Shelf Awareness for Readers for Friday, January 28, 2022


Tor Teen: The Luminaries by Susan Dennard

From My Shelf

Award-winning Children's & YA Books

Earlier this week, the American Library Association announced the 2022 Youth Media Awards, honoring the best books for children and young adults published in 2021.

 

This year marks the celebration of the 100th anniversary of the John Newbery Medal, awarded to "the author of the most distinguished contribution to American literature for children." Donna Barba Higuera won for her novel The Last Cuentista (Levine Querido, $17.99), which also garnered the 2022 Pura Belpré Award, "presented annually to a Latino/Latina writer and illustrator whose work best portrays, affirms, and celebrates the Latino cultural experience in an outstanding work of literature for children and youth." The Randolph Caldecott Medal, awarded "to the artist of the most distinguished American picture book for children," went to Jason Chin for his illustrations in Watercress (Neal Porter Books/Holiday House, $18.99), with text by Andrea Wang. Firekeeper's Daughter by Angeline Boulley (Holt, $18.99) won the Michael L. Printz Award for Excellence in Young Adult Literature; the novel also won the 2022 William C. Morris Award for a debut and was named a 2022 American Indian Youth Literature Award Honor Book.

And for more wonderful children's/YA books, check out the Coretta Scott King Book Award winners, also presented on Monday. Nikki Grimes received the Virginia Hamilton Lifetime Achievement Award; the committee noted, "After more than 77 books, she has sealed her legacy by weaving poetry and novels in verse into an impressive body of work." Unspeakable: The Tulsa Race Massacre by Carole Boston Weatherford, illustrated by Floyd Cooper (Carolrhoda Books, $17.99) won both the CSK Author Award and CSK Illustrator Award; the Coretta Scott King/John Steptoe Award for New Talent went to Amber McBride for Me (Moth) (Feiwel and Friends, $18.99) and to Regis and Kahran Bethencourt for their photography in The Me I Choose to Be (Little, Brown, $17.99). --Siân Gaetano, children's/YA editor, Shelf Awareness


Bethany House Publishers: Love and the Dream Come True (State of Grace) by Tammy L. Gray


The Writer's Life

Juneau Black: 'It'll Be Handled.'

Juneau Black, aka Jocelyn Cole (l.) and Sharon Nagel

Juneau Black is the pen name of authors Jocelyn Cole and Sharon Nagel. They share a love of excellent bookshops, fine cheeses and good murders (in fictional form only). Though they grew up separately, if you ask either of them a question about their childhood, you are likely to get the same answer. Shady Hollow (out now from Vintage Crime/Black Lizard, originally published in 2015 by Hammer & Birch), is the first in their series by the same name; the next two installments will follow close on its heels: Cold Clay (March 2022) and Mirror Lake (April 2022).

Why the pen name?

Sharon Nagel: We were both booksellers for a long time, and the problem with two-author books is that they inevitably get shelved in the wrong place.

Jocelyn Cole: The pseudonym Juneau Black is a nod to Milwaukee and the bookstore where we both spent so much time. Juneau is Solomon Juneau, who is one of the founders of the city, and Black is Schwartz [in German, schwarz means black]--we both worked at Harry W. Schwartz Bookshops for years.

What's the origin story?

SN: After Schwartz Bookshops closed and [its flagship store] became Boswell Books, on a slow night, we were pricing finger puppets. They were all these adorable little woodland creatures, and so we decided to give them names and occupations, and we said what if they lived here and did this, and so we wrote a story about them.

JC: And because NaNoWriMo was coming up, we had this idea: What if we just trade off days and see if we could get a novel out of it?

How do two people together write a novel?

JC: I imagine it's different for every team. We were physically at the same bookshop and talking together every day for the first book, so we just sent a Word file back and forth. I would write 1,667 words, because that's what NaNoWriMo suggests you do, send the file to Sharon, and then she'd write the next day and e-mail it back, until we had what very roughly approximated a draft of a novel.

SN: We seem to have the same snarky sense of humor, so it didn't seem like two separate people. It melded pretty well.

JC: There was definitely an editing process after, to glue things together. But I think it speaks to the fact that we are on the same wavelength that when I go back now and read passages from Shady Hollow, I have no idea who wrote what.

SN: No idea.

JC: I do freelance editing, so that was already a little bit in my wheelhouse. I edited the first pass, but we did then hire an editor, to be an objective voice and be sure it was really clean.

And now you're moving from an independent publisher [Hammer & Birch] to a traditional one.

SN: It's a simple thing. All you have to do is work in bookstores for 10 years and meet people. No, actually we were very fortunate to have a wonderful publishing rep for Penguin Random House who I've known for many years, and one day he said, "Hey, I'd like to show your work to my bosses," and we were like, "Ha, go ahead!" And fortunately for us they were interested.

JC: It's been a pretty smooth process, because the books were already written and published. We weren't on the hook to complete a novel after making a deal. It was just getting more polished, copyediting again for house style and cleaning up any last remaining edits. And beautiful new covers! It's been really nice to see the difference between doing everything ourselves and having a team, which is just amazing.

And they're publishing all three books!

JC: I think they were excited that they could see what was there already. They weren't just buying an idea; they had read all three books and liked them.

