Shelf Awareness for Readers for Tuesday, December 14, 2021


Wiley: Prep, Push, Pivot: Essential Career Strategies for Underrepresented Women by Octavia Goredama

From My Shelf

William Morrow & Company: The Lightning Rod: A Zig & Nola Novel (Escape Artist #2) by Brad Meltzer

Soho Teen: History Is All You Left Me (Deluxe Edition) by Adam Silvera

'Books [& Cats] Have a Soul'

Books have a soul.... A book that sits on a shelf is nothing but a bundle of paper. Unless it is opened, a book possessing great power or an epic story is mere scraps of paper. But a book that has been cherished, and loved, filled with human thoughts, has been endowed with a soul.

Listen to the cat. In Sosuke Natsukawa's The Cat Who Saved Books, translated by Louise Heal Kawai (reviewed below), a mysterious bookish ginger tabby solicits the aid of Rintaro, the young temporary proprietor of his late grandfather's Natsuki Bookshop. Through a portal in the back of the bookstore, the cat leads Rintaro on labyrinthian adventures to rescue books from those who would imprison, mutilate or devalue them.

Among other new book/cat favorites, I recommend Masahisa Fukase: Sasuke, text by Tomo Kosuga (Editions Xavier Barral/DAP, $55), a gorgeous collection of images that photographer Masahisa Fukase shot in 1977. "And I carry on working, beaming at my two cats in turn," he wrote," happily figuring out my next shot."

In The Writer's Cats by Muriel Barbery, illustrated by Maria Guitart, translated by Alison Anderson (Europa Editions, $16.99), we learn the secrets of a bestselling author: "I'll tell you straight: without us, our writer would not be the writer she is.... Because even if we can't speak, we are peerless literary advisors."

The Art of Patience: Seeking the Snow Leopard in Tibet by Sylvain Tesson, translated by Frank Wynne (Penguin, $26), offers sharp observations ("Despite our high opinion of ourselves, humankind is ruled by soup") and high adventure ("It was a showdown between our admiration and the Snow Leopard's indifference").

While The Cat Who Saved Books actually takes place just before Christmas, all of these titles manage to capture the spirit of the season without really trying to. Here's how: "Thanks to books," Rintaro says, "it's possible to learn not only about the people around us every day, but people living in totally different worlds.... Empathy--that's the power of books." --Robert Gray, contributing editor


Sourcebooks Casablanca: Electric Idol (Dark Olympus #2) by Katee Robert


Book Candy

2021 Literary Quiz

The New York Public Library featured its "End of Year Literary Quiz: 2021 Edition."

---

"Catherine the Great of Russia sends a letter urging her fellow Russians to get inoculated against smallpox (1787)." (via Open Culture)

---

"Keeping the memory of Zora Neale Hurston alive in a small Florida city." (via Atlas Obscura)

---

Author Hilma Wolitzer picked her top 10 novels and stories of the 1970s for the Guardian.

---

Mental Floss shared "20 surprising facts about Bram Stoker's Dracula."

---

Bookshelf featured La città è mobile! bookcase, part of a collection that "interprets the archetypal forms of classical architecture and the wooden building blocks children play with."


Charlesbridge Publishing: Powwow Day by Traci Sorell, illustrated by Madelyn Goodnight


Great Reads

Rediscover: Anne Rice

Anne Rice, "whose lush, bestselling gothic tales, including Interview with the Vampire, reinvented the blood-drinking immortals as tragic antiheroes," died December 11 at age 80, the Associated Press reported. Rice wrote more than 30 books over five decades, 13 of which were part of the Vampire Chronicles begun with her 1976 debut. The AP noted that "long before Twilight or True Blood, Rice introduced sumptuous romance, female sexuality and queerness... to the supernatural genre. In 1985, she published The Vampire Lestat, about the Interview with the Vampire character she would continually return to, up to 2018's Blood Communion: A Tale of Prince Lestat." Her series Lives of the Mayfair Witches began in 1990 with The Witching Hour.

