|photo: Josh Huskin
Shea Serrano writes about music, sports and culture for Grantland and the Ringer, and has also written for ESPN, GQ, LA Weekly and Vice. His relentlessly positive presence on Twitter inspired GOOD magazine in 2016 to declare Serrano "Our New Favorite Internet Hero," and his book Basketball (And Other Things) was included in Barack Obama's 2017 list of favorite books published that year.
In Movies (And Other Things), out this month from Twelve ($25) and illustrated by Arturo Torres, Serrano delivers an irreverent ode to post-1980s American film culture, featuring plenty of action movie smackdowns, hilarious one-liners, blood and guts, weird tangents and a whole chapter about Selena.
I love your eclectic and unpredictable chapter titles, ranging from broad categories like "Which Kills Are in the Action Movie Kills Hall of Fame" to hyper-specific ones like "When Was Diane Keaton the Most Charming When She Was in Something's Got to Give?" Did you have a process for coming up with these? Was it collaborative?
It's collaborative in the sense that I'll put a big list together and then I'll send that to the editor--for example, in this case, this guy named Sean [Desmond at Twelve]--and he'll tell me what looks like it could be interesting, or what looks like it could use some work. For the most part, though, I'm just sitting there trying to think of stuff that could be fun.
Whenever I'm working on a book, I want for it to feel very balanced and secretly smart. When you first open it up, I want you to be like, "This is like the dumbest thing in the world!" and then you start reading this stuff and you're like, "Oh--this is actually kind of a smart thing." One way to pull that off is to hone in on one specific thing, so somebody knows exactly what you're talking about. But you can also wander around in some open space and allow yourself to sort of show off a little bit.
This book taps into something that "serious" film criticism tends to overlook, which is that movies are communal, and the conversations we have about them are often the most important part of the experience. Who are some of your favorite people to watch and talk about movies with, and why?
I have a couple of cousins that I grew up with who I went to the movies with all the time, Jesse and Gary Gutierrez. They're brothers, my mom's brother's kids. We all sort of grew up in the same area together, and we were all together all the time, and they are four or five years younger than me. So it was always my job to be like, "Oh, have y'all heard of this cool movie? Let's watch this cool movie together!" and that was a big part of growing up for me, being the person who got to do that with them.
The people I like watching movies with now? I think first place on that list is Laramie, my wife. She's who I go to the movies most often with, and she's a very smart person. You sit down with her and you're like, "Oh wow, you're far smarter than I am," and I like to hang out with those kinds of people.
Another example would be Sean Fennessey or Wesley Morris, who are both work people that I know. Sean is the editor at the Ringer, and he also oversees a bunch of other stuff, and Wesley is a critic for the New York Times. But those are two people who, when you have a conversation about movies with them, they're able to pull in all kinds of information--"This is the cinematographer on this, and they did this because of that." That's always interesting to me.
Lastly, I really like talking about movies on Twitter with people, because I'm just in an office all day by myself, and that's an easy way for me to have some sort of interaction with other humans.
Speaking of Twitter, you've been really vocal there (and elsewhere) about supporting local independent bookstores. Did you have a favorite bookstore as a kid? What makes this such an important issue for you?
I didn't have one growing up. I was never a big reader. Going to a bookstore was not a thing I would get excited about, beyond when you walk in and they've got the magazine rack in there, you know?
It wasn't until college, the first time I started reading books. I remember I read a book--I think it was The Alienist by Caleb Carr. That was a book that we had to read for class, and it was the first time I really sat down to read a book. I remember just being totally pulled in! It was about a serial killer. It was the first time I've ever fallen inside of a book and been completely inside of that world. It took me like two days to read, and it was just eight hours straight of reading each day. I was really, really into it. And I remember being struck by the idea--I was like, "Holy sh*t! Every book in the bookstore is probably this good, and I should read as many as I can." And then it became a thing where I'm trying to read everything all of the time.
You go into an independent bookstore to buy a book, and everything is packed in there, and there's just a different level of enthusiasm in an independent bookstore.
Whoever you're buying it from wants to talk to you about four other books you should read that they know you're going to love, you know what I'm saying? That's just a cool, cool community.
What single movie character do you think has influenced your life the most?
Oh man, nobody has ever asked me that before. That's tricky. The one who has influenced me the most? Okay, I know who I'm gonna pick. Have you ever heard of this movie, Blood In, Blood Out? [It's] a Chicano gangster movie. It came out in 1993, and it's about these three guys, cousins/stepbrothers, who we follow along as they go from early adulthood to adulthood. And one of them is this character named Miklo. His mother is Mexican American, and his father is white, so he grows up wanting to be accepted in the Mexican community, but he can never quite get there. They won't let him join the gang. They make fun of his blond hair and blue eyes. He has this internal struggle about that, and he just goes way off the rails. He ends up committing a crime, he gets sent to prison, and while he's in prison he murders a guy. He becomes like the head of the Mexican gang in the prison, La Onda--basically the Mexican Mafia.
That's a character who I think has influenced me a lot, in part because I've still never seen anybody do it as well as he did. That's a thing that a lot of Mexican Americans struggle with. Do I belong to this community, to that community? How do I fit in both? How do I get that Venn diagram to work so that everybody feels satisfied? He has always stood out to me in my mind for that reason.
He also teaches a bunch of valuable lessons. He lets you know that if you're gonna do a thing, you've got to really try to do it, or else everything is going to go bad. And that's an interesting life philosophy for me. --Devon Ashby, marketing and sales assistant, Shelf Awareness