What are the challenges of animal characters versus human ones?

SN: Not so much in the writing, because we're fully invested in the idea of our animals. But when you handsell it to a person and try to explain what it is, you either get immediate enchantment or you get the look that says... I don't want any part of this. Not everybody is really into it, but those that are, are heavily into it.

JC: A lot of people do assume it's for kids, because it's animals, which I understand, but on the other hand it's also murder. They're very anthropomorphic animals, so we're writing them just as we would any character. You occasionally stumble over a word like handkerchief in draft--oh, they don't have hands, they wouldn't have that word. You realize certain terms are so human-centric; you have to work around that.

How did your bookseller careers help you write a successful novel?

SN: I think we can appreciate how important indie bookstores are to a writer's journey. When booksellers love a book, they will sell it to anyone who will stand still long enough. Our biggest cheerleader is Daniel Goldin, the owner of Boswell Books, and we always said, if we just had Daniels all over the country... and now we sort of do. Daniel tirelessly promotes us and other writers--it's what he does all the time, and he does it so well.

JC: It comes from our history of being booksellers and loving books. We've both been through library school. When you're among books for so long, you can see what appeals to people, what takes off, what resonates. When I talk about the books, I often use the high-concept explanations: it's like Knives Out meets Animal Crossing. It's like Redwall meets Agatha Christie. We have all these references that people understand because they're all book people.

What do you love about the world of Shady Hollow?

SN: I like the level of comfort in the surroundings. You feel at home; you know you can go down to Joe's Mug and have a cup of coffee. The murders are there, and they matter, but they're secondary to the characters and the atmosphere.

JC: The fact that it is animals kind of allows people to let go and just relax and enjoy it. You're already accepting this level of fantasy and you can just roll with it. That's very appealing to people, particularly in pandemic times, that there is this little world where the weather is usually beautiful; there's always coffee. There's an occasional murder, but it's fine.

SN: It'll be handled. --Julia Kastner, librarian and blogger at pagesofjulia


I Am Golden

by Eva Chen, illus. by Sophie Diao

An Instagram executive and Google Doodler might not seem to be a literary match, but author Eva Chen (Juno Valentine series) and illustrator Sophie Diao (I Am the Wind) prove to be an ideal pairing in their fabulous first picture book collaboration, I Am Golden. "We named you Mei," adoring parents explain to the infant in their arms, "Not May like the month. Měi, which means beautiful. Like the country we live in now--Měi Guó, America." A narrative immediately emerges through perfectly matched text and illustration: immigrant parents whose native language is not English but Chinese, whose hopes for a new life in a new country are embodied in the very name of their U.S.-born child. Every gorgeous spread in Chen and Diao's co-creation maintains this exceptional and precise text and art symbiosis.

To her parents, growing Mei is wondrous, with "eyes that point toward the sun... hair as inky black and smooth as a peaceful night sky... skin brushed with gold." While she might sound almost like a fairy-tale apparition, Diao's illustrations make sure the youngest readers immediately recognize Mei as simply another little girl in her blue bib overalls, sitting patiently (enough) while her floral-aproned mother prepares to cut her hair. To showcase "the hopes and dreams of [her] ancestors" that Mei's parents imbue in their maturing child, Diao presents a tabletop of family photographs. The pictures feature multiple generations and time periods, some are black and white, some have faded with age, some suggest new beginnings. The brightest photo is a visit to the iconic White House during summer vacation, the corner digitally stamped "08 21." (Diao nimbly reveals most of the actual sourced photos in the backmatter.)

Mei becomes "teacher and translator" for her parents, as an English-speaking, culturally adapted conduit who can bridge the daunting "unknown." Diao places the family in the middle of an explosive city scene, not unlike Manhattan's Times Square. Mei buzzes with energy, an arm raised, a foot about to launch her upward, but she's a sharp contrast to her parents who appear worried. Diao cleverly turns the family tableau upside down--literally--by adding a reflective scene that at first glance might seem like a mirror image caught in a puddle. Look closer, though, because Diao shows that beneath the appearance of troubled concern are two parents proud of their daughter's ease and confidence. Outside of the protection of family looms loneliness, ostracism and racism. But "there is power in being different," Mei's parents remind her, "You are made of dragons, of phoenixes, of jade rabbits, and of monkey kings," the many symbols of her ancestral heritage. In Diao's interpretation, a delighted Mei flies through a golden sky on the back of a dragon, a phoenix soaring alongside.

Chen astutely points out the ironic perils of being othered: "It's a strange world we live in--people will call you different with one breath and then say that we all look the same with the next angry breath." And yet, Mei lays claim to a collective Asian American history filled with Chinese American pioneers who have paved their own golden paths. Diao illustrates images of Michelle Kwan, Maya Lin, Jeremy Lin, David Henry Hwang (as a nod to his subversive play, M. Butterfly) across a double-page spread, even including a meta-wink adaptation of her own Google Doodle (January 22, 2020) honoring the 97th anniversary of Anna May Wong's first leading role.

Of course, no celebration would be complete without food, as family near and far "gather to hope, to dream, and to sing your praises, Mei." Eager hands reach for "plate upon plate of delectable deliciousness" to nourish their bellies as "all our stories" nourish their hearts. Amid Mei's memorable milestones, Chen gently reminds readers of the necessity "to pay tribute to those we've loved and lost along the way as oceans and worlds and cultures separated us."