Rice's many books, including The Queen of the Dammed, Cry to Heaven, The Tale of the Body Thief, Servant of the Bones and Christ the Lord, have sold more than 150 million copies around the world. Ramses the Damned: The Reign of Osiris, a novel co-written with her son Christopher Rice, will be published in February 2022. "I wrote novels about people who are shut out life for various reasons," Rice observed in her 2008 memoir, Called Out of Darkness: A Spiritual Confession. "This became a great theme of my novels--how one suffers as an outcast, how one is shut out of various levels of meaning and, ultimately, out of human life itself."


The Writer's Life

Kekla Magoon and de Nichols: Protest and Movement Storytelling

We asked YA authors Kekla Magoon and De Nichols to talk about their recently published books, Revolution in Our Time: The Black Panther Party's Promise to the People (Candlewick Press) and Art of Protest: Creating, Discovering, and Activating Art for Your Revolution (Big Picture Press) and how they see protest and social activism.

Kekla Magoon's novel The Rock and the River won the Coretta Scott King/John Steptoe New Talent Author Award. She is the Margaret A. Edwards Award-winning author of more than a dozen books for young readers and is the coauthor, with Ilyasah Shabazz, of X: A Novel, which was long-listed for the National Book Award and received an NAACP Image Award and a Coretta Scott King Honor. Magoon grew up in Indiana and now lives in Vermont, where she serves on the faculty at Vermont College of Fine Arts.

De Nichols is an arts-based organizer, social impact designer, serial entrepreneur and lecturer who mobilizes change-makers nationwide to develop creative approaches to social, civic and racial justice issues. She is currently a senior user experience researcher of product inclusion at YouTube and a 2020 Loeb Fellow at Harvard University's Graduate School of Design.

Kekla Magoon: What drew you to the art of protest, in particular? Your book is exciting, much like the art it is documenting.

De Nichols: In 2014, my community in St. Louis was directly confronted with the ills of police brutality when Michael Brown was murdered in the streets of Ferguson. During that time, as the city took to the streets in protest, I showed up with art. My friends and I co-created signs, sculptures, performances and other forms of protest art for more than 400 days during that time. Art of Protest shares a bit of that story but also connects a longer lineage of protest art from across the globe.

Kekla Magoon (photo: Alice Dodge)

Magoon: I love that. It's funny, we were asked to talk about "what is protest?" and it strikes me that it can be anything. ANYTHING. 

Nichols: ANYTHING! And everything.

Magoon: People have used words and every kind of imaginable visual art to protest; they've used their own bodies to protest.

Nichols: Right on. I'm curious about how the visual and creative nature of protest shows up in your book and the stories of the Black Panthers. There's so much there: the logos, the fashion, the creations of designers like Emory Douglas.

Magoon: Absolutely. Certain symbols still evoke the Panthers, over 50 years later: black leather jackets, berets, the panther logo, the raised Black fist. The Panthers were aware of what imagery and art could add to the movement. They published a weekly newspaper featuring art and writing by members, including the powerful and distinctive art by Minister of Culture Emory Douglas.

De Nichols

Nichols: I'm moved by this. I lead the studio practice for the national Design as Protest collective. We got the chance to speak with Black Panther leader David Hilliard about the creative foundations and power of the newspaper. And as grassroots media has evolved, we asked him what the future of movement storytelling looks like. 

Magoon: Wow. The question of movement storytelling resonates with me. With Revolution in Our Time, I weighed a feeling of obligation to tell the story of the Panthers the way it has been told by Panther leaders with a desire to tell the story in a way that would make the narrative feel relevant to today's young activists. I wrote about the tension between elder and younger generations of activists, and how both tend to discount aspects of the other's experience and viewpoint. The future I want for movement storytelling is to bridge those gaps, so we can learn from past activist generations while taking what we need to build our own, forward-looking movement that speaks to our time and our needs. 

Nichols: In order to control the narrative and shift it toward progress, we must own our stories. With social media, that means unearthing more of our truths by building and leveraging platforms. There is great social currency and power in using it as a tool that builds on the foundations of the work of the Panthers.

Magoon: How do you think visual art can be used on social media better?

