Lady Virginia Holt washes up after disposing of a body. "Get out," she tells her seven-year-old daughter, Jocelyn, who tries to see what her mother is doing. The next morning Virginia tells Jocelyn that her nanny and only friend, Hannah, left in the middle of the night because "you're a bad girl, a very bad girl."

Thirty years later, Jocelyn's husband has died and left her penniless. She and her daughter, Ruby, must return to the Holt family estate in England to live with the now widowed Lady Holt because they have nowhere else to go. It's an awkward homecoming. Ruby has known life only in California and has trouble fitting in. Jocelyn pointedly missed her father's funeral so she wouldn't have to face her mother, whom she blames for Hannah's leaving. Civility is strained. Then a skeleton with a cracked skull is found on the grounds. The victim was murdered around the time Hannah disappeared, and it's assumed the bones are hers. Then a woman appears claiming she's Hannah--but Lady Holt knows she can't be.

Gilly MacMillan skillfully creates four strong female characters and stirs them into a dangerous murder mystery narrated from each woman's point of view. Although the novel's particularly British sensibilities may draw comparisons to the upstairs vs. downstairs pride and prejudices that made Downton Abbey so popular, The Nanny serves up enough intrigue to warrant its own wing of the mansion. --Paul Dinh-McCrillis, freelance reviewer

If each sentence in Eyes to the Wind feels like it carries a relentless urgency, there's a good reason. A passionate social justice activist, Ady Barkan has been at the forefront of national movements and campaigns that have defined the economic and racial equality issues of this divisive, unprecedented moment in American politics.

In September 2016, Barkan's fight became personal when he was diagnosed with amyotrophic lateral sclerosis (ALS, also known as Lou Gehrig's disease). A progressive, terminal disease without a cure or effective treatment, ALS results in muscle weakness, total paralysis and death within an average of three to five years. At the time of his diagnosis, Barkan was 32, happily married and the father of a four-month-old son. After the bewildering aftermath of the U.S. presidential election that year, Barkan's resolve against a political administration threatening American democracy grew stronger. Undeterred as his body continues to weaken, Barkan travels across the country to lead advocacy efforts, fight for healthcare and to mobilize coalitions and everyday people to rise up against injustice.

"ALS was giving me newfound power at the very moment that it was depriving me of so much strength," he writes. "My voice was growing softer, but I was being heard by more people than ever before. My legs were disintegrating, but more and more people were following in my footsteps. Precisely because my days were numbered, people drew inspiration from my decision to spend them in resistance."

An emotional and heartbreaking chronicle of his life before and after ALS, Eyes to the Wind captures Barkan's dedication to advocacy and fighting against injustice. --Melissa Firman, writer at melissafirman.com

Following her 2017 book on the romantic comedies of Nora Ephron (I'll Have What She's Having), Erin Carlson moves on to another female film icon with this breezy, fun and informative look at the amazing career of Meryl Streep. While most actresses get downgraded to supporting roles when they hit their 40s and 50s, Streep earned seven of her 21 Oscar nominations after she turned 60--and won her third Academy Award at 63.

Her first theatrical film was 1977's Julia, opposite Jane Fonda, who became her mentor and, according to Streep, "opened more doors than I probably even know about today." Two years later, she won a Best Supporting Actress Oscar for Kramer vs. Kramer and three years after that win, she graduated to a Best Actress Oscar for Sophie's Choice. When Streep turned 40, she turned down three separate offers to play witch roles. That year, she said, "In a season where most female leads are prostitutes, there's not going to be a lot of work for women over 40. Like hookers, actresses seem to lose their market appeal around that age." Instead, she did three back-to-back comedies (Postcards from the Edge, Defending Your Life and Death Becomes Her) that broadened her audience appeal.

Periodically, the book ventures into Streep's private life (she's been married since 1978 and has four children), but mostly Streep is viewed through her role choices and from the viewpoints of her co-stars, directors and crews. Queen Meryl is an enjoyable, enlightening and spirited biography of the outspoken feminist and immensely talented actress. --Kevin Howell, independent reviewer and marketing consultant

With the essay collection Make It Scream, Make It Burn, Leslie Jamison confirms the praise heaped on 2014's The Empathy Exams for her uncanny ability to blend perceptive reportage with intensely personal essays in consistently fresh, dynamic prose.

Jamison, who directs the graduate nonfiction program at Columbia University, embarks on reporting trips that take her from Sri Lanka to Croatia, and span the United States, from Whidbey Island, Wash., to Charlottesville, Va. The book's subjects are similarly varied, among them a mysterious whale nicknamed "52 Blue" that's somehow become the source of comfort to scores of lonely people; a psychiatrist who studies children who claim to have lived past lives; and the surprisingly enduring computer simulation Second Life, which recognizes that "the impulse to escape our lives is universal."

Though pieces of Jamison's personal life are threaded throughout her reporting, the collection concludes with some of the confessional writing that made her memoir The Recovering so revealing. In "Museum of Broken Hearts," she introduces an eccentric institution in Croatia devoted to objects that bring to mind their donors' former loves. Jamison uses the opportunity to explore her perception that "our relationship to the past--even its ruptures and betrayals--is often more vexed, that it holds gravity and repulsion at once" through the prism of her own fraught romantic life. In this book, Jamison consistently demonstrates her "willingness to look at other lives with grace, even when your own feels like shit." All of her readers are the beneficiaries of that rare gift. --Harvey Freedenberg, freelance reviewer

Mike Pearl, Vice magazine columnist and author of The Day It Finally Happens: Alien Contact, Dinosaur Parks, Immortal Humans--and Other Possible Phenomena, is nervous. In fact, he suffers from "a paralyzing fear of things that are going to happen." The result is this carefully researched catalogue of hypothetical events ranging from the mildly disconcerting to downright terrifying. In chapters such as "The Day Humans Become Immortal" and "The Day the Entire Internet Goes Down," Pearl offers a compelling look at what may be in store for humanity.