In her author's note, Chen describes how I Am Golden came from a declaration of joyful empowerment: "as a love letter to my parents, to their dedication, strength, and commitment to their family." Yet the initial impetus began in frustration and fear, during the Covid-19 pandemic and a "meteoric rise in anti-Asian sentiment." Chen actively, anxiously warned her own parents, "telling them to wear sunglasses (and hats... and scarves) so that people wouldn't see that they were Asian." But even in her alarmed caution, what Chen recognized was her parents' courage, their sacrifice. "Countless other immigrants" have made the same sacrifice for their children, which is "the seed" of the idea for this book. Her text is both homage and celebration, her sentences crisp and accessible, populated with validating verbs--"we see," "we know," "you are"--and affirming actions--"unfurling," "unapologetic."

Author and artist fervently hope their readers will take to heart the titular affirmation. In cultures around the world, gold is the ultimate standard--valuable jewelry, winning medals. But for immigrants specifically, the United States was where the streets were paved with gold, where opportunities waited on Gold Mountain, a sobriquet especially used by peripatetic Asian Americans. Chen and Diao weave the inherent value of the child throughout, aiming to encourage Asian American children to claim, "I am golden." --Terry Hong

Feiwel & Friends, $18.99, hardcover, 40p., 9781250842053

Sourcebooks Landmark: Widowland by C.J. Carey


Eva Chen and Sophie Diao: A Collaboration of Joy and Empowerment

Eva Chen
(photo: Leo Faria)
Sophie Diao
(photo: Jake Hubert)

Eva Chen and Sophie Diao have yet to meet in real life, but they already share important commonalities: both are American daughters of Chinese immigrants, both have multiple book credits, and both are multi-tasking multi-talents. Chen is a children's author (Juno Valentine and the Magical Shoes) and is head of fashion partnerships at Instagram, and Diao (I Am the Wind) is an illustrator and creator of Google Doodles. Their picture book I Am Golden was just published by Feiwel & Friends. Here they get together virtually to talk about parallels in their lives and in their art.

I Am Golden is your first collaboration--how did that come about? You've both published picture books with other creators; what was this working process like?

Eva Chen: This book came together super quickly from a tiny seed of an idea. It came about during a time of incredible conflict for the AAPI community--Covid, the Atlanta shootings--and I wanted to write a book to celebrate the experience of being Chinese American, the strength of the immigrant story and the joy to be found in being yourself.

I wanted a more poetic style and, as usual, I turned to Instagram to be inspired. I had stumbled upon Sophie's Instagram, and I sent her page to my team at Macmillan and said, "she [is] the one!" We collaborated using Instagram, Zoom and text, and it felt really effortless. 

Sophie Diao: This was my third picture book, and the first time I worked with the author directly from the beginning! Right after I got the manuscript, Eva and I hopped on a video call. I learned about her inspiration for writing the book and her experience growing up as a daughter of Chinese immigrants in America, which was very similar to my own experience. I saw a lot of myself in Mei. Right after our call, I got to work sketching character designs for Mei, including options for her haircut (styled and sheared by her mom at home, of course) and her outfit (based on the denim overalls that were a standard in my, and I think also Eva's, elementary school wardrobe). The book came together very swiftly, so being able to communicate quickly with Eva and the team was crucial. In the end, I'm super happy with how our collaboration turned out!

You have such interesting day jobs: Eva, you're director of fashion partnerships at Instagram (and creator of the "Baby Giraffe" pose!); Sophie, you're an illustrator and create Google Doodles. What inspired you to add bookmaking to your many accomplishments?

Chen: I grew up experiencing the world through books. If you asked me when I was seven what I wanted to be when I grew up, I would've said an author and illustrator. The latter, for sure, will not happen. When I had my daughter, I spent a LOT of time reading children's books. There were several wonderful books focused on empowerment and feminism, but I thought there was a way to marry fashion into it as well--and Juno Valentine was born. Since Juno, I've written eight books total. Writing children's books sparks so much joy for me.

Diao: I was a very shy, introverted kid who moved around a LOT--I went to six different elementary schools. I didn't have the same friends or environment to ground me in my childhood, so I turned to books and drawing, which I could bring with me no matter where I went. I think this is why I've always been so fascinated with picture books and why I was so keen to illustrate and maybe even write my own. Another great thing about picture books is how tactile they are--the feel and smell of the pages, the excitement of cracking open the cover and seeing what's inside. Each page turn is a moment of suspense, and it's something you don't always get anymore in a world where everything (including Google Doodles) is digital!

You've both talked about the power of books growing up. What do you hope your young audiences will take away from reading this book?

Chen: Like Sophie, I found comfort in books as a young child because I felt like a stranger who lived in between worlds. My parents are immigrants and we spoke only Chinese at home, I spent my weekends in Flushing, Queens, and spent time with cousins and family instead of on playdates with friends. And like many kids in the '80s and '90s, when there was less awareness, less diversity, fewer hard conversations... ignorant kids bullied me. That stuck with me all the way until now! In writing this book, I wanted to create something that will celebrate children, help them feel the joy of being uniquely themselves as well as make them beautiful and strong.