Nichols: The virality of imagery is an area of opportunity. In recent years, gaslighting and retraumatization have unfolded from constantly witnessing Black death and pain online. Creating, seeing, and sharing protest art online reignites the soul. It equips us and our movements with counter-imagery to respond to injustices in ways that connect us and remind us of our humanity and dignity. 

Magoon: Creating the counter-image is important to me. One of the strongest images that evokes the Panthers is Black men in uniform with large rifles. My goal with Revolution in Our Time was to get behind that "snapshot" to tell a deeper, broader story. The Panthers were not advocates of violence--they were community organizers with the goal of fundamentally transforming the structures of society through a revolution of ideas and practices, through caring for the people and inspiring others to do the same. 

Nichols: Exactly.

Magoon: The Panthers wanted that snapshot associated with them, to underscore the value of self-defense and power, but history has turned it against them. Art is expansive, but symbols have the potential to be reductive. Do you think artists directly contend with this idea as a challenge, and/or use it to their advantage?

Nichols: Artists have to contend with both the harm and power of images. For protest, there is greater power in honoring and illustrating multiplicity--in making sure that we are not replicating monolithic views of who any of our communities are. Reduction and generalization are core strategies of white supremacist culture. These methods strip away the complexity and beauty of people's humanity so that harm and injustice might be justified.  

Magoon: True. The nuance and the need to hold multiple ideas and impressions at once is one of the challenges of communicating with people who want to be allies but are struggling to break out of simplistic thinking.

Nichols: What is the solution? Is there a piece of advice that you would give to others looking to raise awareness for a social cause, but perhaps struggling? 

Magoon: I want there to be a singular piece of advice, but it's hard to have only one thing work when we're trying to transform deeply systemic problems. My best advice is to be open-minded, flexible and willing to beat the same drum until the rhythm is heard everywhere.   

Nichols: I would add that there is value in listening to those who have been targeted by systemic ills. As we stand on the shoulders of the work of organizers like the Black Panthers, there is so much that we gain from their experiences and their struggles. Our books are both catalysts and starting points. There's a lot that readers can take from them and then continue to explore. So that's my encouragement: learn from those around you (and before you), and don't be afraid to explore and create. 


Book Review

Fiction

Beasts of a Little Land

by Juhea Kim


Beasts of a Little Land is a captivating debut novel from Juhea Kim, an epic of love and war spanning decades that the author somehow smuggles into a brisk, 400-page book. Set in the early 20th century, soon after the Japanese annexation of Korea, the novel follows dozens of characters but focuses chiefly on the fates of Jade and JungHo. The novel begins with an exciting passage where JungHo's father, a hunter, barely survives an encounter with a tiger and a detachment of Japanese soldiers deep in the snow-covered mountains, quickly giving readers the impression of a beautiful country where most people are surviving on a knife's edge. Soon, the narrative moves on to JungHo, a born fighter who becomes the leader of a band of beggars and pickpockets scraping by in Seoul, and Jade, who is sold by her impoverished parents to become a courtesan.

Their paths intertwine again and again at crucial points in their lives, as the decades pass by and they are swept along by the currents of history, particularly by the brutally repressed Korean independence movement. As with any great love story, their relationship repeatedly sparks to life only to be frustrated by events both mundane and historically consequential. The times the characters must survive are often violent and harsh, but they maintain a surprising tenderheartedness, along with a deep need for love and purpose. Readers should expect to be swept along themselves by the waves of passion and tragedy that make the novel so appealing. --Hank Stephenson, the Sun magazine, manuscript reader

Discover: This complex historical novel and passionate love story is set in a Korea suffering under the bootheel of the Japanese colonial regime.

Ecco, $27.99, hardcover, 416p., 9780063093577

Dolphin Junction

by Mick Herron


Four of the 11 crystalline and often hilarious little nightmares in English thriller writer Mick Herron's Dolphin Junction revolve around Oxford Investigations, a private detective agency run by a husband-and-wife team who face off like a well-oiled motion picture couple. Whenever he's stumped, Joe Silvermann, the dewier half of the pair, asks himself this default question: "What would Marlowe do?" Readers can count on the cast of Herron's glorious first short story collection to do the opposite.

