along California's byways reveal the scope of his profound connection to a state he feels sure he will never leave, despite the many unsettling paradoxes that define it.

Lingering in the remote enclaves of California's Central Valley, Vadi teases out the vestiges of a buried cultural history that nonetheless remains achingly visible. "I find a brand-new city park across the street from a large field with laborers actively and steadily picking up and down the rows." In Oakland and San Francisco, Vadi is unsparing, describing a sea of insular tech industry transplants "in a force field of privilege, keeping their noses and chins afloat, their devices instructing them where to drink... and how to algorithmically get there."

The mournfulness of these passages is offset by rhapsodic memories of skateboarding hangouts in downtown Los Angeles and fruit trees in family backyards. The ever-presence of history is both a blessing and a curse for Vadi--a reminder of everything that has been lost to California's endless cycle of gentrification and racial displacement, as well as an affirmation of fundamental realities no colonizing force could ever hope to erase. --Devon Ashby, sales & marketing assistant, Shelf Awareness

Harrow the Ninth has a tough act to follow in the deranged, electrifyingly fun Gideon the Ninth--a Shelf Awareness Best Book of 2020--but the middle chapter in Tamsyn Muir's Locked Tomb Trilogy is every bit as wild and weird as its delightful predecessor. Following the events of the first book, Muir shifts focus to the necromancer Harrowhark as she joins a cohort dedicated to assisting the godlike Emperor in fighting strange cosmic entities.

Muir has not lost her penchant for throwing readers in the deep end, and some incomprehension is to be expected on their part. In fact, Harrow the Ninth seems purposefully disorienting for fans of the first book: the novel bounces back and forth in time, retelling events from the first book with noticeable differences that grow more glaring over time. Whereas Gideon the Ninth welded the structure of a locked-room mystery to its saga of necromancers and their sword-wielding escorts in an ancient, crumbling space-tomb, Harrow the Ninth plunges confidently into a mind-bending puzzle box structure. There is plenty of satisfaction in piecing things together, but it's not just an exercise in cleverness: Muir has much to say about denial and the dangers of suppressing grief, building to an emotional conclusion that will melt the hardest of hearts.

Harrow the Ninth carries over all the strengths of its predecessor, including the verbal sparring and ever-entertaining insults: "you bursting organ, you wretched, self-regarding hypochondriac and half-fermented corpse with the nails still on." And it delves even deeper into the vulnerabilities of Muir's damaged characters. Few books can be this funny, sad and romantic all at the same time. --Hank Stephenson, manuscript reader, the Sun magazine

In What Isabella Wanted, Sibert Medalist Candace Fleming (Honeybee: The Busy Life of Apis Mellifera) boldly succeeds in creating another winning nonfiction picture book, and Caldecott Medalist Matthew Cordell (Wolf in the Snow) handsomely illustrates this paean to one woman's idiosyncratic passions.

"Brash, extravagant Isabella" was an affront to staid Bostonians. She "strolled zoo lions up Beacon Street, and outraged all society." This was "exactly as Isabella wanted." Fleming's lively text portrays a person who did as she pleased, bought the art she wanted and built a magnificent home for her collections. In 1903, she opened her home museum to the public 20 days a year; after her death, she gave the house to Boston. Then, in 1990, there was a robbery of 13 pieces of art that have never been recovered. Two of Isabella's favorites, Vermeer's The Concert and Rembrandt's Christ in the Storm on the Sea of Galilee, were among the paintings stolen. Their empty frames still sit on the walls, as shown at the beginning and end of the book, providing a strong dramatic arc to this picture of a singular woman.

This stellar team presents a woman who collects art, first in person, and then through agents she sometimes instructed to use nefarious means. (The excellent backmatter candidly states, "We would call Isabella a thief.") Cordell's broken black ink line and watercolor illustrations are energetic as they offer impressions of Isabella's collected works and the woman herself in many different poses: dramatic in the black dress in which she was painted by John Singer Sargent; humorous as she climbs the walls of her Italian palazzo. Perfect as a group read-aloud or for individual children to enjoy. --Melinda Greenblatt, freelance book reviewer

A "former pastor's kid who knew too much" and a "youth group girl who knew nothing at all" explore faith and first love in Never Saw You Coming, a bold and compassionate contemporary YA novel.

At the age of 18, Meg Hennessey's mother reveals to her a shocking truth that causes Meg to question her conservative Christian upbringing. Meg abandons her original plans for a gap year and travels instead to northern Michigan to meet the extended family she never knew she had. Nineteen-year-old Micah Allen has his own messy family history: his ex-pastor father is in jail and his mother is pressuring Micah to publicly forgive his dad at an upcoming probation hearing. After a chance encounter, blue-eyed Meg and "darkly handsome" Micah bond over their complicated relationships with faith and the church. Friendship blossoms into romance and the two teenagers help each other "become who [they] are meant to be."

Erin Hahn (More Than Maybe; You'd Be Mine) conveys the heady excitement of first love as Meg and Micah experience "electrically charged glances and earth-quaking butterflies in the region of your heart," while tackling serious themes such as prejudice and intergenerational trauma. Meg and Micah both have been harmed by their parent's choices and a stifling conservative Christian culture, but together, they are able to heal. Their hopeful story perfectly communicates Hahn's message to "all the church kids": "You. Are. Loved. Just as you are." --Alanna Felton, freelance reviewer