Diao: Something I really love about the book is the voice in which it's narrated: from a proud, hopeful parent to their beloved child. My parents learned English when they arrived in America, and my Chinese is not amazing (despite my parents' best efforts), so the language barrier was always a big obstacle when I was growing up. I would watch American TV shows and see these beautiful, tight-knit families where Mom and Dad would sit down with their kids and say, "I love you," and everyone would talk deeply about their feelings. As a result, I felt like that was something I was missing--but I think for many parent/child relationships with a language barrier, the way in which love is shown is much more action and service-oriented. Reading this book and hearing the strong and clear hopes the parents have for their child, I can really put myself in my parents' shoes and start to understand what they might have been thinking and feeling when they were raising me and my brother. I hope that this book provides that same moment of clarity and understanding for other kids--maybe there's a language barrier at home, or maybe it's just hard to talk about feelings--and helps them to really know that they are special and loved.

Eva writes in her author's note about the terrifying rise of anti-Asian violence during this pandemic. How are you both coping as Asian Americans out in the world?

Chen: Yes, it was a tough year, to be totally frank. On top of being in lockdown with two young children and struggling with the travails of homeschooling (I have so much empathy for teachers who had to teach online, the Herculean efforts!), I was worried immediately when I heard that people were calling it the "China Virus." I thought there could be a rise in hate crimes related to Covid and I asked my parents--who are elderly and Chinese and therefore the group most easily victimized--to disguise their "Asian-ness." Which is so sad. I remember being in a store buying bread. Someone saw me and said something derogatory... the rage I felt. Writing this book has helped with turning the narrative of fear or confusion to empowerment.

Diao: It has been very eye-opening to see how quickly the veneer of politeness can drop and fear can step in. My extended family is still in China, so we would frequently get worried messages from them in WeChat telling us to be careful, to stay inside, to protect ourselves. Like Eva mentioned earlier, this book was written in the aftermath of a horrific rise in anti-Asian violence; we've had to face the uncomfortable truth that in some people's minds, we're other, less than. We can't fold, though--we need to be strong, stand up for ourselves and not accept anything less than we deserve. As a child, I spent many years living in communities where I was the only Asian kid and I tried to erase my identity to blend in. Eventually I moved to the Bay Area and was surrounded by other children of Asian immigrants, and I was blown away; over the years since, I've learned not only to be okay with my Chineseness, but to be proud of it, to talk about it openly and find joy in it. That feeling really peaked when I was illustrating this book. --Terry Hong


Shelf vetted, publisher supported.


Book Candy

Great Blizzard Thrillers

CrimeReads recommended "5 great blizzard thrillers that will speak to your snowbound soul."

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This week the New York Public Library celebrated the annual #LibraryShelfie Day.

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Mental Floss explored "how 5 famous authors dealt with writer's block."

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Colm Tóibín has been named the new Laureate for Irish Fiction, the Irish Times reported.

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"Read the CIA's Simple Sabotage Field Manual: a timeless guide to subverting any organization with 'purposeful stupidity' (1944)." (via Open Culture)


Nichols Street Press: Back in Brookford by David Lott


Book Review

Fiction

The Magnolia Palace

by Fiona Davis


Fiona Davis (The Chelsea Girls) delivers another richly detailed, engaging historical narrative in her sixth novel, The Magnolia Palace. As she did with The Masterpiece and The Lions of Fifth Avenue, Davis draws inspiration from a New York City icon: in this case, the Frick Collection on East 70th Street and the way it shapes the destinies of three very different women.

In 1919, artists' model Lillian Carter needs a new career. She harbors dreams of Hollywood but stumbles into a position as private secretary to Helen Clay Frick, the intelligent but capricious spinster daughter of steel magnate Henry Clay Frick. Though Lillian plans to earn the money for her train ticket and then leave, she finds herself drawn into the Fricks' world--but she knows, deep down, that all her newfound skills won't matter if anyone finds out about her past.

Veronica Weber, a struggling English model, finds herself stranded at the Frick in a 1961 snowstorm after a photo shoot. Accompanied by a young Black archivist, Veronica uncovers a mystery: a set of letters comprising a scavenger hunt that may tie her to both Helen and Lillian. Davis expertly weaves together Lillian's and Veronica's narratives, teaching readers about the Manhattan art world and bringing the Frick's many hidden corners to life. The hunt for a mysterious treasure is entertaining, but the real gem of the narrative is the way that all three women, especially Lillian, overcome past obstacles to create new lives for themselves. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

Discover: Fiona Davis brings New York City's Frick Collection and the women who shaped it to life in her engaging sixth novel.

Dutton, $27, hardcover, 352p., 9780593184011

Book Industry Charitable Foundation: Double your donation!


Devil House

by John Darnielle


Devil House is a thrillingly experimental novel from John Darnielle, the lead singer of the Mountain Goats and author of the equally surprising Universal Harvester and Wolf in White Van. Darnielle's protagonist, Gage Chandler, is a true-crime writer looking for the subject of his next book. Hoping for inspiration, Chandler moves into a house where an infamous crime took place and begins his immersive method of investigation. Chandler's occupation allows Darnielle to reflect on the morality and limitations of storytelling, approaching true crime with equal parts fascination and criticism. It also allows Darnielle to push the limits of novelistic structure, as his narrative occasionally slips away from Chandler for lengthy passages that explore the sensational cases that Chandler has rendered into profitable books.