In the title story, a man insists that his wife has been abducted; the police believe she left of her own free will. In "Mirror Images," a mystery writer is convinced that he's haunted by a character he killed off in a book 16 years earlier. In the absurdist but internally logical "The Usual Santas," there's one extra mall Santa at the annual Christmas Eve party, at which everyone must stay in his identity-concealing costume. Herron (Slough House; Dead Lions; This Is What Happened; Joe Country) is an uncommonly good craftsman, tossing off perfect similes ("A lone tree waved on the skyline, like an illustration on a book jacket") with the same effortlessness with which he throws darts that pierce the black hearts of consumerism and capitalism ("On a small enough scale, this is termed theft. When done on an industrial level it is business"). Never mind what Philip Marlowe would do: What would Raymond Chandler do if he were to meet Mick Herron? Probably buy him a pint and suggest that they compare notes. --Nell Beram, author and freelance writer

Discover: In his first collection of short fiction, English thriller writer Mick Herron delivers 11 twisted tales as breezily funny as they are beautifully composed.

Soho Crime, $24.95, hardcover, 312p., 9781641293020

The Cat Who Saved Books

by Sosuke Natsukawa, trans. by Louise Heal Kawai


"The tale that follows is pretty outrageous," the second sentence of the delightful The Cat Who Saved Books promises. Indeed, high school student Rintaro Natsuki, already an orphan, has now lost his beloved grandfather. Rintaro is a hikikomori--a shut-in, only comfortable in grandpa's secondhand bookstore--unable even to go to school. He's supposed to be packing up in preparation for living with an aunt he barely knows. But over the 10 days before the moving van is scheduled to arrive, Rintaro will prove to himself that he is stronger than he ever thought, thanks to a talking ginger tabby cat named Tiger.

"I need your help," Tiger repeatedly insists to Rintaro. Presented with three labyrinthine challenges to solve, Rintaro must set free a career reader's neglected books (57,622 finished thus far) imprisoned in locked cabinets, convince the director of the Institute of Reading Research to stop cutting and summarizing books, and persuade the president of the world's number-one publishing company that maximizing sales should not be the World's Best Books' only goal. Every (unsuspecting) hero needs a sidekick, and Rintaro is reluctantly, albeit happily, surprised to get assistance from class president Sayo Yuzuki, "a strong, no-nonsense type" who's been delivering Rintaro's schoolwork as his absence continues. When Tiger returns an unexpected fourth time seeking aid, Sayo will be the reason Rintaro must confront "the gap between idealism and reality" and restore order--literally.

This empowering Bildungsroman, written by Sosuke Natsukawa, a Japanese doctor, and smoothly translated by Louise Heal Kawai, manages to be both whimsical and wise, revealing Rintaro's superpower is imbedded in his love of books. --Terry Hong, Smithsonian BookDragon

Discover: In Sosuke Natsukawa's charming English-language debut, a talking tabby shows a shut-in teen that his love of books is his superpower, as they undertake labyrinthine literary adventures.

HarperVia, $24.99, hardcover, 208p., 9780063095724

Mystery & Thriller

Midnight Hour: A Chilling Anthology of Crime Fiction from 20 Authors of Color

by Abby L. Vandiver, editor


The 20 stories that Abby L. Vandiver has rounded up for Midnight Hour: A Chilling Anthology of Crime Fiction from 20 Authors of Color would have made excellent source material for Alfred Hitchcock Presents, and not just because that classic anthology series was sorely lacking in color.

Vandiver, who also writes as Abby Collette (A Game of Cones), has collected work with reliably inventive plots. In David Heska Wanbli Weiden's "Skin," a Native man trying to go clean is persuaded by a lawyer originally from "the rez, where he'd grown up" to take one more dirty job: the lawyer's client will pay $2,000 for the theft of a rare book made out of "Indian skin." In Frankie Y. Bailey's "Nighthawks," while a white nurse with a secret is being held up with several other customers at a diner by a man in a face-concealing mask, she notes that he seems to be trying to convince his hostages that he's Black. In V.M. Burns's "The Vermeer Conspiracy," a rich white man commissions a Black artist to restore a masterpiece, unaware that the artist has been plotting an act of revenge against him for decades.