Each chapter opens with a fictional narrative that imagines the "day it finally happens." In "The Day the UK Finally Abolishes Its Monarchy," readers learn how such a change could occur and what lasting impact it would have on Great Britain and Europe. According to the four-part metric that Pearl creates (Likely in this century? Plausibility Rating? Scary? Worth Changing Habits?), this one barely moves the needle. On the other hand, "The Day Nuclear Bombs Kill Us All," not surprisingly, ranks highest. He recalls the 2018 false ballistic missile threat in Hawaii, which leads to an explanation of what a real nuclear warhead would do. Readers may find their own anxiety increasing just reading about it.

"It's probably good that thinking about all this... makes us vow to never let it happen if we possibly can," Pearl says. Fascinating, disturbing and provocative, there's something here for everyone, since "if you're not both excited by and terrified of the future, you don't have a pulse." --Cindy Pauldine, bookseller, the river's end bookstore, Oswego, N.Y.

Raina Telgemeier is known for turning the unpleasant, awkward and uncomfortable experiences of her own childhood into candid, accessible graphic novels for middle-grade readers (Smile; Sisters). She once again accomplishes this in Guts, focusing on a rarely (if ever) touched-upon topic for children's literature: the body's physical response to stress and anxiety.

When a stomach flu passes through Raina's family, she and her mother get the worst of it on the same night in a house with only one bathroom. "...And then my mom and I spent the rest of the night puking!!" she animatedly tells her friends. Since "fourth grade was pretty much one long gross-out contest," this wasn't an unusual topic of discussion. It was, however, the beginning of Raina's struggle with "digestion issues" and emetophobia--a "nervous kid," Raina's anxiety began manifesting as stomach aches and diarrhea.

Telgemeier exploits the graphic novel format excellently, using art to express emotions and situations difficult to describe. One example is Raina's first experience with emetephobia: the panels are suffocating as anxiety begins to build; as the panic attack takes full effect, the panels disappear, her fear and stress a full-page bleed spreading across the page. "I didn't puke. But the thought that I might... was worse than if I actually had." Colorist Braden Lamb enhances these illustrations with sickly greens, yellows and blues, a cloud of noxious distress surrounding Raina's prone body. Uncomfortable--and sometimes humorously gross--"digestion issues" aren't a standard subject for kids' books. This is what makes Guts stand out: an enjoyable, enlightening read for any child, Guts could be life-changing for those who experience stress as Raina does. --Siân Gaetano, children's and YA editor, Shelf Awareness

It's 1984, and 15-year-old Beatriz Mendez knows there is a rule she cannot break: "blood in, blood out." Members of the Diablos, a Puerto Rican gang in her neighborhood of Newark, N.J., get jumped as initiation--and leaving the gang usually means being killed in the streets. Beatriz's older brother, Juan "Junito," is the leader of the Diablos; when he and Beatriz are attacked by the Haitian Macoutes, a rival gang, Junito is gunned down and Beatriz is beaten. Having watched her brother die, Beatriz's priorities shift drastically. Her dream of becoming a dancer like Debbie Allen is put on hold as the pressure to return to the gang builds--"time to start thinking 'bout getting back in the game, princesa"--forcing her to think about the street violence in which she has taken part.

With Junito gone, the Diablos' new leader, DQ, has big plans to up the ante in the fight against the Macoutes. As Beatriz tries to break ties with the Diablos, and begins a friendship with a new boy at school named Nasser, someone starts leaving her photographs with mysterious messages written in Creole. Slowly losing the trust of the Diablos, with the danger of being jumped by the Macoutes at every turn, Beatriz is torn between finding a form of safety in her old life and escaping violence by embracing her love of dance.

Tami Charles's beautifully written follow-up to Like Vanessa creates a believable character in Beatriz, one with an intensity of spirit likely to draw in fans of Elizabeth Acevedo and Tiffany D. Jackson. With its realistic portrayal of life in Newark in the 1980s, Charles's author's note reveals the parts of her own life that inspired Beatriz's story. --Clarissa Hadge, bookstore manager, Trident Booksellers & Cafe, Boston, Mass.

As part of Queer Eye's Fab Five, Antoni Porowski's contributions to each person's life as profiled on the show are full of feeling and cooking tips. His personal philosophy is that food should tell a story, and that the heart and the stomach are interconnected. Demonstrated thoroughly in his candidness and vulnerability onscreen, this viewpoint is also reflected in his first cookbook, Antoni in the Kitchen, as he shares how his friends and family have influenced his cooking.

Growing up in Montreal, his evenings and weekends were filled with his family's Polish dishes, while his days at a French school introduced him to the multiethnic lunches brought by his multicultural friends. Whether it's his friend Reema's snack suggestion of Masala Nuts, or Polish Caramel Easter Squares decorated the traditional way with hazelnuts, dried apricots and sliced almonds, Antoni's cookbook explores the world and combines his love of food with his respect for the cultural influences of his family and friends.

More than 100 recipes brim with colors and flavors, providing a mostly healthy selection of dishes for date nights, dinner parties and weeknight suppers. This world café cookbook for the CSA box offers a quick description of the recipes to choose from: radishes in pink-peppercorn-and-chive butter; farrow bowl with sweet potatoes, arugula and chicken; chilled beet soup with pickles and dill; and salty lemon squares. Beautifully arranged, full-color photographs of food, candid and posed photographs and his own personal cooking tips, tricks and influences make this cookbook truly Antoni. -- BrocheAroe Fabian, owner, River Dog Book Co., Beaver Dam, Wis.