Devil House's slippery narrative is full of the unexpected. While the crimes the book explores have a certain lurid appeal--the case connected to the titular house features a porn store, the Satanic Panic of the 1980s and a gruesome pair of murders committed with a sword--the narratives linger much more on the people involved, on the mundane joys and miseries that drove them. Unsurprisingly, these sensitive portraits are a long way from the legends formed in the decades afterward, revealing the way multifaceted tragedies are reshaped into more convenient narratives. As Devil House nimbly moves between Chandler's investigation and the lives of his subjects, Darnielle weaves together an empathetic meditation on the people who live beneath the notice of society--and narrative--until tragedy strikes. --Hank Stephenson, the Sun magazine, manuscript reader

Discover: Devil House is an unpredictable novel that serves as a fascinating meditation on the harm stories can do.

MCD, $28, hardcover, 416p., 9780374212230

Greenwich Park

by Katherine Faulkner


Family, friendship, deception and doubt permeate Greenwich Park, British journalist Katherine Faulkner's debut novel. The suspense is heightened by the risk to three pregnant women and their babies, linked by family as well as secrets.

The mystery begins with an "Afterward" section on page one of Faulkner's story, an unsigned letter to Helen from Her Majesty's Prison that says "I hope you know I never meant for things to end the way they did." The plot then unfolds from Helen's first pre-natal class. Twenty-four weeks pregnant, she's on maternity leave, bored and drawn to overly friendly Rachel, in spite of her painted, chewed nails, her too-dyed hair and her "wolfish" smile. Ignoring a sense of foreboding, demure Helen accepts Rachel's "coincidental" insinuations into her days, as Helen's husband is distracted by work, and her brother and sister-in-law, Serena, who is also expecting, become oddly blasé toward her.

Alternating first-person narratives from Helen, Serena and their family friend Katie, a journalist, abound with foreshadowing and clues, in a complex story that invites speculation: Who became the prisoner, and what was the crime? Brief descriptions of rushed trysts between unidentified lovers in the leafy recesses of Greenwich Park and recurring reflections on an event a decade earlier add intrigue.

Faulkner's psychological thriller is precise and tight, as unreliable narrators present suspicious twists. One credible voice and a comforting summary slowly ease the meticulously crafted suspense of this chilling, fast-paced tale. --Cheryl McKeon, Book House of Stuyvesant Plaza, Albany, N.Y.

Discover: A fast-paced British thriller speculates on a crime involving a pregnant woman, her family and a suspicious interloper.

Gallery Books, $27.99, hardcover, 384p., 9781982150310

Call Me Cassandra

by Marcial Gala, trans. by Anna Kushner


Greek mythology's princess Cassandra was given the power of prophecy, but when she refused the advances of the god Apollo, she was cursed forever with disbelief. Millennia later, a slight, blond 10-year-old in Cienfuegos, Cuba, insists, "I don't want to be this Raúl, I want to be Cassandra." And yet in the first few pages of Cuban novelist Marcial Gala's provocative Call Me Cassandra, Raúl reveals his immutable fate, to become a "little pretend soldier in Angola" and die at just 19.

Truth from others eludes Raúl throughout his short existence, with a philandering father, a belligerent older brother and a mother disconnected from reality. For young Raúl, his life and body are hardly his own--but knowing he is Cassandra reincarnate is absolute. Bullied by father, brother and schoolmates for not embodying the gender assigned at birth, Cassandra escapes to a faraway, long-ago Troy--whether imaginary or real is irrelevant--to be nurtured by memories, advised by mythic voices. As a soldier at 18, she's sent across the world as part of the 1975 Cuban intervention supporting the communist People's Movement for the Liberation of Angola. Her fate--and everyone else's--is already determined: Cassandra's future holds no kindness.

Translated by Cuban American Anna Kushner, Gala's second English-language novel (after The Black Cathedral) is no easy read: the violence here is vivid and gut-churning throughout. Knowing the outcome from the beginning offers little solace. Nevertheless, Gala is an inventive, enticing storyteller, moving fluidly between past and present--and beyond--effortlessly traversing Greek temples and palaces, Cienfuegos's nightclubs and Angolan battlefields to deliver a brilliantly subversive coming-of-age triumph. --Terry Hong, Smithsonian BookDragon

Discover: Cuban author Marcial Gala's second novel translated into English is a fascinating examination of fluid identity set against cultural expectations.

Farrar, Straus and Giroux, $26, hardcover, 224p., 9780374602017

Mystery & Thriller

Shady Hollow

by Juneau Black


Previously published in 2015 by Hammer & Birch, Shady Hollow is the first in a series of cozy mysteries starring sweet, lovable animal characters. Juneau Black (pen name of a two-author team) will please lovers of both woodland creatures and whodunits with this gentle, plot-twisting exploration of small-town life.