One of the pleasures of Midnight Hour is that at the end of quite a few stories, characters reveal that they aren't what they initially appeared to be. While race doesn't figure into every story, it's hard not to read these identity twists as comments on the pernicious stereotyping that some of the book's offerings document and obligingly eviscerate. --Nell Beram, author and freelance writer

Discover: This collection of strong work by writers from a range of racial backgrounds specializes in stories that remind readers that people are not always what they appear to be.

Crooked Lane Books, $16.99, paperback, 336p., 9781643857527

The Deathwatch Beetle

by Kjell Eriksson, trans. by Paul Norlen


A woman's disappearance from the Swedish island of Gräsö smoothly leads to an insightful look at families and the secrets they hold dear in The Deathwatch Beetle, the ninth absorbing procedural by Kjell Eriksson (Black Lies, Red Blood) to be translated from the Swedish.

About four years ago, Cecilia Karlsson seemingly abandoned her successful job and left the home of her controlling parents, with whom she lived. It was shortly before her boss, Casper Stefansson, also went missing, presumed murdered. But rumors have cropped up about sightings of Cecilia in Portugal, sparking the interest of former inspector Ann Lindell, who, despite her retirement from the Uppsala police force, remains a detective at heart.

Ann interrupts her vacation on Gräsö with Edvard Risberg, "her great torment but also her great love," for an unofficial investigation. Ann's inquiry ramps up when Cecilia is spotted on the island, attending the funeral of an old friend.

Eriksson delves deeply into Cecilia's motives for vanishing: she was angry at what she saw as betrayal by former friends, tired of being mansplained, especially by her father, who seemed to have her life under constant surveillance. Cecilia would rather hide out in an abandoned, mold-filled cabin where the wood-boring deathwatch beetle is "scratching and gnawing in the wall" than sleep in her parents' comfortable home.

The Deathwatch Beetle strongly examines the vagaries of families, including Ann's relationship with her son, Erik, and her re-connection with Edvard, with whom she plans to live a quiet rural life. But part of Ann admires Cecilia's decision to just leave everything behind. --Oline H. Cogdill, freelance reviewer

Discover: A woman's disappearance from a Swedish island spurs a retired police detective's unofficial investigation in this absorbing procedural.

Minotaur Books, $27.99, hardcover, 288p., 9781250766168

Graphic Books

Mycelium Wassonii

by Brian Blomerth


Cartoonist Brian Blomerth returns with a second eye-popping paean to the history of psychedelics in Mycelium Wassonii. The book is a spiritual successor to Blomerth's 2019 graphic novel Bicycle Day, an exuberant, surreal account of Swiss chemist Albert Hoffman's discovery of LSD. Here, Blomerth details the careers of R. Gordon and Valentina Wasson, pioneers of ethnomycology and key figures in popularizing psilocybin mushrooms in the West.

The Wassons' adventures in mycology begin in a cabin in Upstate New York, during the couple's honeymoon in 1927, where Tina proselytizes to a reluctant Gordon about the consciousness-expanding powers of fungi. Blomerth's art is likewise expansive. His full-page compositions are boldly designed and richly detailed: mushrooms spring from the earth and chitter away in an alien language; Tina's headscarf resembles a wizard's cap, suggestive of a mystic or a prophet; waterfalls shimmer with multicolor gradients, evoking a heightened state of awareness. 

Years later, the two collaborate on a "cookbook turned treatise," merging mycology and anthropology. Their research eventually brings them to Oaxaca, where they encounter the Mazatec healer María Sabina, a "first-class curandera" (or medicine woman). They document her use of psychoactive mushrooms in ceremonies--despite her warning that "showing the photos or telling anyone will be a betrayal"--and, in so doing, unleash a tide of Western interest that transforms the Mazatecs' relationship to the mushrooms.

While Blomerth is clear-eyed about the pitfalls of Westerners' historical embrace of psychedelics (he prefers "entheogens," a name "unvulgarized by hippy abuse"), Mycellium Wassonii is above all a celebration: an ecstatic visual fantasia in praise of both the mushroom and the movement that has sprung up around it. --Theo Henderson, bookseller at Ravenna Third Place Books in Seattle, Wash.