The community of Shady Hollow is home to a typical cast of amiable eccentrics, including a gossip-hungry hummingbird; a good-natured, coffee-slinging moose; a timid mouse accountant; and a family of upper-crusty beavers. When a cantankerous toad turns up dead in the mill pond, however, the town's policebears turn out to be underprepared to investigate, and it falls to local reporter Vera Vixen to uncover the murderer. Vera the fox is "an old-school journalist, despite her youth," and though new to town, her friendship with Lenore Lee (a wise raven well-read in murder and, naturally, owner of Nevermore Books) provides a solid base for her inquiries. The more she learns about the inhabitants of Shady Hollow, however, the more complicated the case becomes, and Vera herself may be in danger.  

With its charming and affable characters, Shady Hollow nonetheless serves up plenty of intrigue and danger, ending with teasing hints of what's to come in the next installment (Cold Clay is slated for March 2022). The nonhuman cast offers an extra note of humor: accused of cynicism, Lenore responds, "I'm a raven.... If you want sunshine and melodies, go find a swallow." This captivating tale offers sunshine and murder in perfect proportion to keep readers entertained and engrossed in deceptively placid Shady Hollow. --Julia Kastner, librarian, teacher and blogger at pagesofjulia

Discover: This whimsical cozy mystery set in a town of animal characters will tickle and amuse alongside its whodunit plot.

Vintage Crime/Black Lizard, $16, paperback, 240p., 9780593315712

The Accomplice

by Lisa Lutz


When Owen meets Luna in a college seminar in 2002, he notes she "appeared normal... and even a bit square," but he also sees "a feral quality in her" and "a girl roiling with secrets." He's instantly drawn in, the same way readers will be by Lisa Lutz's engrossing The Accomplice.

Owen is a privileged rich boy while Luna is a girl with limited means from a broken home. Nonetheless, the two become inseparable as friends but never lovers. They share confidences they tell no one else, especially after a suspicious death occurs within their social circle. Seventeen years later, the two are still best friends, married to other people but living close by. One day, Luna finds Owen's wife shot to death, and the ensuing investigation threatens to uncover everything they've long kept hidden. Is it merely a coincidence that death follows them, or is something sinister going on?

Luna is another welcome addition to the gallery of protagonists that's become Lutz's signature (The Last Word; The Passenger): women who don't aspire to please anyone but are riveting precisely for this reason. Luna can be blunt and not overly social, but she's also the loyal friend one can always count on in an emergency. In understated prose, Lutz nails her precise and concise observations: "Vera, already deeply intoxicated, wobbled on her one-inch heels" and "Luna returned her gaze to the ceiling, because the ceiling didn't judge her." The Accomplice, with chapters alternating between past and present, takes its time revealing its secrets but, like Luna, it leaves an indelible impression. --Elyse Dinh-McCrillis, reviewer and freelance editor at The Edit Ninja

Discover: In this entrancing mystery, two best friends are entangled in the investigation of a mysterious death, 17 years after another death occurred during their college years together.

Ballantine, $28, hardcover, 368p., 9781984818263

The Appeal

by Janice Hallett


The Appeal by Janice Hallett is an epistolary mystery consisting of e-mails and texts, police reports and other written documents, all pertaining to a court case involving a murder. There's every conceivable chance that readers will have a jolly good time sorting through the documents, which are by turns enthralling, catty, contradictory and witheringly funny.

The Appeal centers on the Fairway Players, an amateur theater company in Lockwood, England. The troupe is working on Arthur Miller's All My Sons when chair Martin Hayward e-mails company members to say that his two-year-old granddaughter has been diagnosed with a rare form of brain cancer. After Martin reports that a potentially lifesaving American drug is available, though unaffordable, cast and crew throw themselves into fundraising efforts. When someone outside the Fairway community e-mails the campaign coordinator about making an anonymous donation, it's cause for joy--and then suspicion.

In order to keep all the characters straight, readers will have to consult the lengthy list of individuals associated with the acting company repeatedly, but it's a meager price to pay to follow Hallett's first novel, which is consuming and almost unreasonably clever. As in a typical mystery, The Appeal has its share of liars, but Hallett's novel includes an added layer of obfuscation: readers can be no more certain who's behind the name on an e-mail or text than they can be certain who's behind the name on a book review. --Nell Beram, author and freelance writer

Discover: This spellbinding epistolary mystery, told almost entirely in e-mails and texts, centers on an English amateur theater troupe, some of whose members are secretly playing roles in their offstage lives.

Atria, $27.99, hardcover, 432p., 9781982187453

Science Fiction & Fantasy

Light Years from Home

by Mike Chen


In Light Years from Home, Mike Chen (Here and Now and Then) once again delivers a moving story of fractured familial relationships against the backdrop of a science fiction adventure.

On the run from a voracious alien race called the Awakened, Jakob Shao flees to "one obvious, hilarious, completely impossible choice. Earth." There he'll face a force even more terrifying than the Awakened: his family.

After Jakob's disappearance 15 years ago and their father's death while searching for him, his sisters Evie and Kass followed divergent paths. Evie, who always believed their father's story that aliens took Jakob, left college to chase evidence of extraterrestrials. Kass always believed her irresponsible twin brother ran away; she now has a steady career and looks after their mother, who has early-onset dementia. When Jakob reappears out of nowhere, Evie believes his story about an intergalactic war, though Kass thinks he's mentally ill. Soon, the FBI is looking for him. Caught between blood ties and unhealed inner wounds, the Shao siblings have to find a way to make peace if they're going to save their family, let alone the universe.