Discover: Brian Blomerth's graphic novel is an eye-popping celebration of psilocybin mushrooms and the mycologists who popularized them.

Anthology Editions, $32, paperback, 192p., 9781944860417

Biography & Memoir

Murakami T: The T-Shirts I Love

by Haruki Murakami, trans. by Philip Gabriel


"Objects just seem to collect me, of their own volition," insists Haruki Murakami (First Person Singular): LPs, books, magazine clippings, pencil stubs and, of course, T-shirts. Murakami T might detour from his global bestsellers, but it's a delightful glimpse into iconic Murakami through his casual wardrobe. "Now that I've lived this long, and find myself with enough T-shirts to write a whole book about them, frankly it seems kind of scary," he muses. Murakami T originated as a series of essays for the Japanese men's magazine Popeye. Each essay loosely groups the shirts by theme, enhanced here with photographs of the featured choices. The collection's first photo proves especially memorable--a yellow T emblazoned with "Tony" Takitani House D that inspired a short story and film.

Not every shirt engenders such long life. Some are contemplative: "Meaning Unknown." Some are just for fun: "Whiskey." Some are comically self-referential: "Keep Calm and Read Murakami." Some underscore his well-known passions for music--"Record Stores Are a Blast"--and running--"Can't Help Thinking About a Nice Cold Beer." Interwoven throughout are sly, revealing comments about what he'll actually wear: no Ivy League names, cute animals, Superman and Batman logos; yes to no-images-but-has-random-writing, Volkswagen, plain. An invitingly chatty ending interview with writer Kunichi Nomura spotlights additional Ts left out of essays, including a most striking "DONALD ERES UN PENDEJO," a gift from fellow author Paul Theroux.

Murakami is both a savvy consumer, especially of international thrift stores, and an entertaining guide through personal and pop culture history. Translated by Philip Gabriel, every page is a whimsical discovery, especially satisfying for voyeuristic groupies. --Terry Hong, Smithsonian BookDragon

Discover: Haruki Murakami takes a charming break from his substantial literary bestsellers to chat captivatingly about his substantial T-shirt collection.

Knopf, $25, hardcover, 192p., 9780593320426

Social Science

After Lockdown: A Metamorphosis

by Bruno LaTour, trans. by Julie Rose


While much of the public dialogue about Covid-19 centers on reducing harm, on recovery and on the resumption of "normal life," Bruno Latour's After Lockdown: A Metamorphosis, translated from French by Julie Rose, analyzes humanity's changed existence in the pandemic. He does this in parallel with close reading of Franz Kafka's legendary novella, The Metamorphosis, and argues that the pandemic's first 20 months are a preview of the world ahead. He foresees a world in which life on Earth will increasingly be determined by confrontations between humanity's way of life and the limitations of a deteriorating environment that is no longer as much a natural world as it is a world built by and for humans.

Though After Lockdown is a thought-provoking, philosophical text, one need not be a French theorist to appreciate its penetrating analysis of the stultifying lockdown experience and the networked essence of life, the eccentric humor of its allegorical fables, and Latour's intense commitment to understanding the world. Latour writes with intellectual gravitas, but in his style complexity feels almost like a compliment to the reader. He does not condescend by dumbing things down, and instead treats the reader as an equal mind.

So buckle in to learn new words--e.g., bioclastic, holobiont--and new facts about termites. While sobering in its vision of the future, Latour's After Lockdown is a constant reminder of the pleasures of a passionate theoretical and literary mind, the kind of mind that one can hope will persist through whatever comes. --Walker Minot, teacher, freelance writer and book reviewer

Discover: A French theorist examines humanity's transformed way of life through the Covid-19 pandemic with a forward-looking, thought-provoking thesis shaped by Kafka and an eccentric sense of humor.

Polity Press, $19.95, paperback, 180p., 9781509550029

Profit and Punishment: How America Criminalizes the Poor in the Name of Justice

by Tony Messenger


Tony Messenger spent years traveling across Missouri, uncovering the stories of people affected by court fees and fines--work that he calls "the most important work I have ever produced as a journalist." That work, which earned him the 2019 Pulitzer Prize for Commentary, ultimately resulted in Profit and Punishment, a timely and important revelation of "a national crisis hidden in plain sight."

Messenger's work lies at the "intersection of poverty and criminal justice," drawing deeply on the experiences of three single mothers--and a multitude of other individual stories in passing--to illustrate how the justice system has evolved to become a money-making scheme, often "shouldered by the most vulnerable among us." Through court fees and fines, as well as pay-to-stay bills ("board bills") charged in many states for time spent in jail, the system generates income to support itself, "money earmarked by lawmakers as a backdoor tax" and funneled into municipal budgets, sheriff retirement funds, judge and clerk salaries and more. Messenger posits that more than 80% of the cases that go through the court system are for misdemeanor charges, and the vast majority of those paying into the system are living below the federal poverty line.

Messenger grounds relevant data and theory of a broken system in the experiences of those who interact with it. With each case, Messenger drives home the point: this is the criminalization of poverty in action. It's "an American epidemic... [a] tragic cycle of profit and abuse" that should enrage anyone who comes to understand it--and Profit and Punishment is the perfect place to start that understanding. --Kerry McHugh, freelance writer

Discover: Pulitzer Prize-winning journalist Tony Messenger explores how poverty is criminalized in the United States, grounding data and facts in the stories of those most affected by these policies.

St. Martin's Press, $28.99, hardcover, 272p., 9781250274649

Poetry

All the Names Given: Poems

by Raymond Antrobus


Poet Raymond Antrobus stunned the literary world with his debut, The Perseverance, which won the Rathbones Folio Prize. His second collection, All the Names Given, proves the depth and clarity of his voice as it draws upon the complicated history of his surname and the interrelation of sound and silence, mingling the tangible with the transparent.

In these poems, Antrobus cross-pollinates time and space, each poem reminding readers of the ways a human can, in fact, be two things at once: here and there; now and then; fluent in the formal and the fractured musicality of language. Inspired by the work of Deaf sound artist Christine Sun Kim, Antrobus (also Deaf) interjects [Caption Poems] throughout, reframing closed captioning as a creative act, each description providing layers of unexpected complexity, such as "[sound of something left out]" or "[sound of mirror refusing reflection]."

Whether confronting the raw truth of new love or shared pain, Antrobus creates unforgettable images, simultaneously searing and tender, as in "For Cousin John": "I prepare silence,/ practise each time for a calm dinner/ but you lift a fork, unsettle the territory." And later: "Cousin,/ we all alone in these streets. I wish you/ horses in rain and fields of broken gates," before concluding "Cousin, why couldn't you/ let us see what you were burying? Cousin/ I wish sunlight on all your fields." Often bold and direct, these poems are stunning in their generosity: two hands open, offering abundance. --Sara Beth West, freelance reviewer and librarian

Discover: Deaf poet Raymond Antrobus's powerful collection winds readers between text and image, sound and silence, while tackling questions about identity, family and trauma.

Tin House, $16.95, paperback, 96p., 9781951142926

Children's & Young Adult

Stuntboy, in the Meantime

by Jason Reynolds, illus. by Raúl the Third


In this funny, action-packed graphic novel, readers are introduced to Portico Reeves (aka Stuntboy), a Black fourth-grader and superhero. Portico lives in the biggest house on the block, Skylight Gardens, and suffers from terrible cases of "the frets" (anxiety). Apartment 4D is home to Portico, his mom and dad, Gran Gran and their cat, A New Name Every Day. One-and-a-half doors down in apartment 4E is Zola Brawner, Portico's best friend and the only person who can get him to de-fret. Herbert Singletary the Worst, Portico's arch-nemesis and bully, lives behind the half-sized door between 4D and 4E. Herbert, who causes many of Portico's cases of the frets, also triggers Portico's realization that he is a superhero--his superpower is sacrificing himself to make sure all the other heroes stay safe. Those heroes? The eclectic group of people who live in Skylight Gardens. As Portico tries to dodge Herbert's bullying and cope with his parents' constant arguing, Stuntboy swoops in to save his neighbors and, hopefully, his parents' marriage.