Chen gently unfolds every fissure in the Shao family and, in particular, its effects on Kass and Evie. The idea that an intergalactic war cannot seem to alter sibling dynamics feels true here, and readers will root for the Shaos to find the reconciliation they need to move forward. Fans of light sci-fi and emotional journeys should enjoy this touching family drama spiked with a hint of space opera. --Jaclyn Fulwood, blogger at Infinite Reads

Discover: This combination of a cosmic adventure and the story of strained sibling ties packs high-stakes action and terrific emotional range into one dynamic novel.

Mira, $27.99, hardcover, 352p., 9780778311737

Social Science

And the Category Is... Inside New York's Vogue, House and Ballroom Community

by Ricky Tucker


Fans of TV's Pose will devour Ricky Tucker's illuminating exploration of the history of the New York ballroom community. Ballroom, ball culture and house-vogue is a culture founded more than a century ago by LGBTQ+ African American and Latinx people in Harlem, where they found and continue to find acceptance and families of choice.

Tucker names each chapter after a dancefloor category ("Vogue," "Realness," "Body," etc.). The first chapter ("Werk") gives a fascinating history of ballroom culture's representation in media, including Jennie Livingston's 1990 breakout documentary Paris Is Burning, the release of Madonna's "Vogue" and the line between appreciation and appropriation. "This pivotal moment in her career wouldn't be the first or last time Madonna shook one hand with Black culture only to pickpocket with the other," writes Tucker. What makes this book really shine is Tucker's skillful combination of personal, wry autobiography, interviews with pioneers and legends in the ballroom community, and scholarly research.

One chapter spotlights hidden figures in the origin of ballroom during the Harlem Renaissance--including Langston Hughes's complicated feelings about witnessing an annual drag ball in the 1920s. "He vacillates between awe and disdain, or rather, shade so shady you'd think he was the emcee of said ball as opposed to an innocent bystander," writes Tucker. Other topics include queer youth, trans lives, gender norms and resolving body trauma.

And the Category Is... is a valuable book highlighting the long-hidden history of the Black and Latinx LGBTQ+ communities that created ballroom culture. It's an entertaining and inspiring history lesson. --Kevin Howell, independent reviewer and marketing consultant

Discover: "Tens! Tens across the board" for Ricky Turner's fascinating deep dive into New York City's century-old ballroom culture.

Beacon Press, $25.95, hardcover, 248p., 9780807003480

Psychology & Self-Help

Already Enough: A Path to Self-Acceptance

by Lisa Olivera


Stories shape and drive all human existence. And in Already Enough, an optimistic, mindfully aware self-help book by therapist Lisa Olivera, readers will be encouraged to reflect upon and rethink defining moments in their own lives.

As a newborn in 1987, Olivera was abandoned in Muir Woods in Northern California. Though she was raised by loving adoptive parents, Olivera experienced deep-rooted feelings of desertion and inadequacy that were masked in perfectionism. Olivera went into therapy after a suicide attempt at age 14. Mining the past with a trusted confidante helped her to recognize how the story of her life affected her identity and her relationships with herself and others.

Sometimes "the stories we tell ourselves about ourselves are wrong," says Olivera. In her first book, she offers interactive tools and strategies that aim to help others to reframe their own stories more positively in order to excavate their innate strengths and beliefs. Three distinct sections offer guidance: "Getting Honest" shows how important it is to identify and understand the stories woven into someone's life. "Getting Brave" explains how to confront those stories in order to transcend that which holds a person back. And "Getting Free" details how self-actualization can unlock the door to healing and living new stories.

Olivera is wildly popular on Instagram, where she has more than 450,000 followers--and it's no wonder. By splicing her own professional and personal experiences into the narrative, Olivera offers a gentle, positive message with practical, hopeful ways to boost self-worth. --Kathleen Gerard, blogger at Reading Between the Lines

Discover: An insightful, compassionate therapist offers practical, positive advice and self-help strategies for reframing painful life stories.

Simon & Schuster, $26, hardcover, 256p., 9781982138929

Children's & Young Adult

At the End of Everything

by Marieke Nijkamp


At the End of Everything is a stomach-churning thriller that delivers prudent social commentary on the complicated reality of being a teen with mental health issues and what it means to survive when no one cares if you live.

The Hope Juvenile Treatment Center in the Ozarks of Arkansas is a residential rehab facility that provides counseling and therapy to "emotionally troubled youth." But instead of rehabilitating teens, Hope tells them, "Don't speak up. Don't talk back. Don't question too much." When the guards stop showing up for work, the Hope residents realize something must be terribly wrong. A group of them decide to make a run for it, only to be confronted by soldiers who tell them about the deadly, highly contagious respiratory disease that is ravaging the country. Without permits to leave their residence, the teens are forced back to the only place they know. With food supplies quickly running out and the "plague" knocking at their door, the "outcasts and rejects" of Hope must figure out how to persevere in face of the disease.

Marieke Nijkamp (Before I Let Go; This Is Where It Ends) fittingly uses an apocalyptic thriller to shine a light on how members of society treat people they don't fully understand. The three teens at the center of Nijkamp's gripping novel are Grace, whose anger has landed her in solitary nine times this year; nonverbal Logan, whose twin sister is one of the first residents to fall ill; and Emerson, a nonbinary person grappling with their faith. The fear factor is heightened already by the unprecedented situation, but it's how these kids are viewed by the world that is most terrifying. A chilling yet necessary commentary. --Lana Barnes, freelance reviewer and proofreader

Discover: A group of disenfranchised teens in a residential treatment center are left to fend for themselves when a deadly plague spreads across the country in this chilling thriller.

Sourcebooks Fire, $18.99, hardcover, 400p., ages 12-up, 9781492673156

Wutaryoo

by Nilah Magruder


Our origin stories do not always come wrapped up in neat packages. But as one distinct creature learns in this moving picture book, every one of us is worthy of a story, even if we have to write it ourselves.

Little Wutaryoo has a long, fluffy tail, big ears and little horns. She is the only one of her kind, and doesn't know her name. When others ask "Wutaryoo?" she doesn't know the answer and asks the question back. In this way, she learns her friends' origin stories. Wutaryoo worries that she has no story of her own. "What am I?" she asks herself. "Who are my people? Where did I come from?" Surely, she thinks, she has a story, too. And so Wutaryoo sets out on an epic geographic and personal quest to find herself. When she comes to what she believes must be the beginning of the world, she thinks, "My story must be over that last hill." A story does wait beyond the hill, but it's not what she expects.

Nilah Magruder (How to Find a Fox; M.F.K.) approaches the idea of being a "cultural orphan" from the perspective of a Black American whose family was brought in violence to North America so long ago that they no longer have ties to Africa. Although there are no indications that Wutaryoo has a similarly brutal history, she does share the experience of not knowing where she fits into her own landscape. Magruder's digital illustrations are replete with cool purples, blues and grays. The sense of space is broad and deep, with natural features and friendly characters populating foreground and background. Wutaryoo shows readers that identity is shaped not only by where we come from but by who we are right now. --Emilie Coulter, freelance writer and editor

Discover: In a soul-stirring and accessible picture book about identity, a one-of-a-kind creature learns that it's okay to create one's own origin story.

Clarion/HarperCollins, $17.99, hardcover, 48p., ages 4-7, 9780358172383

Augusta Savage: The Shape of a Sculptor's Life

by Marilyn Nelson


Marilyn Nelson skillfully uses poetry to form the image of Harlem Renaissance sculptor Augusta Savage (1892-1962) in this distinctive and thought-provoking YA biography.

Savage, the seventh of 14 children, faced opposition to her art from her father. Nelson hauntingly illustrates the unstoppable fortitude that art ignited in Savage despite this opposition, even at a young age: "Her father's/ fear of his God drove him to search for her/ secret hiding places, to cut switches,/ to beat the living daylights of art's sin/ out of her, a man beating back wildfire." As Savage pursued her passion, she married a supportive partner with a wonderfully suitable name she would keep even after their marriage ended. And Savage managed to forge a career out of the very skill her father attempted to smother. Nelson takes her readers through Savage's commission to sculpt W.E.B. Du Bois, her role in the Harlem Renaissance and the devastation of losing a scholarship to study in France because of her race. Yet no matter the roadblock, Savage powered on.

Nelson's (How I Discovered Poetry) striking verse gives powerful voice to the highs and lows the artist experienced, and the accompanying photographs of Savage's sculptures are awe-inducing. Nelson periodically uses concrete poems to mirror Savage's art, such as the harp shape for the poem "The Harp," which conveys the story of Savage's commission to create a sculpture for the 1939-1940 New York World's Fair. This astute portrait of Savage, who overcame many obstacles to pursue her calling, celebrates the talent, tenacity and benevolence that shaped her character and changed the world of art. --Jen Forbus, freelancer

Discover: Marilyn Nelson's collection of poems vividly tells the inspiring story of Augusta Savage, a groundbreaking Harlem Renaissance sculptor.

Christy Ottaviano Books, $18.99, hardcover, 128p., ages 14-up, 9780316298025

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Author Buzz

A Dark and Stormy Tea
(Tea Shop Mystery #24)

by Laura Childs

Dear Reader,

Tea maven Theodosia Browning dashes down Charleston's famed Gateway Walk as wind and driving rain overtake her. This normally picturesque ramble of hedges and statuary has become a twisted, foggy labyrinth that leads to a moss-shrouded cemetery. There, Theodosia encounters two struggling figures and realizes she's witness to a brutal murder. In the throes of alerting police, Theodosia recognizes the victim--the daughter of a dear friend. And even though this appears to be the work of a serial killer, she launches her own shadow investigation, discovers multiple suspects, and stumbles upon a second dead body. I wrote this spooky cozy with plot, pacing, and action reminiscent of a thriller--then sprinkled in tea lore and recipes to make this Tea Shop Mystery highly entertaining.
 
All my best,
Laura Childs



Publisher: 
Berkley Books

Pub Date: 
August 9, 2022

ISBN:
9780593200896

List Price: 
$27 Hardcover

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