This easily accessible and hilarious graphic novel is broken up into short episodes interrupted by commercial breaks with helpful tips on stunts. National Ambassador for Young People's Literature Jason Reynolds (Track series) creates a text that makes for a quick and easy read and the accompanying digital illustrations by Raúl the Third (Strollercoaster) match the tone perfectly. The artist uses loose, sketchy lines to show movement and adds pops of color to his black-and-white art to focus the eye on important details. Stuntboy, in the Meantime is a perfect book for seven- to 12-year-olds. --Natasha Harris, freelance reviewer

Discover: In this witty graphic novel, a secret superhero figures out how to cope with his changing life.

Caitlin Dlouhy Books/Atheneum, $13.99, hardcover, 272p., ages 7-12, 9781534418165

Dream Street

by Tricia Elam Walker, illus. by Ekua Holmes


Dream Street by cousins Tricia Elam Walker (Nana Akua Goes to School) and Ekua Holmes (Voice of Freedom; Saving American Beach) is a formidable, potent antidote to a world that is often unkind to children, especially children of color. Here, "the children who live and play on Dream Street can become whatever and whoever they want, because their dreams are nourished and cared for."

On Dream Street, brothers Yusef and Biko never leave their home without crowns because, their mother reminds them, "their ancestors... were queens and kings with dreams they never gave up on." Belle, who is going to be a lepidopterist, catches butterflies but she never traps them for long because "everything has a right to be free." Future librarian Zion is already in the library, transported by "skyscraper-tall piles of books that take him on adventures around the world." While the children dream, elders enable. Mr. Phillips plans a jazz band with his five sons; Ms. Paula teaches African dance; Ms. Sarah, Dream Street's longest resident, has endless stories to share.

Dream Street is real--and why shouldn't it be? It's based on Walker and Holmes's Roxbury, Mass., childhood neighborhood. The two had a dream that someday they'd "create a picture book together about everyone they [knew] and [met] on Dream Street." Their gratifying dream-come-true is made magnificent by Caldecott Honor artist Holmes's gorgeously vibrant, multi-layered and multi-textured collages. Each illustration features the residents of Dream Street, making people and their stories the soul of the book. Readers are welcomed into a landscape of acceptance, respect, nurturing and endless possibilities in Dream Street. --Terry Hong, Smithsonian BookDragon

Discover: Cousins Tricia Elam Walker and Ekua Holmes make their childhood dreams come true by creating a powerful book about the best street in the world, on which all children are equally welcome.

Anne Schwartz/Random House Children's Books, $17.99, hardcover, 32p., ages 4-8, 9780525581109

--- SPECIAL ADVERTORIAL OFFERINGS ---

Kids Buzz

The Way I Say It

by Nancy Tandon

Dear Reader,

Twelve-year-old Rory Mitchell can't tell you his first name. He's not in a witness protection program or anything. He just can't say R sounds. He expects teasing, but he never thought his friend Brent would side with his tormentors. He also never expected to learn about heavy metal music from his speech teacher.

As a former speech/language pathologist, I worked with many clients who couldn't say sounds in their own names. I wondered what school would be like for a kid whose difficulties persisted into middle school, and Rory was born. 

Kids will cheer and cringe as Rory and Brent make mistakes trying to repair their friendship. Drawing on stories from Muhammad Ali's life, realistic speech therapy tasks, and a killer soundtrack, The Way I Say It celebrates underdogs and how the right friends make you feel like a champion.

Enter to win a free copy.
https://www.charlesbridge.com/pages/enter-to-win-1

Plus booksellers selected it as an Indies Introduce title!

Turn up your amp and enjoy!

Nancy
www.nancytandon.com




PUBLISHER: 
Charlesbridge Publishing

PUB DATE: 
January 18, 2022

ISBN:
9781623541330

TYPE OF BOOK:
Middle Grade Fiction

AGE RANGE: 
Ages 10 and Up

PRICE: 
$16.99 Hardcover

Powered by: Xtenit